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Lucy Britten and Sharnessa Shelton are the two girls who make up V*enna and practically take all the writing credits on this debut release. In the background, however, is that gifted guy Zarc Porter. Together with a few friends, he and the girls have produced one of the best British pop/dance albums for some time. To say that it matches anything that the likes of Britney Spears, Steps and the like have brought out, would be an understatement. The power pop sound of the title track immediately makes you sit up and take note of just what V*enna are all about. "Make That Noize", too, has the same flavour but "Why Did I Let You Go" oozes with that 'something' extra. Slower mixes like "Sometimes" still hold your attention but my favourite track had to be "Don't Stop". It would be my pick for a single release but, in all honesty, there's not a bad track on show. 10/10. (November 2000, Album of the Month)
The whispering voice of Daniel Wilcock starts up the first track, 'Disconnected', and the most intelligent comment you can make is "Well it's interesting…" However the whispering doesn't last long and the song changes into the harshly melodic sound similar to that of mainstream bands such as KoRn or System Of A Down. Don't get me wrong though, this is not just yet another band trying to imitate the mainstream bands in order to gain the popularity of the youth; this a very individual and distinct sounding band. Although I'm not a fan of the whispering intro, track one has swiftly become a well-played song in my stereo. The next three tracks in my opinion are not up to the same standard as track one, but this does not make them anything below standard as the memorable drumbeats and uniquely sounding guitars that can cause anyone to nod their head along. Track five is purely a short, instrumental finale to the CD which is a great shame as four songs is not even enough for an EP. Sadly I can only give this CD a 7/10 but that is purely because of its very brief nature; this is definitely a band to look out for in the future. Rik Howlett. (April 2003)
Just another collection of hymns I thought. Wrong! There's some well known ones here, sure, but even they've been given a fresh sound by producer John Hartley. There's also a few new tunes to my ears and they were very pleasing to the ear. "On Christ the Solid Rock" was really good to listen to, and I found myself immediately playing the track again. In similar tones, "What A Faithful God" hit the right note with me. Other tracks include "How Deep the Father's love" and "O The Deep Deep love", while the closing "We Have An Anchor" also rates highly. This album is definitely one of the better hymn collections and the new arrangements work very well. 8/10 (January 2004)
This is another of those compilation CD's that seem to make up
so much of the market nowadays, I must confess that I have never
heard of most of the people on this, but there are no prizes for
guessing that this is an American CD. There are eleven tracks
per CD, plus three bonus cuts which for some bizarre reason are
not named on the sleeve. There is also a free DVD with the retail
version, although from past experience most of these don't seem
to work too well on DVD players over here. The music is mostly
what you'd expect from the title, American Rock/Pop with all the
life produced out of it, which makes it all seem to sound the
same after a while. Most of the songs are quite good on their
own, possibly a double CD is a bit much though. There is a good
version of "More Love,
More Power" by Jeff Deyo, this was the best track for me
anyway. "Broken" by 12 Stones is quite good too. I found
it went better if I put it on in the background whilst doing something
else rather than sitting down and listening to it, which is what
you'd do with the radio I suppose. So in that
respect It does "Exactly what it says on the tin". 6/10
Andy Sayner. (August 2004)
And so the rise and rise of the Double CD compilation continues to gather speed on the Christian music scene. Unusually, however, this one is not a praise and worship album - instead it is a collection of 25 "smash radio hits". What "radio" they might be talking about is not specified, but I'll let that one pass! Disc 1 contains 13 tracks ranging in style from some highly contemporary hip-hop to some hard rock (complete with 'screech' vocals) and stopping off at all points in between. Unashamedly rocky, the pace never lets up from start to finish with Todd Agnew's "This Fragile Breath", 12 Stones' "Broken" and Jeff Deyo's version of "More Love, More Power" particularly standing out. Disc 2 is (a little) more laidback, with the electric guitars taking more of a back seat overall, and even dropping in a couple of worship ballads for good measure - Natalie Grant's "I Will Be" is a superb example of this, Overall disc 1 is pretty adventurous while disc 2 is almost typical CCM in style, and my only criticism would be a feeling that the whole collection might have benefited from swapping some of the disc 1 and 2 tracks around to create a more eclectic experience rather than having all the songs of a similar style coming together. However that would be to carp. This is an excellent collection of songs that grabs you on first listen and gets better as you go. 9/10 David Cooper (February 2005)
Well, this one tested my ears, as I tried to identify the singers on this pre-release copy. No prizes though for identifying Graham Kendrick on the title track, co written by Keith Getty - the press release DID tell me that much. Then we go all celtic-like, on "Hear All Creation" before a really exhilarating version of "Song of the Kingdom". This is the fourth album in the series featuring themed songs dedicated to a specific attribute of the Lord and celebrates the Creator and Creation. "Maker of All Things" does just that with a guitar band sound, and carries the flavour through on "Praise Him You Heavens". It's then I found myself recognizing the unmistakable sound of Maire Brennan, Margaret Becker and Joanne Hogg on "Hear All Creation", quickly followed by Sue Rinaldi(?) on "Sing to the Lord". Another classy compilation of praise and worship that's worthy of your ears. 8/10. (November 2002)
There seems to be an increasing tendency for these double CD collections to go beyond worship songs and include other complementary materials, and this is one of the better ones I have heard. The first CD in the set is a collection of 17 songs, covering quite an eclectic mixture of musical styles including Rock, Country(ish), Pop ballad and all points in between. There are some very familiar ones, such as "Here I am to Worship" and "Jesus, all for Jesus" and some less well known and the whole thing works very nicely as background music rather than something you would sit and actively listen to. Having said that, a few tracks do grab you by the ears, including the rocky "Take the World But Give Me Jesus" and the beautiful ballad "Lord, What I Wouldn't Give", which closes the disc. Overall it is a good collection of songs that work well together and many people will find something of value, and something they can worship to, here whatever their musical preferences. Disc 2 contains a collection of short inspirational extracts from longer works of teaching by such luminaries as Tony Campolo, Rich Nathan and Anne Graham-Lotz. Of the ten extracts, six last for less than two minutes, and the longest is only just over six, and all provide some excellent bite-size pieces of spiritual insight and encouragement. A good and simple idea, done very well. All in all, this is a great package that offers something a little different and, for a change, it is all the better for it. 8/10 David Cooper (September 2004)
Regular reader's will know that I am one of the few people who had never heard any of Rich's music prior to his untimely death in 1997. Therefore, I can't tell you if any of this collection of songs are better or worse than the originals. What I can say is, for me, they are a mixed bag of songs that have been lovingly put together as a tribute to the man and his music. Jars of Clay provide the best track "If I Stand" where it's the simplicity of the song as a whole that beams through. Indeed, the second half of the album is much brighter than the first with flashes of inspiration from the likes of Billy Sprague ("A Place to Stand") and Ashley Cleveland's "I See You". Earlier on, Amy Grant provides what is, arguably, the best ballad "Hold Me Jesus", her sweet vocals singing as pure and true as ever. An album for Rich's fans primarily, but others may want to catch up on the music that lives on. 7/10. (February 1999)
Here's another worship release that tries to capture the essence of a live event with just over 60 minutes of music. Led by Stuart Townsend, Kate Simmonds, and Jonathan LeTocq, the record shares well known songs with one or two that were new to me. The power of the album comes from songs like 'Let Everything That Has Breath' and 'Let There Be Joy', while 'All My Days' really gives you time to worship along with those gathered. This track lasts for over 7 minutes and really does draw you closer to the Lord's presence. 'When the Music Fades', 'We Sing Your Mercies' and 'Before the Throne of God Above' are just three more quality songs to enjoy on this better than average worship album. 7/10. (December 1998)
When I first got my mits on this I had to blink hard & look twice...a mainstream compilation album with CHRISTIAN worship song on it? NO, surely not? But yes it is true. Reading through the track list, I knew the huge majority of the songs which made me feel rather good & quite positive that I was going to like this. Many of these tunes will be given a good airing on a weekly basis in any church that doesn't swing burning handbags & the variety of styles on this album should be wide-ranging enough to please most people. I think it's great to hear them done by people other than your regular worship band as it can give you a fresh perspective & a renewed enthusiasm for some songs which were staring to get a little tiresome. There's also a decent mix of live worship & studio album tracks from artists such as Delirious, Matt Redman Tim Hughes & Vineyard. It would be nigh on impossible to review every track, but a few do stand out. One is the excellent rendition of "Come, now is the time! sung in a live worship setting by Vineyard's Brian Doersken & Wendy O'Connel. It builds the vocals & instruments gradually making a really powerful rendition, which made the hairs on my neck stand to attention, had me joining in belting out the lyrics at the traffic lights. It's not all energetic full-on worship with the presence of my all-time favourite "Jesus be the Centre" in there, as well as other reflective tracks including "The Heart of Worship" and "Here I Am to Worship". Overall, an excellent compilation with wide appeal. Hopefully being on a mainstream label it will reach a wider audience & show that Christian music is no longer stuck in 1662. 9/10 Simon Redfern (August 2004)
I was brought up in a family that held the Billy Graham Crusades in high regard. My mum, now 80 yrs old, sang in the choir and later became a counsellor. She tells how her closest friend was converted at one of the services, and another dear friend is a lady she counselled. Billy Graham's evangelist team first visited the UK in 1954 for a crusade at London's Harringay Arena. This album features best loved songs from the crusades between 1967 and 1991, including Mission England, Mission London and Mission Scotland. Recording quality varies - some is excellent, some less so. There is something uniquely attractive about the way the songs are presented. Arrangements are traditional, stirring, and mostly delivered by large choirs under the crisp and professional directorship of Cliff Barrows, with some songs featuring George Beverley Shea and other soloists. The tremendous 'How great thou art' must surely be the song made most famous by these crusades. Rare low points to my ears are provided by a wobbly Ethel Walters singing 'His eye is on the sparrow' and the medley 'Oh how I love Jesus / To me it is so wonderful'. Mum's favourites were 'There is a redeemer', 'Majesty' and 'Shine, Jesus, Shine' - and interestingly, even she felt that there was an overall 'old fashioned' feel to the album. I agree, but feel that this is part of its charm. I also support mum's choices as it happens - but would add 'Give Thanks' to her list. A pity we aren't given the date and venue of each song. Overall however, I am happy to add this CD to my collection. 8/10 Dave Deekes (December 2004)
Featuring hymns both old and new 'Breath of life' is performed using traditional Celtic instruments. Indeed, it is the sparse, yet cleverly used accompaniment that mould gently around Joanne Hoggs' lovely vocals on the opening track "The Lord is My Shepherd". There's lots of whistles, pipes and fiddles featured on the uptempo instrumental "Praise to the Lord...", while in comparison the sweet sounds of "O Breath of life" and "O Come O Come Immanuel" reflects a quieter mode. Terl Bryant's excellent percussion work on "All Creatures of Our God & King", added to Troy Donockley's Uileann pipes, brings a superb sound that is only complimented by the rest of the backing. I can't say that I am a real lover of this type of music but I did find this album enjoyable. On the whole, lovely renditions of hymns in a different style to those you're used to hearing. Well worth a purchase. 8/10. (June 1998)
