The old bridge across the River Derwent that is shown in the picture
above was mounted on two large iron poles, much like the one which
used to cross the Derwent near the Boat House. It was eventually replaced
by the modern colour works bridge which was erected by the Butterley
Company. There was a bridge across the river in about 1835 (shown
on Sanderson's map[1]) and
it is quite possible the bridge was there for quite a while before
then. Mr. Cardin, for example, would have needed a bridge to provide
access for visitors to the Side Mine.
Just showing through the trees on the right is the colour works which
provided regular, rather than seasonal, employment for locals.
According to Mr. D Palmer Pearson, writing in the early twentieth
century, mining operations at the Side Mine finished in 1844 when
Mr. Bouthman of Manchester gave up his attempt to unwater the lower
reaches of those old workings which reach up towards Starkholmes.
The hole at the back of the colour works didn't, it is believed, follow
any groove or ore bearing rock but was the means of draining the workings
generally and continued for 400 yards. The island on which the colour
works stands is composed of the mine waste which Mr. Bouthman extracted
(although there must have been something to work from originally).
He erected a water wheel of 80 hp, capable of raising 1000 gallons
an hour, together with the weir and goit which was lined with clay
"brought in boats by the Cromford Canal" - Mr. Pearson doesn't
explain, though, how they got over Masson Weir[1].
The land and power source was subsequently taken over by Frederick
Stevens to grind barytes for the paint industry and this was a perfect
site for that purpose it was as there was both power and there must
have been piles of barytes in the old mine hillocks. The site became
available just as the paint industry was demanding the cheap alternative
to white lead. Mr. Hare (senior), who was the manager at High Tor
Colour works around 1969, told Colin Goodwyn that paint works owners
were said to raise their hats to piles of barytes in respect and in
recognition of the money they made by not using lead[1].
There are several references to the Wheel elsewhere on this website:
Panorama of Matlock (1827) - see the section on Caverns
Gem of the Peak
(1840) see The north
entrance to Matlock Dale | Caverns
and Mines in 1840
Wolley Manuscripts: 6669
ff.256-258 | 6671 ff.310-313
A stereo view of the bridge can be seen on the page of "Just
Dale" images
There is also more on site information about the Colour Works and
its owners:
Frederick Stevens
in the Dale in the 1851
census
Thomas and Frederick
William Stevens are listed in various onsite transcripts of trade
directories:
White's (1862) | Kelly's (1864) | Kelly's (1876) | Kelly's (1891)
Kelly's
(1895) lists Ginger Edward Stanbridge, barytes & color manufacturer,
Matlock Dale
1901
census shows George Henry Key of 3 Midland terrace as manager
Via Gellia Paint
& Colour Co. is listed as the owners of the works in:
Kelly's (1899) | Kelly's (1908) | Kelly's (1916) |
One of the Artistic Series, A.P. Co., 9 Bury Court, St. Mary Axe,
London, E.C. No.1957. Exact date difficult as the card is not postmarked
but first postal date known for their cards is now 1905 (see both
Via Gellia,
Tufa Cottage on this website and list
of postcard publishers elsewhere on the Internet which supplies
the date of 1909)
Postcard in the collection of, provided by and © Ann
Andrews Intended for personal use only
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