The sleeve notes say that this release is a response to a "need expressed by worship leaders for music that brings forth the foundational theology expressed in our greatest hymns with a more modern musical approach". The result is a bit hit and miss, as some of the new arrangements work quite well, while others miss the mark completely. Michael Tait's opening "How Great Thou Art" is sung with a great sense of feeling while Leeland Mooring's "Lord, I Want to Be a Christian" has a gentler, yet appealing, approach. Paul Colman absolutely murder's "Amazing Grace" but does well with the jangly guitars on "Jesus Keep Me Near the Cross". Christiane Byrd offers a folk version of "Come Thou Font", and I particularly liked Jason Ingram's energetic, yet thoughtful, version of "It is Well With My Soul". It's a bit of a mixed bag overall, and I'm not sure whether the initial idea of the album has really worked. 6/10. (December 2005)
Soothing, relaxing, and resting were just three words that immediately sprung to mind when describing the music contained on this album. Although both Joanne Hogg and Troy Donockley are the most well known artists featuring in this celtic collective, nothing should be taken away from the rest of the musicians. "Be Thou My Vision" is the first track, beautifully delivered with the solo provided by Sarah Lacy. Donockley's array of talents come to the fore during "Not By Might" when his soothing pipes really do drift right through you. However, the light-weight version of Robin Mark's "Lion of Judah" doesn't quite mix in with the rest of the album. Maybe it's because I know the song so well, but it sounds decidedly odd. That would be my one moan of what is a delightful album to either meditate or relax to. 9/10. (February 1999)
I've already heard two excuses as to why this album is so poor. 1. You had to be there, the music was only secondary to the atmosphere. 2. It was a very difficult event to record and reproduce. The likes of Noel Richards, The Wades, Sue Rinaldi, & Delirious, all appear on this sub-standard album that has failed to even send a flicker to my heart, never mind Miss Rinaldi's call to 'Carry the Fire'. The production is dull and the outlook cloudy. Unless you were there and want a momento, forget it. 2/10 (January 1997)
Now, I'm not the biggest classical music fan you'll ever find. In fact, it's very rare that I even contemplate listening to any. But, there's always certain surprises in life, and "Classical Gold" is one. A triple CD package that features 37 tracks of worship played by the piano, harp, and strings. In all honesty, I found the piano too thin on a lot of the tracks, although "Jesu, Joy of Man's Desiring" will always be a favourite of mine. As for the harp, I found all the tracks very peaceful and, therefore, more listenable. "The Servant King" and "As the Deer" just two of the many excellent numbers. "I Will Sing His Wondrous Story" and "He Was Pierced" kick off the the final CD, and the string arrangements did work best. All in all, quite a feast for classical fans, as well as people like me. 8/10. (September 2000)
Sub-titled "A Christmas Worship Experience", this album must get some brownie points for not just churning out the same carols and hymns that we hear each year. Even the appearance of "O Come All Ye Faithful" has been given a new melody line, albeit quite short in length. Indeed, there's two short laments that kick off proceedings, sung by Ana Laura, and Bebo Norman. Neither of these inspire, but Joy Williams' "Here With Us" has a distinct quality and shines well. "Hail Almighty King" is quite a good folk/pop song, but the celebratory song of Jesus' birth, "Messiah Has Come", by Cindy Morgan is the top ditty on show." Silver Starlight", by Caedmon's Call is another good pop song, but then comes an amazing offering by Jars of Clay. Don't expect to hear their full rock sound here, it's sweet and sickly, and sounds like a tacky music box, yet somehow, it works well. Over songs include the warming "Manger Throne" by Third Day and Krystal Meyers' "King of Angels". It's a bit of a mixed bag really and I'm not sure whether it will appeal to fans of the respective artists. 6/10. (December 2005)
This project celebrates the life of David, described as a gifted musician, a brave man, and a warrior. The songs were first performed live in St Paul, Minnesota on the night of June 26 by Bob Carlisle, Russ Lee, Clay Crosse, Greg Long, Scott Krippayne, and Steve Camp. The songs range from the Jewish sounding "the Heart of You" to the big production sound of "Satisfied in You", based around Psalm 63. On this, Russ Lee's voice is pure gold. And talking of great voices, Scott Krippayne's "The Lord is my Rock" shows just what this artist can achieve when he puts his mind to it. A DVD comes in the package and it shows all the songs being performed in the vastness that is, the Nevada Desert. All in all, something a little different, and worthy of it's place in anyone's collection. 8/10. (October 2003)
This brand new release features, not only, Jarrod Cooper, but singer/songwriter Paul Hemingway, and vocal worship group Shekinah. With almost all the writing credits falling to the two solo artists, it's a mixture of songs that lacks a little continuity but has many highlights. The mixture of live and studio recordings work well and it's in the former style that "He's Alive" begins the listing. A typical opener, with lots of clapping & praising, it would grace any gathering. "I Rejoice…" is rather too short in length and finishes before it really has chance to shine. Indeed, this was my disappointment with many of Paul's songs. "I Surrender" is a lovely acoustic number and Felicity Cooper's "A Ti Sea La Gloria" provides the listener with a great sense of God's peace. On the whole, another winner from this fine ministry. 8/10. (March 2000)
Subtitled "15 of the year's best Dove Award nominated artists and songs", this release should give you some idea of just what's happening in US Christian music. Like a lot of compilations, I guess personal taste counts for how many of the songs really appeal. Mercy Me give it a good pop start with "The Change Inside of Me", before Mark Schultz performs the brilliant tear-jerker "Letters From War". What's happened to the Newsboys over the years I just don't know. From the quirky days of "Take Me To Your Leader", they seem to have mellowed into just another praise and worship band. However, their contribution, "He Reigns" is a good song. The album also features a No.1 country hit, that being Randy Travis' "Three Wooden Crosses", while Casting Crowns sound remarkably like Nickleback on "American Dreams". Jaci Velasquez gives a polished performance of "Jesus Is", and Christiandoms latest pop sensation, Stacie Orrico delivers a tepid little number called "Strong Enough". Good in parts, but that personal taste means this is only a 6/10. (September 2004)
When the title includes the words "best of.." or, as in this case, "Essential", I often wonder on what, criteria the songs are chosen, and by who? There's certainly no complaints from me about the contents of the lyrics of any of the songs here. They're all full of praise, worship, prayers, and hopes, written by a number of well respected writers. "God of Wonders" reminds me a lot of a Fernando Ortega song but is, in fact, penned by Steve Hindalong. "Testify to Love" is co-written by Paul Field, Henk Pool, Ralph VanManen, and Robert Riekerk, and the combined influences result in an 80's sounding pop/rocker that has somehow survived the test of time. Other songs included are Michael Card's "El Shaddai" and John De Jong's beautiful "All I Can Bring". I also liked the edgy worship of "I Want to Hear Your Voice" - very fresh sounding. Essential Christian songs? It's your choice. 7/10. (July 2003)
Over in Norway, two small record labels have come together to produce a fine sampler of tracks from European CCM bands. Sarepta and 1340 Records have taken tracks from As If…,NSC, Skellig, and many more to feature an insight into 18 different bands/artists. If there's one thing that's constant throughout the album it's the driving guitar. From the Wheatus sounding Maybe June and through the bonus American contribution Wonderboys, it's the stringed instrument that's to the fore. Mind you, As If's experimental "Full Bloom" doesn't mean to say that they've changed their style, perhaps just continuing to grow? Debby Barnes' "Three in One" is Garbage, and I mean that in the sense that the finished product sounds like the band! Target's "Perseverance" features their bright pop style that was so evident in their Cd release of last year, while Ascension's "Goats" is another track lifted from a successful album. Of those I'd heard before, it was good to hear NSC's "Breakpedal" again and, while not a personal favourite of mine, it's very popular live. For something completely different, Nancy Sawyer's "Dancing on the Inside" is a welcome relief, with her lighter, folk/pop and sweet voice. There again, if moshing's your sort of thing, check out the German band Woodencross. "Ghandi" is wonderful. Starting with a terrific brass section, it's then head's down for some music. Interesting collection and one that does show what unearthed talent lies across Europe. 7/10. (June 2001)
I've got to get it off my chest right now...this is pretty awful. My most humble apologies to everyone involved with this record but it contains some of the worst praise and worship songs that I've ever heard. Writers such as Paul Field, Noel Richards and Judy Mackenzie Dunn all contribute but of little consequence. "Wake Up My Body" made my children cringe, complete with it's Sesame Street type chorus. "Fruit of the Spirit" is worse still and sounds as if it's come straight from one of those awful 1960's variety shows. If there is a highlight to the album, it could be the way that the acoustic guitar playing on "Father God I Come To You" lifts an ordinary song out of mediocrity. 1 don't think that I've ever felt so bad about reviewing an album . 1/10. (September 1997)
Performed by the Scottish Festival Singers, and recorded at St Cuthbert's Church Edinburgh, this releases features exactly what it says. Twenty Favourite Carols, sung by a seasoned choir and soloists, that gives you an old fashioned Christmas feeling. There's no surprises, no frills, and no techno wizardry involved (recording apart), it's just plain, simple carols, sung in a way that the older members of any family will appreciate. Tracks include "On Christmas Night", "We Three Kings", "O Come All Ye Faithful", and "Joy to the World". A very healthy Christmas serving. 7/10. (December 2002)
What new words can be said about two collections of hymns that have, already, stood the test of time? Two albums that contain 40 of the best loved hymns, from classic writers such as Charles Wesley and William Henry Parker, as well as the relatively new school of Graham Kendrick and Melody Green. Recorded at St Cuthbert's Church, Edinburgh, and featuring The Scottish Festival Singers, songs old and new bring old fashioned church worship alive once more. "O For A Thousand Tongues" is acknowledged as one of Wesley's greatest pieces, and it's always been one of my personal favourites. I was soon singing along, much to my work colleagues mystification. "Low in the Grave" is presented with great gusto, while the gentleness of "Spirit of the Living God" flows easily into the listener's spirit. "The Old Rugged Cross", "The Lord is My Shepherd", and "Immortal Invisible" are just three more excellent pieces on these wonderfully produced albums. 9/10. (August 2002)
Get me my ten gallon hat and rhinestone jacket.....Sorry, country music has this effect on me. Twenty-one tracks on show with this release featuring the top artists of the new country age. To be fair, there's five easy going tracks before the real classy stuff is let loose. Michael James gives us track 6, a ballad, called 'With Every Turn of the World'. Excellent numbers include Kate Taylor's 'Satellite Sky', Mid South's guitar driven 'Love Comes Through', and Jackson Finch's thought provoking 'It's A Hard Life'. Add to this, songs by Carolyn Arrends, Andy Landis (both NFN fave's) and Steve Grace and you'll realise what quality is on offer. Two interesting songs require a special mention. Lost Dogs' 'Bad Indigestion' - referring to the fact that we take in so much junk from the world, it gives us...- and the simply superb 'Elvis has Left the Building, Jesus is Coming Soon' by Mercy River. If it wasn't for those first few songs, this would be almost a ten. Instead... 8/10 (December 1996)
In early 1997, an historic gathering of music pioneers of the Jesus Movement took place at a mountain retreat in South California. More than 25 years after those initial times, the likes of Love Song, Barry McGuire, 2nd Chapter of Acts, and many others, share their music from those early beginning of Jesus Music to the present. It's a double CD, and one that really takes some listening too, for a relative youngster of CCM. In fact, all but two of the artists featured were brand new to me and I found it difficult to listen to the old fashioned music. However, let's not take away just what is on offer here and, also, remember that without these people CCM might not have got to where it is today. For all you historians, there's plenty to get your teeth into, including a brand new Keith Green song that has only recently been found. Randy Stonehill sounds as good as he does today and Darrell Mansfiled's "Million Dollar Feeling" stands up well. Also available is a two video set of the performances with extra interview footage that really does give you the feel of what it was to be involved in the Jesus Movement. Too many artists to list, but an album for those with a real love for early 70's musicas well as those who just want to find out more. 7/10 for the CD and 8/10 for the video. (November 1999)
Primarily released for Valentine's Day, "For the One I Love" is a collection of songs, to "celebrate the love that you cherish". Twelve tracks, given the instrumental treatment of soft and gentle, piano and saxophone sounds. Imagine a candlelight dinner for two, a warm fire, and this album playing in the background. Got the mood? Mike Haughton's saxophone work is quite outstanding throughout, married to the keyboards and piano of Pete Haslam and others. Needless to say, all the songs are either medium paced or slow ballads. There's a lovely version of Michael W. Smith's "I Will Be Here For You", as well as Lionel Ritchie's "Hello". The downside to this album, for me, was the unfamiliarity with most of the tracks. Despite Haughton's skills, by mid-way the whole thing was beginning to tire. 5/10. (April 1998)
When 40,000 gathered at Wembley Stadium in 1997 to praise and worship God, it was the culmination of a vision that had been in the heart of Noel Richard's for nearly 10 years. But, that gathering wasn't the end of the vision and in the year 2000 66,000 people attended the Millenium Stadium in Wales for another gathering. More stadium events have since been played and now a Cd has been released featuring some of the best moments from those concerts. "Global Gathering" is the title of this new CD and includes artists such as Matt Redman, Robin Mark, and of course Noel Richards. The former gives renditions of songs such as "Lord Let Your Glory Fall" and "Let Everthing That Has Breath", while the Richards' himself chips in with the storming "Calling All Nations" and the excellent "Dreamers of Your Dreams". Some of the songs seems to have been recorded to death over the last few years but new ones like Chris Tomlin's "You Are the Lord" and 100 Hours' "You Are Holy" stop this from becoming just "another worship album". 7/10. (February 2003)
Another one of those compilations that let you sample artists that you may not have heard of before. Five artists here, from five different countries, each performing three songs. What About? are from Norway and sound like their secular hero's A-ha. There pop songs are the best, if a little short. Holland's Ralph Van Manen plays the best version of Martyn Joseph's 'I Will Follow' for some time and he looks like a man to watch out for. Sweden's Edward Negussie has a laid back style which is quite bland, while Ireland's Split Level bounce things up again with the terrific 'Why'. Rounding up the collection is England Message Tribe and the pick of their offering being 'The Year of The Lord's Favour'. It's a full price album, and I just wonder whether you'd want to part with your well-earned cash for this? If you've got a few quid, you could do a lot worse than giving this a try. 7/10. (August 1996)
Produced by those leading lights, Charlie Peacock and Scott Dente, here's something fresh for the Festive period. When I say, fresh, I mean that it's not just a collection of well known artists singing the same old carols and Christmas songs as usual. It begins with Peacock's rendition of his own song, "Gloria", sung in a duet with Ginny Owens. From that moment on, you know that this album has something going for it. Wayne Kirkpatrick's "God is With Us" is sung by Amy Grant, and that's closely followed by Kirkpatrick's rendition of a Chris Rice song, "Welcome to Our World". "O Come All Ye Faithful" IS one well known carol that makes the listing, but Shaun Groves and George Rowe's version makes it a worthwhile inclusion. My favourite track came from Christine Dente, and co-written with Peacock. Here, she sounds just full of Christmas in an olde world type number. A nice collection from some great artists. 8/10. (December 2004)
I wasn't there, but I do like this live worship album. Featuring Chris Bowater, Johnny Markin, and Trish Morgan - amongst others - there are 14 songs to keep your eyes and hearts firmly fixed on God. Kicking off with 'He's the Lord of Hosts', the music slowly leads you into worship rather than expecting an immediate response. It's always difficult to imagine the event as it happened, unless you were actually there, but the leaders do seem to have a gentle way of encouraging. 'Lord We Come to You', 'Ready For the Rain' , and 'Heartbeat' are just three more titles that Grapevine 'fans' can hear on this album. 7/10. (December 1996)
Not another compilation? There seems to be rather too many of these being released at the moment instead of spending the money to promote new talent. "What next?", I ask myself, "The Best of the 'Best of' album?". This one, for what it's worth, is fairly mediocre in quality. The opening two tracks had me cringing as I visualised Alvin Stardust on those quirky Rock Gospel Shows of the 80's. The first high point comes from Trish Morgan and the beautifully crafted 'You Are Lord'. Martin Smith then brings acoustic worship to it's peak with his own 'Thank You For Saving Me'. Listening to the response of those gathered at the event, there is no doubt that, at the time, worship was special. However, after listening to so many similar albums over the last couple of months, I found this - despite Noel Richard's 'Behold the Lord' - just uninspiring. 4/10. (November 1997)
Although I have never been a great Greenbelt fan myself, this album is undoubtedly going to stir a lot of happy memories in people. In fact, the opening track from River City People prompted me to buy their album many moons ago. There's some really good sounds here, like, Michael W. Smith's "Secret Ambition", Eden Burning's "Deep Blue Sea", and "Bright Red Carpet" from All Star United. For me, there's also some poor material included but, there again, I've never been a fan of Ricky Ross or Martyn Joseph. Some of these songs you won't of heard for years and Steve Taylor's "We Don't Need No Colour Code" will remind everyone of his outrageous stage shows. Vigilantes of Love provide something different with the acoustic-folk "The Opposite's True" and, for once, I even enjoyed Garth Hewitt! 8/10. (February 1999)
After the success of Michael W Smith's worship albums it is, perhaps, no surprise that his record label puts out a similar collection from the company's artists. Chris Rice, Watermark, Shaun Groves, etc, they're all here. The former sings the title track nicely, even if it is a little dull in content, while Ginny Owens chips in with two good songs "All I Want to Do" and the pretty "I Am Nothing". Alathea contribute, perhaps, the best track from their debut album, "Emmanuel". I liked it on release, and I still get the same tingling feeling listening to it now. Ronnie Freeman and Out of the Grey are also featured on an album that doesn't really lead anywhere. As a promo, it's passable. 5/10. (October 2003)
Sub-titled "Tradtional Christmas carols featuring authentic Celtic instruments", the first thing that struck a chord with me was the fact that this album was recorded and produced in Nashville and, not, Ireland. Still, the list of musicians seemed to capture the spirit quite well, and we're treated to some jigs, ballads, and haunting music. The "I Saw Three Ships" medley is, indeed, a jig, and it works well, adding a certain spice to those well known songs. "The First Noel" is also played well, but I did start to tire by the time "The Wexford Carol" came along. There's over 50 minutes of music here featuring well known classics such as "Good Christian Men Rejoice" and "Deck the Halls" but I lost interest very early in proceedings. One tune slips anonymously into the next and an album that started so brightly dims to a flicker by the end. A good idea, but not one that lasts the course. 4/10. (December 2004)
Boasting a list of brilliant artists, this album was bound to be something special. Leann Rimes makes full use of her precocious talent on "I Need You", a great ballad, and DC Talk present a re-vamped version of the classic 60's hit "Spirit in the Sky". Avalon show off their pop pedigree on "Fly To You" and Sarah Brightman reprises her hit "Pie Jesu". And, if those are not enough, the icing on the cake is provided by two superb ballads. Top American country act, Lonestar follow up their world wide hit "Amazed" with "Love Can Change Your Mind" - a song that brings a lump to my throat every time I hear it. Magnificent, just doesn't do the song justice, it really is incredible. Jaci Velasquez then follows with a track "When You Walked Into My Life". Her smooth, rich vocals, melt into your heart and produce one, very classy, love song. Often, these compilations fail to deliver the promise but, on this occasion, you won't be disappointed. 9/10. (June 2000)
Featuring the Tribe, Delirious?, Raze, Matt Redman, and many more, this release moves on from it's predecessor. It starts well enough, with the Tribe giving it all with 'Lift It' but it's track 3 that really makes the hair on the back of your neck stand up. Ex-HOG man, Justin Thomas raps his way - Coolio style - with the super excellent 'Thank You For the Rain'. Believe me, this number is just soooooo good! Things go rather downhill after this with bland efforts from Minds of Men and Storm. Delirious? go disco? 'Revival Town' has been been turned into a monster, while Matt Redman's 'Be in My Life' has become nothing more than a dirge. There are other highlights, including Lucy Britten's pumping 'Nothing Compares' and both contributions from Raze. On the whole, I guess I disllike this album as much as I cringe when my daughter has left the car stereo tuned in to the dance music radio station. I suppose, therefore, it's not too bad but it's not patch on God II. 5/10. (October 1998)
An upbeat album not to be missed. A mixture of the previous "Jumping in the House of God" albums. There's something for everyone, if you like dance music. From very 'jumping' tracks to rap, and to old songs given the dance treatment, this is an album for the youth generation. There are quite a few WWMT songs featured on this compilation so, if you're not a fan, this may not be the album for you. I was most surprised to see an old hymn "Be Still" had made it onto the album but, I liked it's new dance style backing - far better than the traditional tune! As I said, it's a good dance album which also features Cameron Dante, Delirious, and Raze. 7/10. Annabel Wray. (June 2000)
As always, hundreds gathered for the annual Keswick Convention last summer and, from it, comes the album "Keswick Praise 17". Led by John Risbridger and Colin Webster, the congregation are accompanied by some talented musicians. It begins with some Celtic worship that builds from a quiet, reflective piece, to a strong middle piece, before slowly, closing quite gently. "My Lips Shall Praise You" is a joyous song but the recording is hampered somewhat by what sounds like a chirping bird throughout! "Above All" is delivered with all the majesty that it deserves, while "When I Was Lost" gathers everyone together in full praise. I'd never heard of "Awake, Awake O Zion" but, I really enjoyed listening to it here. The mood changes towards the end for some old fashioned hymns and worship, that includes the lovely "Jesus, I Am Resting, Resting" and "Thank You For Saving Me". Not outstanding, but a worthy addition to your collection. 7/10. (February 2003)
Adapted for film from the hit stage play "Dearly Departed", Kingdom come is a collection of stories about a family that has experienced the death of the figurehead, Woodrow "Bud" Slocumb. Although tension run high during the funeral, the family finds that Bud has a valuable lesson to teach them before they lower him into the ground. With all tracks written by Kirk Franklin, you know that the standard of music is going to be good. With artists such as the man himself, plus Crystal Lewis, and Mary Mary all taking part, the result should be exceptional. Shouldn't it? The 11 songs are a mix of Urban and Gospel music. The title track is okay and the soulful "Daddy's Song" met with nodding approval from those I played it too. "Thank You" features Franklin and Mary Mary, in a hip hop number that Destiny's Child wouldn't be out of place performing. "Thy Will Be Done" features some top female harmonies, with the lead being taken by Deborah Cox. The movie features Whoopie Goldberg, amongst others, and that should ensure that the soundtrack sells in bucketloads. For me, I'd like to see the film before decididng. 6/10. (August 2001)
With my family taking their turn at running the Summer Sunday School at our church, it was a gift from God when this tape turned up to review. What better way to gauge it's use than in a live situation? This is a collection aimed at little people (we used to call them children) that teach, praise, and help them learn about coming into the presence of God. Such well known songs as "From the Rising of the Sun", "He's Got the Whole World", and "This is the Day" went down really well and even the slightly differing arrangement failed to throw our group. Out of the new songs, most of them were a little difficult to learn in one session but I think that - with practice - numbers like "The B.I.B.L.E." and "If You're Saved" are going to be winners. For an age range of 4-8 year olds, the songs are fine but our 9 year old certainly wanted the Spice Girls! 7/10. (September 1997)
1998 saw 20,000 people gather at Stoneleigh. The largest gathering of Christian women in the UK, for decades, came together at Focusfest, followed by Mandate and a huge assembly of Christian men. Soul Survivor & Re.vive @ Stoneleigh saw young people pouring out their love for the Lord, and the same generation in Canada did the same at Salvation Singing. If that's not enough, a worship team who's average age was just 21, led more than 12,000 worshippers at the Easter People event. This release captures some of these moments with many of the big names in worship appearing on this double CD - including Matt Redman, Paul Oakley, Stuart Towned, Ian White, and others. My favourite tracks are "Take Us to the River" by Robin Mark, and "Great Is He" with leader, Kate Simmonds. Wayne Drain's version of "Be Thou My Vision" is really good and the instrumental at the end rounds it off nicely. Overall, this CD is a good mixture of worship from the year's successful events. We do like these compilation records as they give you the opportunity to listen to musicians you would not normally get the chance to hear. A sound collection of live worship. 8/10. Pam & Tim Robinson. (May 1999)
Featuring worship leaders like David Ruis, Robin Mark, Matt Redman, Brian Doerksen, Kate Simmonds, and a host of others, this double album celebrates the best of the years events from around the world. I'll get it off my chest straight away, so here goes. Why do so many modern worship leaders sound like Redman or Martin Smith? Of the 32 tracks on offer, quite a number fall into this category and I find them all quite tedious to listen to. However, there's a lot of good stuff, so let's focus on that shall we? Kate Simmonds and Redman, himself, begin things with "In Every Day That Dawns" and "I'm Making Melody" respectively. Andy Park's "I Will Praise You Lord My God" is a simple love song to the Lord, while Noel Richards' "When We Turn Our Hearts To Heaven" is a song of great power. Robin Mark's "Men Of Faith" is a rousing number of epic proportion, and always a favourite at live events. Of the other highlights, Tim Sherrington's "I Will Come To the Waters" stands out, as does Rhys Scott's "Almighty God". Both are quality songs from relatively new writers. Not an original release but pretty good for your money. 7/10. (May 2002)
So now the British 'Event of the Year' has made it onto CD. While the video boasts Delirious?, they are noticeably absent from the album. The man behind it all, Noel Richards, kicks of proceedings with the powerful 'Let Your Love Come Down' and returns later with the excellent 'We Want to See Jesus Lifted High'. Is it me or is Sue Rinaldi still singing the same songs as she did 10 years ago? The Wades? Well, thankfully they only make a brief appearance, but that was more than enough for me. I've never heard of Chris Flason before, but his quite exceptional 'I See the Lord' is a stomping good foot tapper. Matt Redman's the other man with an eye for a good song and there's no doubt that his 'I Will Dance' went down a storm. It's not a brilliant listen, as a whole, but you can't help being captured by the vision and the bravery of the event and the people. 7/10. (November 1997)
Primarily released for Valentine's Day, I'm afraid that this one was over a month late in dropping through my letter box. However, let that not detract from the fact that this is, possibly, the best collection of Christian love songs that I've come across. The obvious contribution, of course, is Sixpence's "Kiss Me", but it's far from being a 'one-track' album. Jaci Velasquez sings the title track as well as Grammy nominated "Llegar A Ti", a very beautiful Latin number. Burlap to Cashmere present "Eileen's Song" and, one of my personal favourites, Fernando Ortega sings "Margee Ann" in his quiet way. Other tracks come from Amy Grant, Russ Taff, and Phil Keaggy, while Annointed's "Ooh Baby" was the only obvious filler. So, Valentine's day may have passed for another year but, loved ones should be loved, everyday of the year. 8/10. (April 2000)
I'm always worried that 'budget' releases are no more than re-releases of old albums or, as in this case, another excuse to put a collection of well known songs together. There's no credits to the vocal artists featured but it's all been put together in Nashville with top producer Dan Huff at the helm. So, is it good or bad? Funnily enough, after all that, it's quite good. It's easy listening stuff for the - dare I say it - over 40's. There's nothing exciting about the songs, yet nothing to dislike. "You're Love Olord" is a nice opener and that's followed by "Shout to the lord" and "Be Glorified". There's some good acoustic guitar playing in the title track, and a smashing lead vocal on "You Are My All in All". Other tracks include "Did you Feel the Mountains Tremble" and "I Could Sing of Your love Forever". So, while not exactly setting the world alight, this is does have a pleasing feel. 6/10. (July 2002)
Since 1983 Mercy Ministries of America has successfully restored the hopes and futures of thousands of troubled young women, unwed mothers and their children through it's residential programs and adoption agencies. The counselling skills and love are God centred and provided totally free of charge to these women. This album will not only raise funds but awareness, too, that the project exists. Gathered together for this album are female singers such as Darlene Zschech, Amy Grant, and Christine Dente, but there's more. Michelle Tumes' "Sanctuary" fits in 100% with the theme and sounds as fresh as it did upon it's release a year ago. Martina McBride (one of my favourite country singers) adds her velvet vocals to "You'll Get Through This" - a song of hope and the promise of God. Kim Hill's "New Eyes" is another strong track with some fine harmonica playing in the background. It bounces along at a good pace and is quite infectious. You can tell the quality of the song collection as a whole when I say that Amy Grant's "Irresistible Love" is, perhaps, the weakest on show! 9/10. (March 2001, Album of the Month)
The more I listened to this tape, the more I enjoyed it. All of the tracks are good, and some VERY good. I was very impressed with the biblical content. My favourite track is 'I Am The Vine', a lively calypso style, putting across the message of John Ch15:5 to young people. I took this tape into Sunday School to ascertain the children's opinion (Ages 3-11). The reaction was very favourable, with most of the children giving it a 9 or 10 out of 10 score. In conclusion, the tape is good for both use in the Sunday School and at home with a young family. 9/10. Pam Robinson. (October 1998)
Live contemporary worship albums seem to be everywhere these days, and this particular offering from the team behind the Stoneleigh Bible Week worship albums is the follow up to the popular "In Christ Alone" and, in itself, isn't half bad with some good new songs from the likes of Stuart Townend, Paul Oakley and various Fellinghams! Production quality and musicality is excellent throughout, with some good variations of sound and pace and a strong worshipful atmosphere which doesn't leave you feeling that you had to be there to appreciate it. The strongest songs, for me, are Nathan Fellingham's "To You King Jesus" and Paul Oakley's "And After All", both of which have a more rocky edge to them than the others, which are fairly standard Christian pop/rock. On the downside, there is nothing here that really made me sit up and pay attention. As usual, some of Stuart Townend's lyrics stand out as a little different from the norm but musically we have been here so many times that you do start to wonder how many of these albums the CCM market can handle. The biggest problem though is that there isn't a single, simple hook to get you singing along on the first couple of listens - in my opinion a necessity when faced with 13 new worship songs. You could definitely do a lot worse than to check out this album, just don't expect anything earth-shattering. 7/10 David Cooper (January 2003)
Each of these CDs contains 20 tracks and some are really rather good. Stand outs on Volume 1 are "Your Love O Lord", "No Longer in Chains" and "Come Unto Me" whilst the best one on Volume 2 is the opener "I Know That You Have Waited". Others worth a mention are "Jesus You Humbled Yourself", "When the Sunlight is Shining" (an excellent live recording), "God of Grace", "You are Righteous", "How Easy we Forget" and "Like a Mighty River". There are some really effective vocal performances here (particularly female) and it's a shame that no artists are credited. There are too few good tracks however to make the whole two volumes worthwhile. The contrast between best and worst is very marked. The opener on Volume 1 "I Have a Promise" starts things off rather badly, sounding as though it was recorded on a home keyboard, with an unimaginative arrangement and a vocal that is too far back in the mix to hear properly - and we have to wait until track 8 ("Your Love O Lord") for a song that is well produced and (very) well sung. "In Heaven and Earth"and "Dance Dance Everybody Dance" are particular low points. A pity that more selectivity had not been applied to the 'New Songs' that are out there! Overall then, four excellent tracks and six good ones filled out with thirty err… others. Regrettably, 4/10 Dave Deekes. (November 2004)
Produced and arranged by Don Marsh this collection of instrumental hymns contains contemporary arrangements of many favourites, all with a unique combination of solo instruments. Flute, saxophone, oboe, violin, cello, and many more wonderful sounds light up, what is, a very good album. Some hymns, like "O Love That Wilt Not Let Me Go" and "I Sing the Mighty Power of God" weren't so well known to me, but I still found them very listenable. Of course, you can't stop yourself singing along with those you do know, such as the title track and "Rock of Ages", and I really enjoyed that. The only downside is that the 15 tracks only last for 35 minutes in total but, that aside, this album really helped me meditate through a quite stressful time. 9/10. (November 2000)
Recroded in both the UK and the US, this album has been "crafted out of a desire to bring songs that glorify God".With singers like Krissy Nordhoff amongst those featured, you'd expect a quality of album that would reach new heights of worship, or at least match some old ones. What you actually get is a collection of tepid songs that do none of the singers any justice and fail, for me, to move one to worship in any way. The songs are so typically bland that it was difficult for me to pick any one of them out for special mention. Perhaps, if I'm pushed, "He Knows My Name" has the edge as the best on show. There's also a version of "Here I Am to Worship" which surely must go down as the worst presentation of such a good song. Try as I may, I just couldn't get passed the feeling of being let down, big time, by this recording. 2/10 (February 2005)
This double CD features Chris Bowater with his friends/worship leaders including Trish Morgan, Johnny Markin, Paul Simpson Parry, Dave Middleton and Hannah Middleton & Worshippers from Grapevine, which is held at Lincolnshire Showground. There is a really good selection of praise songs on these two C.D.'s, many I had heard before, and some were already my favourites eg. When the music fades, Jesus all for Jesus, Here I am once again and O Sacred King. Some, however, I had not heard before. This album, I would say, is definately worth listening to, and is one of the best I have heard for some time. The selection of songs, music and singing are all exceptionally good. My favourite tracks? Well, as I have already said there are a few. Songs I particularly liked, but either didn't know or didn't know so well:- "I Believe in Angels", "There's a Lot of Pain", "O God of Burning Cleansing Flame"; "All of Me", and "Here I Am Waiting". There are also a couple of traditional songs including When I Survey The Wondrous Cross led by Paul Simpson Parry and a rousing adaptation of William Booth's, O God of burning cleansing flame. The whole album is good from beginning to end. 9/10 Pam Robinson (October 2002)
This really is a most unusual CD and seeks to capitalise on the massive success of Mel Gibson's film. It contains songs by a variety of artists (and I do mean variety - how about Elvis Presley, Nick Cave and a spoken intro to one track by Dr Billy Graham?!) with these being selected / sanctioned by Mr Gibson himself, continuing the inspiration behind the film. The whole rationale for the album is therefore to give a 'message', so it is surprising that no lyrics are printed. Much of the album has a dark, morose feel to it - which of course does reflect the film itself. I obviously acknowledge the seriousness of the Christian gospel as represented by Jesus' death - but I also revel in the joy of the salvation I gained when He rose again, and this album doesn't reflect much of the latter! If your bag is mostly stripped-down, stark arrangements with heavy lyrics and minimal accompaniment, then this is for you. The best tracks for me however were those that tended to lift the proceedings a bit - not in lyrical terms necessarily, but at least musically. These included the closer, Bob Dylan's magnificent 'Not dark yet' from his 1997 'Time out of mind' album, and Leonard Cohen's 'By the rivers dark'. Such sparks of brilliance are all too rare however, so worth a rather modest …. 4/10. Dave Deeks. (August 2004)
This is one of the bravest releases of the year. An album of songs, written by relatively unknown writers but given the expert musicianship of Matt Redman and co. Thirteen songs of differing styles and quality that have you dancing and praising with joy, and reaching for the fast forward button. If you had played me "Now" without knowing which record it was from I would have guessed at the latest Delirious? single. In fact, it is Martin Smith singing in that oh so well known manner. "Lord I've Found You" is a bouncy and infectious little number while the jazzy funk affair "Higher" is one of those I'd rather forget. Paul Oakley provides the voice to one of the other high points "I've Fallen in Love" while the worshipful "Search Me O God" has been thoughtfully put together. Matt Redman's best is on the 'Hey Jude-esque' "Father God" and, all in all, it's well worth your time. 7/10. (October 1997)
"People get ready, Jesus is coming", so sings Crystal Lewis on the opening track of this retrospective kind of album. Retrospective in the way that most of the tracks are 'blasts from the past'. For instance Barry McGuire's 1965 "Eve of Destruction" is included, as is Al Green's "Jesus Is Waiting" from '72. As a thought provoking album, I guess the songs do make you think about certain things in your life. DC Talk's "Wish We'd All Been Ready" pulls no punches as it asks if you met face to face with God today, would you be ready? Big Tent Revival always seem to come up with catchy pop/rock tunes, and "Thief in the Night" is another excellent example. What the compilation lacks in originality it makes up for in its wide range of artists and song styles. All in all, a good album. 7/10. (September 1999)
(Kingsway Music KMCD2542)
This is a double cd, the first featuring studio recordings whilst the second features a different set of songs but in a live setting. I was neither impressed by the majority of the songs - although there one or two exceptions - and even less so by their interpretation. There doesn't appear to be much passion or feeling in the vocals on these tracks; they sound very laboured and mechanical, as if the singers are just "going through the motions". One of my favourites songs on here, "You Pour Out Grace" is killed stone dead on this album, falling way short of the live version released on the New Wine live cd a few years ago. It is hard to believe that it is the composer performing on this version, and it sums up the whole studio disc for me. I was hoping the live cd would redeem this album, but alas it does not. It remains as insipid and uninspiring as the first disc which is a shame as there are some good well known worship songs here, "Over the Mountains and the Sea" and "Hungry" to name just two. I think the problem is that the album doesn't really have any direction. Every song reflects the same mood as the previous, which is not really how worship works. Honestly and truly, looking at this, I should like this album. It is billed as "featuring many of the finest songs from worship leaders the world over" that will "stir the hearts of passionate worshippers". The truth is, I don't, and I refuse to accept that this is because I am an unpassionate worshipper! 2/10 Robin Thompson (August 2004)
After listening to this I really am starting to wonder about collecting my old age pension this month. The sleeve notes say that that this is "new life...young people, living people, bringing the Christian faith new energy." What I found was a trail of uninspiring music that led to few glimmers of light on a very dark trail. Those glimmers did, however, include the dancey 'And Death Shall Have No Dominion', very current club culture, and no worse that anything you'll hear on Radio 1. 'Waiting For the Healing' is a funky number that has it's moments, while the closing 'Waiting Heart' is more ambient and quiet. In between those two, there's not a lot to say. Maybe you had to be there? 4/10. (July 1998)
They say the test of a good piece of music is that it can work equally well in a number of different and diverse styles - the theme from "The Simpsons" being a good example! Here that theory is put to the test as this compilation from "Re: Source 2000 & 2001" and "Jumping in the House of God I & II" gives 18 well known worship songs a very contemporary Pop/Dance/R&B treatment. Sadly, the end result is a bit hit and miss. When it works, such as with "Heart Of Worship", "Hosanna" and "We Want To See Jesus Lifted High", it is very effective, but when it doesn't it just comes off as annoying and by the time you reach the end of track 18 the incessant drums and bass have started to grate and you yearn for a change of pace, of which this album has too little. There are some really good ideas here, and some obviously talented musicians, but the lack of variation in sound and tempo ultimately lets it down. Overall production quality, and the aforementioned high watermarks, make it worth the effort. The rest I could happily live without. 7/10 David Cooper (December 2002)
"Each record in the Reflections series is designed to move your spirit into a place of peace and relaxation. Virtuosity and the complementative merge to provide sounds that will soothe the troubled spirit". Well, that's what the sleeve notes say, but does it happen? Not for me I'm afraid. I tried listening as background music, and as a relaxation tool but found it all rather bland and meaningless. Sure, there's some good guitar playing on tracks like 'Ancient of Days' and 'Firm Foundation' but I've heard better private recordings than this. For me,, there's nothing you would say was really outstanding or memorable about the album. It's part of a budget priced series but that doesn't excuse the finished product. 3/10. (October 1998)
Celebrating 5 years of Michael W Smith's record label, this release chronicles some of the highlights of that period. Is it really 5 years, I hear you ask? Yes, it certainly is - how time flies. The first artist ever to release on this label - if my memory serves me well - was Chris Rice, and he has two tracks included. "Deep Enough to Dream" was my favourite track then, and it still rates just as high. Sounding like Simon & Garfunkle in their prime, he delivers this song to perfection. Later on in the listing, he also sings the lovely piano led "Welcome to Our World". Ginny Owens is another singer to be featured twice on her own, as well as with Apt.Core. "If You Want Me To" is a really beautiful, ethereal sounding song that I enjoyed over and over again. Watermark's contributions surprised me as I've never been a big fan of there's. The ountryesque "More Than You'll Ever Know" is excellent, while the closing "Gloria" is just too short - I wanted it to go on forever. Listening to the whole thing, you realize just how talented the Rockettown label artists are. 8/10. (February 2002)
A double album release that contains 32 tracks and over 2 hours of real listening pleasure. Here's a collection of the cream of CCM plus a few newcomers too, like Paul Janz and his superb 'You're Never Alone'. Ballads are presented in numerous styles, but there's also some classy pop tunes on offer . Bryan Duncan opens proceedings, sounding very much like Peter Cetera, and Laila Dahl's 'He's the Man of Her Life' suggests that we'll be hearing a lot more from her in the future. Clay Crosse, Ashley Cleveland, and Charlie Peacock are all featured, as well as Christine Dente with her poppy 'Taking My Time'. Britain's Helen Jayne has one track culled from her 'Safe' album while American's Margaret Becker and Sandi Patti offer two excellent ballads from recent releases. What more can I say, there's just so much on offer here, not least the superb vocals of Michael W.Smith. Wonderful. 9/10. (June 1996, Album of the Month)
This EP contains 6 original songs, all inspired by the book "Secrets of the Vine" The book is written by Dr. Bruce Wilkinson, who explores John 15 to show readers how to make maximum impact for God. Dr. Wilkinson demonstrates how Jesus is the Vine of life, discusses four levels of "fruit bearing" (doing the good work of God), and reveals three life-changing truths that will lead readers to new joy and effectiveness in His kingdom. The CD features Margaret Becker, Chris Tomlin, Janna long, The Katinas, Kim Hill, and a duet by Adrienne Liesching and Geoff Moore. The songs are supposed to follow the theme of the book and Becker starts the ball rolling with an average sort of title track. "Satisfied" sees Tomlin praying to ask God as ruler of his life. The guitar led song has some great piano playing too, and this makes for a good song. Long's "Awakening" is a nice MOR pop song and the closing duet, "In Christ Alone" is well done. Why an EP? Not sure, but I would have liked to have heard more. 6/10. (June 2002)
"From the creators of 'City of Gold' says the sticker on the front. Never having heard 'City of Gold', I just have to hope it's better than this. It's a collection of songs & poems on a theme. The poems are by Adrian Plass (with & without backing), a man noted for his humour, yet his poems are serious (as you'll know if you've seen him live). "It is finished" is very good. The rest are average, I'm afraid. The songs are by Phil Baggaley (of Phil & John), Dave Clifton & Ian Blythe and wouldn't be out of place on a late 80s Chris de Burgh album. It's all washy synths, ripply guitars and ponderous vocals. Well recorded, well played, well past their sell-by date. It's well executed, just like synchronised swimming (although "What Jesus Would Have Done" is OK). I have no doubts about the sincerity of those involved in the project, or how well the concept may work live, where you can give it your full attention. But in my study, with its bright light and occasional telephone calls, it needs something better than this to grab my attention. Some may say that this is a prophetic work that speaks to the heart: you'll have gathered by now that I'm not one of them. (Actually, it does seem to get better as the album goes on: or maybe I was just getting used to it). Two good tracks don't make an album: best wait for the "best of"... 3/10. Paul Ganney. (July 1999)
Costing just £1.49 for 18 tracks, this has got to be the bargain of the year! Featuring 15 different artists, this really does give you a sample of a wide range of new music from Alliance. New bands that I've never come across before include Seven Day Jesus - good Brit pop - , ELI and The Waiting - both giving guitar rock -, and the inspirational The Echoing Green with their brilliant 'Hide'. Bleach weigh in with two classic cuts from their new album 'Reality Check' and there's Sarah Masen's infectious '75 Grains of Sand'. There's a m touch of ska from The Dingees, which I didn't like and even some 40's swing, courtesy of The W's. The question is, can you afford not to sample this delight? 9/10 for music. 10/10 for value. (October 1998)
In September 2001 during a time of great turmoil and worldwide uncertainty, nearly 1000 believers joined key worship leaders from around the world to celebrate God's greatness. Recorded live in the World Prayer Centre in Colorado Springs USA, this album is a reminder of the joy and strength that can be found when we praise our Lord. And, indeed, that is exactly what this album does. In all honesty, this is one of the best worship albums that I've heard for some time. "Sing For Joy" is the title, and that joy really does roll out of your speakers. Live event recordings can sometimes fall a bit flat, but this one drew me as if I'd been at the actually gathering. "Your Love is Deep" has a lovely female vocal leading the way, and "For the Lord Our God Reigns" is just full of joy and praise. "We turn Our Eyes To You" is a slower number but it has such power, and what a great ending in "We Speak to the Nations". A must for all p&w fans. 10/10. (January 2003, Album of the Month)
This is the second of the series in which the album is made by women, for women, in an effort to bond them closer together as SISTERS! It features a number of top artists and begins with the ever popular Winans, and 'Always Sisters', one of the strongest tracks. Unfortunately, there are too many forgettable numbers to make this release an epic. The country rock title track is sung by Ashley Cleveland, Kathy Troccoli, and Beth Nielsen Chapman and, is the best cut available. There's a touch of soul, there's smattering of piano based ballads but, all in all, there's just not enough class. Mind you, that's a man's view. Perhaps I'm missing something? 5/10. (June 1996)
Despite the title of this compilation album, not all the tracks featured are by soul artists. 'Sisters' such as Yolanda Adams and Ashley Cleveland do what they do best, and there's contributions from Point of Grace and Out of Eden. Jaci Valasquez has had a lot of media attention over the last 18 months and "On My Knees" is a track that shows why. I've heard a lot of the songs before but, perhaps, Pam Thum's "Innocence of the Heart" is the best of the new ones. However, 3 tracks did stand out from, the rest even though they are a few years old. Carolyn Arends' "Love is All Around" and Helen Jayne's "To Do Your Will" both sound as fresh as ever, while Julie Miller's "River Where Mercy Flows" got me reaching in my collection for her "Orphans & Angels" album. This compilation is a good start if you want to check out some of the female artists in CCM. 6/10. (September 1997)
Here's the latest compilation of 14 rock songs by the supposed cream of CCM. Petra and Guardian lead the way with guitar standards before Michael Sweet brings things to a summit with the magnificent 'All This and Heaven Too'. This track is three years old, yet still sounds as fresh as the day I first heard it. Bride provide a Gun's & Roses type belter called 'Only Hurts...', while Three Crosses rendition of 'Calvary' is just a tad too close to Alice Cooper's 'Poison'. Nouveaux are a new name to me and deliver a medium paced rocker called 'Red, White, Black & Blue' but there's far too much run of the mill fodder to make this a brilliant release. Take, for instance, Jars of Clay - supposedly big in the U.S - who are very disappointing. 6/10 (June 1997)
Here's a double CD that seems to split itself between America on one disc, and the rest of the world on the other.The first features well known names like Andy Park, Darlene Zschech and The Stoneleigh Band. Delirious? Provide, perhaps, the best moment with a rousing version of "Shout to the North". I hadn't heard "Hosanna" for ages, and Carl Tuttle's rendition had me singing at the top of my voice. The second disc is rather tepid by comparison, with the Maranatha Singers contributing 4 songs in that muzak sort of way. Joey Holder's "Unto the King" is quite majestic in it's delivery, and Kent Henry's "All Consuming Fire" is not far behind in the ratings. 22 songs in all, and I enjoyed just over half of them. I guess that means that it's an above average release and, therefore, rates as 6/10. (January 2003)
This is a bit of a mixed bag, some of the songs are very good while others are just dire. Although I'm not really sure that any of the songs on this double CD would be what most people would consider to be the greatest worship songs of all time. The highlights are Matt Redman's "Better is one day" and "What a friend I've found" by Delirious. There's a fairly good version of "Faithful one" by Andy Park, but the other nineteen songs are nothing special. The Bill Gaither Trio's version of "There's Something About That Name" with it's sugary "Ad lib" section in the middle was particularly awful. I don't know who this CD is supposed to appeal to really, it seems to be just another of those aimless compilation albums that Christian labels like to churn out endlessly. I guess it wouldn't offend your Granny, but that's about the best I can say for it. 4/10 Andy Sayner. (May 2003)
Particularly welcome for praise and worship group leaders, here's Kingway's latest collection of modern P&W songs. 40 songs here, which are accompanied by a music book, as well as a set of acetate masters. The problem is, so I'm reliably told by a P&W leader, is that you'll only find half of them suitable for your church. So, I listened and picked out those that I thought to be personally appealing. Would you believe it, almost half? Great songs such as 'Bells Are Ringing' and 'Be Still and Know' show the writing talents of Jim Bailey and Lex Loizides, but there's also the likes of Dave Bilbrough and Matt Redman on show too. One of the children's songs is just too awful, containing the chorus line of "Bright colours like daisies, more fruit than Sainsbury's". All in all though, it was refreshing to hear some new songs and, even though I only picked out half of them..... 7/10. (September 1996)
The songs on this album are all taken from the Songs of Fellowship songbook. They are mostly well known traditional hymns and songs, plus one or two I had not heard before. This is a nice compilation, put together well with good music and vocals. The traditional hymns include "To God Be the Glory" and "Love Divine". There is also a fine adaptation of "Breathe On Me, Breath of God", by Dave Fellingham. More recent songs include "Filled With Compassion" by Noel & Tricia Richards, "They That Wait On the Lord" by Kevin Prosch, "Father God" by Ian Smale, and "Majesty" by Jack W Hayford. My favourite songs include "Who's Lips Will Plead" (Alex Moir) - a quiet song with very powerful words - and "So Freely" (Dave Bilborough) a personal favourite of mine. The album contains a good mixture of traditional hymns and renewal songs, as well as praise and quieter prayerful numbers. It's also an enjoyable listen. 8/10. Pam Robinson. (January 2001)
I've never quite got the hang of Taize music, so this was quite a challenge. The music itself is "contemplative in nature, with simple, repeated chorale-like refrains". And, as much as I'd like to understand them, I found song after song just running into one another. I tried listening at work, I tired listening at home. I tried listening in the car, and I even tried listening in the bath. Peaceful? Yes, I've got to agree. But that was all. A 2 Cd package with plenty of songs or chants and, probably good if you get on with this sort of thing. For me, Taize is still a mystery. 2/10. (July 2003)
Here's a collection of praise songs that bring to light a host of lesser known, yet very talented, musicians. With them, comes a fresher approach than, say, the more recognised names in CCM and the result is very good. Peacefully praise the Lord with the Matt Chart written 'Draw Near' - yes, he's a new name to me too. 'For Every Worry...' is a catchy song that will, no doubt, be prominent all over the country in the months ahead. Lovely vocals and an excellent song. The only down side to the album is the use of songs dating back to 1993 on a release entitled 'New Songs'. Suffering badly from overkill, in this instance, is Matt Redman's 'Jesus Christ', were even fine guitar work fails to make it 'new'. Produced by Johnny Markin and Chris Bowater, they have put together a promising album that just dips into oblivion now and again. However, rising from the mire comes other worthy mentions such as 'He Can Make...' and the simple, yet effective, 'You Turn My Night'. 7/10. (February 1998)
Regular NFN readers may recall that this particular reviewer is wary of Praise and Worship albums, as many second rate ones have been 'churned out'. This three CD compilation sounds less like a 'production line' job than many however and on the whole, arrangements are good and performances too, although occasionally the adrenaline of a live performance causes lead singers to waver off the notes a bit. Production and mixing is of a high standard for such recordings - with sound quality good and surprisingly consistent, as the 50 songs (some familiar, some less so) are 'taken from eleven years of Stoneleigh Bible weeks'. One standout is "Lord I Come to You" (one of my favourites to sing, as it happens) which has a reflective, nice beginning and builds very effectively - as does "Light of the World". "We Have Sung Our Songs" is simple but very effective. Others worth a mention include "Jesus Loves the Church", "My First Love" (which uses a Corrs-like riff to good effect), "I Stand Amazed" and "You Are My Anchor"' (that girl can really sing!). The sleeve announces that 'Stoneleigh Praise 2' is due May 2005, so a series may have been born. If these tracks represent the pick of the eleven years, the follow-up may not maintain the same standard. This first one however provides an enjoyable way to do the ironing - and in the 3-CD player, all the other housework as well! Overall, 7/10 Dave Deeks. (September 2004)
Add the cream of CCM with a sprinkling of top secular artists. Bring together with some of the finest songwriters and mix it all together. The result should be perfect, but is it? Pair up Maire Brennan and Michael McDonald for Peter Gabriel's "Don't Give Up" and the result is Clannad through and through. It's not a bad rendition but there's little surprise in the outcome. The same can be said for Cindy Morgan on "Job". You know, the piano led ballad, the emotional vocals, it can only be Miss Morgan at her best. In fact, most of the album could come under the same banner. As a showcase for the featured artists it's a good release, showing the likes of Sixpence Non the Richer and Jaci Velasquez at just what they are good at. Michelle Tumes' "Hold On" is simply excellent (I love this lady's voice) and the Delirious?/Amy Grant version of "Find Me in the River" would melt the hardest of hearts. Why end the album with an orchestral suite, I'm not sure? It doesn't match up with the songs and I didn't like it at all. 7/10.
From the Passion and Purpose Worship Series comes this offering with songs almost totally written by Russ Hughes. "Sufficient" is the title, but sufficient for what, is the question I'd like to ask. I can't honestly remember a worship album that made me feel quite so miserable. The first track is called "Glory, Glory Hallelujah". Doesn't that sound like it should be uplifting? Here, the song sounds like the singer is bored by the whole affair and is just going through the motions. The same can be said of the next two songs, before "King of Kings" raises hopes with something a little more uplifting. "Our Father in Heaven" is a total "downer". "Come Lord Jesus, come and bring your healing to this land" are words sung - He should start with this album. The droning of "Holy Spirit" left me quite cold but the closing "Your Blood is Enough" is so sweet, it sticks out like a single rose between many thorns. Sufficent? No, not for me. 2/10. (January 2005)
Three bands/I sonic assault. Well, that's what the label says. As ICC's Elevation label gives three UK bands to the chance to air their music with full company backing. All three bands featured show that the guitar is not dead, and there's some stunning effects on show. First up are Chasing Stars with the effervescent "Come On". "Only Human" is a brand new song, and not the one from the late-lamented Giants Will Fall, and "Another Place" rocks things nicely. Supervision, on the other hand, I found to be a cross between Oasis and Duran Duran. Some good lyrics, catchy music, but the delivery didn't quite happen for me on any of their offerings. Enter, Newcastle's finest, Titus. Three Chinese lads, doing it their way. There's a rawness about their music that even comes out on CD, and that just generates excitement to me. "I Could Run A Thousand Miles" and "Made For God" are terrific, especially the latters' guitar work. Then, they finish with "Lost In You". Simple, straight forward lyrics, and a punch packing song is the result. And if that's all not enough, the nice chaps at elevation throw in a Kato song for good measure. Into UK guitar bands? Give it a try. 7/10 (April 2004)
Featuring some of the fastest rising praise & worship songs from the past year or two, this album contains ten tracks and makes for good listening. In fact, this pre-release has left me wanting to hear more and I fully intend to buy the full version in the future. The songs are all produced well, singing and music excellent. Reading the sleeve note, I recognised several songs, although some are quite different from the original versions. Included are well-known numbers such as "I Could Sing of Your Love For Ever", "Did You Feel the Mountains Tremble", and "Heart of Worship". One song that I had never heard before was "Hungry", very much in the style of Delirious? A good album with plenty of modern songs. 9/10. Pam Robinson. (August 2001, Album of the Month)
Here we are then, the top 25 UK Praise songs as reported by the Christian Copyright Licensing International organisation. Two CD's produced and recorded in the UK, by UK artists. But don't think that this is just another collection of well known songs. Each track has been recorded in quite a different style by several artists. "We Want to See Jesus Lifted high" is given a full guitar band treatment, with singer JK Jamieson leading the way. In fact, Mr Jamieson performs well throughout including the smooth "All Heaven Declares" and "I Will Offer Up My Life". In similar fashion, Paul Oakley shines on "As The Deer" and his rock version of "Jesus is the Name We Honour". Slower songs of note are Carla Hayes' "Faithful One" and Esther Alexander's "The Power of Your Love". Then, of course, there is the most hideous version of "Shine Jesus Shine" that I have ever heard. This is one of the most joyful songs that, usually, never fails to lift flagging spirits but, on this occasion, to say it was bad would be being kind. The Watchman raps his way through the verse while the chorus is sung by a children's choir that sound as if they are being forced to do so. Yes, it is that bad. Still, that still leaves another 24 songs to enjoy, so that can't be bad. 9/10. (June 2002, Album of the Month)
From the massive TV programme that is "Touched By An Angel", comes this soundtrack featuring a host of top artists. In America, the show pulls a staggering 22 million viewers but I can't see the album doing it much good. Celine Dion guests with God's Property for some serious whailing and hollering on "Love Can Move Mountains", which follows the equally tedious "Walk With You" by Della Reese & the Verity All Stars. The Kinley's provide the first bright ray, with a modern country sound called "Somebody's Out There Watching". Amanda Marshall sings the pick of the bunch, a particularly well orchestrated, "Believe in You", while Uncle Sam do a good East 17 impersonation on "When I see You Smile". Amy Grant may be having trouble in her personal life right now, but no-one can touch her voice for the beautiful rendition of "Shine All Your Light". It's a bitty, rather than polished affair and, having never seen the programme, I'm not over impressed. 6/10. (April 1999)
I honestly couldn't believe what I was hearing when this album began. Those of you old enough to remember the TV variety shows of the 60's & 70's will also remember the appearances of Kenny Ball and Acker Bilk. Well, this could be them, playing well known hymns and praises in their, oh, so familiar style. "Father God I Wonder", "Jubilate" and the title track are all given an injection of jazz. "We Are Gathering Together" reminded me of one of those old negro funeral processions and is downright mournfull. I did tap my feet to a few of the tracks but I really didn't feel uplifted by it all. I certainly didn't dislike the music but my previous aversion to jazz has not been converted by this. 6/10. (April 1998)
For those of you who want to see what some of top CCM artists look like, you could do a lot worse that to spend a few quid on this budget priced video. Only 34 minutes, but containing 8 tracks. Best of the bunch, visually, must be Michael W.Smith's "Cry For Love", while Clay Crosse, singing on a mountain top with a fully robed gospel choir, pushes a close second. Great to see Carolyn Arends sing "Seize the Day" from her debut album "I Can Hear You". Others featured are Wes King, Kathy Troccoli, Church of Rhythm, Rich Mullins, and Joanna Carlson. Shop around, I picked this up for less than a fiver, and can well recommend it. 8/10. (October 1996)
When this CD dropped through my letterbox, I thought, 'Oh no, not another one of those!' It's a nice pastel shade of lilac, very feminine and obviously designed by a man. But it just shows that you shouldn't judge a CD by it's cover. I was surprised by the content and quality of this album. There are a couple of tracks from Sue Rinaldi's excellent 'Promised Land', a couple from Viola Grafstrom, and a vast array of one off's including Lou Fellingham from Stoneleigh and Geraldine Latty from Focusfest. This compilation is a real mixture - some studio, some live recordings; some hymns, some recent songs but with the common theme that all are fronted by female vocalists. I have to say that I preferred the studio renditions, as you tend to get some strange mixes on live ones, and it's very rare that a live atmosphere can be captured on CD. The tracks that stood out for me were Sue Rinaldi's 'Holy River', Viola Grafstrom's 'We Bow Down' and the final track, Joanna Hogg's 'The Lord's My Shepherd'. A nice album, shame about the cover. Kingsway must have designed it with a female market in mind. Strange, I would have thought the opposite as I'm waiting here with bated breath for the release of 'When Men Worship'!! 6/10. Julie Lord. (May 2000)
As the title says, this is the third release in the series that features some of the world's finest female vocalists, singing songs of worship. Sadly, (you can tell what I'm going to say, can't you?) it's not as good as it's predecessors. Not that it doesn't have it's moments. Take, for instance, Sue Rinaldi's passionate rendition of James Taylor's "Only You". Expertly sung, with great feeling and dedication. Also, Kate Simmonds produces a real "feel good" factor as you listen to her version of Stuart Townsend's "You Are My Anchor". But, "Come to the Table" is nothing more than a 'happy clappy' number, while "O God of Love" bears more than a passing nod at Wet Wet Wet's version of "Love is All Around". Okay, so I'm not a woman, listening. There again, I've heard the previous albums in the series and have enjoyed the worship. This time, however, perhaps I was too masculine to appreciate it properly. 4/10. (May 2002)
Worship leaders on this album come from Canada, New Zealand, Ireland, the Carribean, England, Sweden, and Native America. It's quite a collection, with a wide range of styles contained within. Perhaps this, then, is the reason there seemed to be so much variety on offer to keep my ears interested. I'm still a sucker when it comes to a good old fashioned jig, and so wasn't disappointed by "Sound the Trumpet". I'm not a big fan of David Ruis but I thought that "everybody Come Now" rates as one of his best songs of praise. Viola 's "A Generation Comes and Goes" really stands out because of her whispering voice. It simply makes you listen more intently and, therefore, you enjoy the song much more! I wasn't to keen on the gospel tinged "Yes I Thank you", but found the accappella lament "I Turn and Come To you" a compelling listen. Lots of styles on show and lots to commend this album. 8/10. (May 2002)
The sub-title of this twenty four track double album is 'songs and events that have influenced the church in Ireland' - so although the worship leaders do tend to have Irish accents the music itself is perhaps not quite as 'Irish' as may have been thought from the title! Whatever, some of the arrangements found here are more musically interesting than in many contemporary P&W albums. 'This Is the Air I Breathe', 'Closer, Nearer' and 'Deeper Still' follow one another and are examples of songs that are carefully produced and well sung as 'performances' rather than attempts to lead worship, and will therefore stand repeated plays on the home CD player. Other high points for me, although more in 'worship leading mode', were 'Lion of Judah', 'Surely Our God' and 'Awake, Awake O Zion'. 'How Deep the Father's Love' is more than five minutes of beautifully played instrumental. Some of the remaining tracks are led by vocalists who sound rather strained and tired. 'Shout to the Lord' is one example - I would suspect this song was recorded towards the end of an especially uplifting time of corporate worship! A mixed bag, then, worth an average of … 6/10 Dave Deeks. (April 2004)
I found this CD quite a refreshing change to a lot of the worship CDs that I've heard lately. The people involved seemed to be really enjoying themselves, and genuine about what they were doing. There are some well known people here, Brian Doerksen, Robin Mark, and Joanne Hogg just to name a few. A mix of traditional hymns like Be Thou My Vision, and When I Survey are side by side with more modern songs like Days of Elijah, and the Anthem for Ireland, which goes to the tune of Danny Boy unsurprisingly. This is a double CD, with 22 tracks, so most people will find something that they know on it somewhere I should think. If like me you sometimes despair at the sugar coated mush that is all too often served up by the big American labels, then give this CD a try. I'm sure that you won't be disappointed. Andy Sayner 9/10 (June 2004)
This is a double album featuring live praise and worship from some of the top worship leaders today - Robin Mark, Matt Redman, David Ruis and Graham Kendrick to name but a few. An excellent compilation of new, and some not so new, songs. Music, singing, lyrics all of a very high standard. Songs taken from Spring Harvest, soul Survivor, and New Wine etc. There are rousing praises and plenty of quieter prayerful numbers. One minor criticism about the sleeve notes, where I would have liked to have been told who was actually leading each song. Some voices are very distinctive but others left me wondering. I found it difficult to pick out favourite tracks, there being so many, but from disk one; "It's Our confession, Lord" begins fairly quietly and then gradually moves into a stirring praise song. From the second disc, then, "Stand Amazed In the Presence" is a favourite of mine anyway. Sung with a haunting voice, a beautiful version of a superb song. "O Sacred King" works well but isn't quite as polished as Matt Redman's original rendering. On the whole, an excellent album. 9/10. Pam Robinson. (December 2001)
Earlier this year, Kingsway released another album from the Worship Together 97 conference, which was nothing special. However, with this release we hear musicians perform in an intimate venue, producing live acoustic recordings of their best songs. Bryn Haworth starts things off with the bluesy "I'm Grateful" and soon gets the audience clapping along. This is followed by some lovely prayerful worship, in the shape of Dave Bilbrough "What Kind of Love is This?". Oh yes, my friend Graham Kendrick is featured too....at his best. "Lift Him High", "Abba Father" and "Thorns in the Straw" are his contributions, all excellent but, with the former standing out. Andy Piercy's "Psalm 139" washes peacefully over you and Matt Redman's "Show Me the Way of the Cross" ministers in such a profound way. Also featured are Noel Richards, Stuart Townend and Carol Owen, on a worship album of great power. 9/10. (October 1997)
In January this year, 3,000 worship leaders and musicians from across the UK , Europe and the U.S gathered in Eastbourne for a unique conference - to rediscover the heart of worship. This album captures some of the worship time led by several gifted leaders. Kicking off with Matt Redman and "The Cross Has Said It All", it's a bouncy and exciting number. Graham Kendrick comes next with a stuttering gospel offering called "Say It Loud", before the pace picks up again with the hoe-down "I Will Dance". It's a well crafted album that does get you excited, as well as quietly worshipping. Stuart Townend and Noel Richards are just two of the other artists featured on a live worship recording that stands up well. 7/10 (July 1997)
Good CCM videos are a rarity and I'm usually disappointed by those I do see. This collection features nine artists, of which none would be out of their depth on MTV. But, they do - generally - lack imagination. Jaci Velasquez sings about Heaven, in a desert, while Audio Adrenaline make the most of an elevator and roof top. Carmen's R.I.O.T. video is the pick of the bunch. Set in a factory, where workers are shackled and ruled by an evil boss, it tells of breaking free, with good triumphing over evil. It's clever setting, dance routines, and brilliant tune ensure that your eyes are glued to the screen. Michael W. Smith's 'Cry For Love' does have some stunning effects but this film is now over two years old, and has lost it's freshness. There's quite a variation in the styles, including the whacky Newsboys in space suits and grunge band, Third Day, debuting well with 'Consuming Fire'. WOW 1997 will open a few people's eyes but 'Quite Good 1997' would be a more apt title. 7/10. (July 1997)
Now this IS really good! Actually 33 tracks, this double CD contains 11 potential number one hits (in my humble opinion) and at least a dozen more that are top 10 material. The first category includes the massive hits by DC Talk "Supernatural"; Jars of Clay "Crazy Times"; Delirious? "Deeper"; and Mairre Brennan "The Light on the Hill". The quality ofd these songs alone should not be underestimated, and they are backed by Michelle Tumes, Fernando Otega, The Newsboys, and Michael W.Smith. Of course, no-one is going to like every single track and neither Stephen Curtis Chapman or Smalltown Poets win my votes. However, at single CD price, this album ranks alongside all those compilations that hit our TV screen throughout the year. A good buy if ever there was one. 9/10. (February 1999, Album of the Month)
A two CD package this, featuring some of the top names in US CCM today. 31 songs ranging from the awful opening, swing version of "Winter Wonderland" by Avalon, to the simply astounding and passionate performance of Third Day and "Do You Hear What I Hear". Full marks for everyone not just contributing a standard version of these well known Christmas tunes but the quality is a little "up and down". 4Him show off their great vocals harmonies on "A Strange Way to Save the World", and similarly, Plus One provide class with "A Payer for Every Year". Mark Schultz and Nichole Nordeman duet well on "Silent Night", while Kathy Mattea's "Mary, Did You Know?" sounds awfully like Tracey Chapman. Jennifer Knapp's "Sing Mary Sing" is simply devine, but ZOEgirl's disco version of "Angels We Have Heard on High", just doesn't work. There something for everyone on this Cd but, for me, not enough to make me give it more than…5/10. (December 2002)
This compilation covers Christian music from 1990 to 98 with the exception of 93 (obviously a bad year!) and features many well known artists all of which are American. My overall impression was of an album well suited to being background music with little to really draw my attention. Both CDs from this double album start with a series of more pacey numbers including Jesus Freak from dc Talk, Shine from the Newsboys and Keep the Candle Burning from Point of Grace. The later tracks of both CDs seem to allow the pace to drop and leave me feeling a sense of repetitiveness about the melodic pop and rock based ballads from the likes of Michael English and Avalon. Highlights for me include Twila Paris with God is in Control and Kathy Troccoli's Everything Changes not to mention the old favourites such as offerings from Michael W Smith and Amy Grant. Being a pre-release, I don't get to review the final inlay, but I hope that is more than just a list of artists and tracks, as it would improve the value of the product if plenty of information were forthcoming. I couldn't help feeling that this album lacks British input and innovation, but if you like American Christian music then it could be for you. 5/10 Geoff Waring. (September 1999)
I sometimes look bewildered at the latest secular compilation that adorns my teenage children's CD collection. If I recognise half a dozen of the artists, I'm doing well. If I recognise the same number of songs that I actually like, well, that's really good going. So, if I tell you that there are more than 20 personal favourites on this latest CCM collection, you'll know just how good it is. 30 top 40 CCM hits, plus 3 bonus tracks, results in a top notch release. I've got to also say that I was absolutely knocked out by the brilliant Plus One, and the song "Written on My Heart". Matching anything the Backstreet Boys can give, this IS the class cut of all. Michael W Smith's on show, as is, Steven Curtis Chapman, and Jaci Velasquez shines with "Crystal Clear". Pop outfit Avalon, FFH, Fernando Ortega, and Mark Schultz are just a few of the other artists on the first CD performing great songs. Then, it's on to the second disc which includes the massive hit "Shackles" by Mary Mary and Third Day's "King of Glory". Who else? Well, how about Rebecca St James, V*enna, Delirious?, the list is endless. Sorry, but this must be….10/10. (December 2000, Album of the month)
Here's the latest release of live worship recorded at Detling 2002. I reviewed it by listening on a train journey, too and from London. So, with a very early start, I fancied that "worship" was the right CD to take. The opening tracks disappeared without a trace and, although "God Is Good" is a quite bouncy song, none of the first five songs either lifted my spirits or brought me closer to God. Then, "Salvation Belongs To Our God" hit my ears. It's a song I know well, but I'd never heard it sung to this tune before. Russ Hughes leads, what is, a very strong rendition of an excellent song. The versions of "How Great Thou Art" and "We Humbly Pray" are sung with similar power, and the album really kicks off. "Jesus Thank You For the Cross", led by Eoghan Heaslip follows suit, while Simon Goodall's "Deeper in Love with You", is a quieter, more personal meditation. One of those albums of two halves. The first is quite lack lustre, while the second has everything a good worship album should have. 5/10. (February 2003)
Conceived in 1994, Verity Records was the culmination of shared vision and purposed destiny. Ten years later, and following countless, massive hit records, this album celebrates those years. It's a two CD set. One is subtitled "Meditation & Strength", while the second is called "Praise Party!". On the first we have a whole host of artists plying their trade in inimitable style. Everything I loathe about traditional gospel music is on show here. Hollering and yelling to their hearts content may give the chest muscles a good work out, but it only leaves me reaching for the volume control. Main culprits here are Richard Smallwood, Vickie Winans and Albertina Walker. Joann Rosario sings what is the best number with some sweet vocals and restrained choir backing on "More, More, More". Disc 2 is more of the same, although Tonex does sing a passable funky dance number called 'Bout a Thang". Not sure what Deitrick Haddon is singing about but unless my ears deceive me, he delivers some sort of message bout "booty's and thongs". Where he's going with this one I'm not sure. Virtue save this disc from oblvion with a chart tinged hip hop number called "He's Been Good", but overall, it doesn't save this collection from being pretty mundane. 3/10. (November 2004)
Vestal Goodman has sung and ministered to countless thousands of fans for nearly 50 years, along with husband, Howard, and Johnny Minnick. As a celebration of her ministry, Vestal has teamed up with a host of top stars to produce some memorable, and some not so memorable, duets. Things begin with country legend Vince Gill and a typical gospel number called "Jesus Made A Way". That cross of country meets gospel runs throughout the album and, with them, we find the likes of Dolly Parton and Jake Hess. The former features some great steel guitar, while the latter is just good old fashioned country music. Track 4 sees The Newsboys providing the backing for an extremely nice version of "Great Is Thy Faithfulness", a crazy sort of thing but works well. Vestal has a great voice and, upon hearing it for the first time, I can see why she's become so popular. Hats off to Pamplin (or whoever had the idea) for this off the wall marriage that, overall, can consider itself a hit. 8/10. (May 2000)
Since leaving their record label and setting out their own stall, VOL have been far from just sitting around. This first self financed release sees a move forward in their musical make-up, resulting in a sound that encompasses The Waterboys, The Electrics, and Garth Brookes! Quite a concoction, I agree, but there you have it. My pre-release copy came with no track listing, so apologies if I get the titles wrong. The second half of the album is much stronger than the first, with 'Fill A Dream' having a quite infectious chorus, and the slower 'Proven Ground' being just as catchy. The vocals, throughout, are very tight but meander depressingly - for what seems like a life time - on 'From the Verge'. 'Code Blue' is quite quirky, complete with it's mandolin and harmonica backing, and I enjoyed this style most of all. The overall sound was a bit muddy, but I guess these things will all be ironed out by the time the album is released. Good album. 8/10. (September 1998)
"A refreshing new approach to Christmas music combining traditional carols with modern worship songs declaring the birth of Jesus Christ" - so says the sleeve notes. Mind you, for the first 4 songs I wondered just where these refreshing new approaches where hiding? There was nothing new about "O Come All Ye Faithful", nor "Silent Night" with it's over the top bass. "Angels We Have Heard" sounded better, but new? Then, just as I was getting pretty fed up with proceedings, "Nations Rejoice" appeared. What a change! What a brilliant song! I could see (in my minds eye) thousands upon thousands of people using this song for some serious praise. All of a sudden the skies were blue and "Joy To the World" shone like the summer sun. Great funly rhythms and some of the best brass I've heard in some time. Why it took Vinesong so long to hit the right note I'm not sure but the rest of the album stays right on track. 7/10. (December 1999)
"Surrender" is the third album to focus in the very best the Vineyard Fellowships in the UK and Ireland have to offer. It is, in fact, a strong recording, with many fine songs of worship. Nigel Briggs' "For Me" has got that 'Matt Redman' sound about it, and it's simple lyrics really do hit home. The title track is one of those beautiful, yet powerful, worship songs that bring to mind a scene of thousands praising God as one and singing "I Surrender all to you". Kathryn Scott's "Devotion" is another brilliant song and, if it's her singing, what great vocals she has too. "You Are My King" doesn't quite make the grade but "All That I Need" raises up the praise again, with the assurance of God's protection. Nice touch for worship groups is that the CD contains a section for use with a PC that includes acetate masters, guitar lead sheets, and many other bits of useful stuff. 9/10. (September 2000)
If you want a good pop worship album, then look no further than "Holy". Beginning with Brenton Brown's "Thank You For the Cross" and ending with the Delirious/U2 sounding "So Near", this is a highly polished release. Indeed, Brenton Brown shows what a great writer he is on the title track too - more pop worship. Esther Alexader's moving "Let My Heart Be Your Home" will, I believe, become a great favourite around the churches, but Daniel Chadney's vocals on James Hellings' song "What Love is This?" takes a lot of beating. led by acoustic guitar, the worship during this song just gets deeper and deeper. I can say no more than I did in the first line of this review. That should say it all. 9/10. (July 2002)
Taken from recordings made as far back as 1977, this album tries to capture the live passion and energy of worship events from around the world. The UK, America, Canada, and more are all venues featured with 25 songs sung by various leaders. It all totals around 2 hours of music, but where there's quantity, I'm afraid that the quality suffers. Being perfectly honest, there wasn't one track that made me say "Ooh, that was good". On the other hand, there's adequate versions of songs like "Refiner's Fire", "Hungry", "The River Is Here", and "Sweet Mercies", but there's also some dire rubbish such as the OTT "Holy" which is just truly outrageous. Nothing really to write home about, just a very ordinary album. 5/10. (December 2004)
This, short, eight track Cd represents songs both traditional and modern in style. The listing begins with "I Heard the Bells on Christmas Day", which has a very nice feel about it. "Away in a Manger" is sung most carefully in lullaby style and it's no surprise that this comes over very well. Of the others, I especially liked "Adoramus Te", a tune that I'd not heard before, but enjoyed immensely. Of the two new songs featured, the title track is, perhaps, the stronger and it's instrumental backing brings a glowing warmth to the proceedings. As I write, this is the best Christmas offering I've heard so far this year, but that's not saying much. 7/10. (December 2004)
It's not often that someone releases an album of acoustic folk but, inspired by the likes of Robin Mark, this is just what Vini Jones has done. Not to be confused with the ex- hardman of British soccer, nevertheless, Vini's songs are just as hard hitting. Straight biblical truths, written in a style that can only be his, Mr Jones opens things with the very accessible "Footprints". With all the current debate about Bob Dylan, it's easy to say that this IS the sort of album that he, himself, should be releasing. you know what I mean, it's a nineties thing but there's still a feel of sixties protest in songs like "Hollywood" and "Breakthrough". "Young in You" would easily find it's way onto radio but, perhaps, its overall strength would be in the confines of the smaller, folk field. Vini says that he would like to hear other people sing his songs but I, personally, feel that there is an interesting ministry here that - although limited in appeal - would be of great value in the folk clubs around the country. Folk lovers take note, Vini Jones is a name to remember. 8/10. (October 1999)
Involved in outreach and ministry since meeting Jesus at 17, worship leader Viola believes that worship is a lifestyle, not simply a series of performances. On this new album, she treats us to some simply exquisite songs like "In His Time" and the 'lay it all before the Lord' "Break Me Open". The simplicity of both songs are their strength, and Viola's delicate voice will melt the hardest heart. Of the 9 tracks featured, 3 are duets, of which the title track is by far the best. In between, come songs of hope and love, including the country style arrangement of "It's You" Probably better known in the States and the rest of Europe, perhaps this will open the UK to the sweetness and gift that is, Viola. 8/10. (July 1999)
Just when you think that surely no-one else could release an album of the same Christmas songs that have been churned out year after year, along comes Viola, complete with her festive offering. I loved her previous album "Our Master, Our Saviour", but this is the sort of thing you wish you'd never heard. Guess what songs are included? Yes, "Away in a Manger", "O Little Town of Bethlehem", "Silent Night", you could probably fill the rest of the track listing in a couple of minutes. The only new track to my ears was "The Swedish Song", a delicate little lament sung in her native tongue. Sorry, it's a bit like Amy Grant's Christmas album last year, tacky, and doesn't do anything for a very talented and gifted lady. 2/10. (December 2000)
Praise and worship doesn't get any stranger than this release from The Violet Burning. It's a bit hippy sounding. Then again, it's pop….or is it alternative indie? To be honest I'm not sure, perhaps it's a bit of all those styles and more. There's lots of swirly sounds throughout the album, as well as some atmospheric guitar playing. "Invitation Fountain" has some very simple lyrics about god's offer of the living water but, in all honesty, the music detracts from the message the lyrics portray. "Clean" is a lot cleaner in sound, with an acoustic guitar being caressed by a nice string pad. All the songs are written by Michael J. Pritzl and, within them, contain plain honesty and passion about the Lord. Try as I may, though, I couldn't get in the right frame of mind to either enjoy listening to this album nor to use it as a worship tool. The closing "Lord, Shine Your Light" lasts for 10 very long minutes, during which I was longing to reach for the eject button of my CD player. Cross Rhythms recently gave it a 10 out of 10 rating but, I'm afraid, this reviewer obviously missed just what TVB are about. 3/10. (April 2001)
Maybe it's my ignorance of this type of music, or maybe I've just heard too many albums all sounding very much alike. John P Kee leads the Mass Choir through 15 tracks of live, and powerful, worship. I don't have to tell you the style, it's gospel and very run of the mill stuff. There's nothing much wrong with it but, there again, not one single track really stood up from the others. From the funky groove of the opening "Throw Up your hands" to mellow sounds of "I Am Blessed", the track listing…well, it just "happens". Basically, if this type of gospel music is your thing, then you're not going to be disappointed. Sadly, I was. 4/10. (January 2004)
As far as I can gather, these three girls have been recording
albums for around 10 years, scoring radio hit after hit with their
R'n'B style. This collection showcases those hits and gives new
listeners like me, the chance to see what all the fuss is about.
"He's Been Good" starts things off in an upbeat Destiny's
Child sort of way, and this song would not be out of place in
the UK singles chart in any way. For me, it is, perhaps, the cream
of the crop as I didn't find anything better on the album to beat
it. The three girls lose their early edge and go for more traditional
gospel traits on numbers like "Love Me Like You Do"
and"Quiet Time", but it's still quite enjoyable. The
girls also include a short "commentary" every now and
again, stating their beliefs and despite cutting the music flow,
it all fits very nicely together. For those of you who like the
style of Destiny's Child and the like, you could do a lot worse
than to check out Virtue. 7/10. (January 2005)
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