This worship band from Hove previously enjoyed success with their debut album, "Undone", as well as having songs selected for inclusion on such compilations as Kingsway's "Live 2001". The follow up is a different concept altogether, recorded live at their home base and using material written while the band played and worshipped together in the rehearsal room. Unfortunately, like a lot of live worship albums it suffers from one crippling flaw - the fact that you are not in a hot room surrounded by other Christians who are also there to worship God. The songs themselves are OK, but they never stray too far from standard contemporary worship, either lyrically or musically, and not enough is done with them to really justify three of them running to seven and a half, eight and twelve minutes respectively. Whilst there is no disputing the worshipful atmosphere created by the band, and the Spirit-led spontaneity on some of the tracks, the lack of genuine variety of sound and tempo ultimately makes for a dull experience in your living room, and at just over an hour it is around 15-20 minutes too long. You probably had to be there. 5/10 David Cooper (September 2002)
Now, I was one of the lucky ones who heard this album before it was released. After one listen, I knew that it had something special about it and, with the right backing, could go far. So, I'm really pleased for this lot, that ICC have now taken them on board and have also seen the potential that I did. Namelessmusic are a modern worship band in the mould of Delirious? but with a smattering of U2 sound, as well as their own individual style. "We Will Praise" kicks things off and along with the following "I Believe", it builds in power as it progresses. "Risen Lord" has a feel of U2's "With or Without You" about it, but it's a terrific song of praise in it's own right. The band, as a whole work really well together, and the vocals are impressive too. "Worship You" shows the versatility of the band wit a quieter number while the striking guitar of "Praises" really rocks. "My Everything" is the closest you'll get to a Delirous song without it being the boys themselves but, again, it's another great song that stands up in it's own right. As for Namelessmusic, I think that they can count themselves well on the road to a very worthy ministry. 9/10. (December 2004)
To people who question whether you can fit biblical, Christian lyrics into a modern musical genre, I say take a listen to this album. Using modern R&B rhythms and open arrangements, Nancy uses her superb voice almost as another instrument at times and mixes it with tremendous harmony arrangements to create a great sound. As with most modern R&B, the majority of tracks are slow and rhythmic, but the feeling and drama in the voice is apparent. Here is a lady who really loves God and shows it. Tracks that caught my ear particularly: 'Free (Yes, I'm Free) - God Squad Remix', 'Secret Place', and the great ballad 'You Never Change'. But there's a couple worthy of a special mention. If ever Nancy was to release a single, it has to be 'Crazy Praise'. With a great beat, great words and excellent vocals, it has a hook line that catches you and is really much, much better than a lot of stuff that's charting at the moment. The other one to watch out for is 'You Don't Know', an offbeat jazzy number that has Nancy practicing the lost art of scatting! There aren't many tracks that knock me for six, but this one certainly did. The album does have a slight downside, however. There are a few very non-descript tracks that just seem to repeat around a loop, and a very slushy ballad 'Holy Is He' which had me reaching for the tissues - oh, and a totally inaudible and unnecessary rap in 'Don't Turn Your Back'. That apart, if you like the 'Why sing one note when five notes will do' kind of vocals, you'll definitely like this. 7/10 Julie Lord. (December 1999)
As a teenager Nancy Sawyer went through a period of some rebellion but on leaving college at 17, God's influence on her life grew in strength and she began to feel a deep desire to serve him through music. She found that God had given her the ability to write songs and has been writing ever since. "So Alive" was her first release and, now, "Walk" sees her debut for New Dawn Music. The album starts with a great proclaimation that "God Is In Control" and that nothing can take that away. Nancy's voice really is beautiful and so warm on songs like "Hard To Let Go" and the simplistic "End of the Day". The tracks reminded me of a cross between Judi Tzuke and Fleetwood Mac, especially on "Dancing on the Inside". On "How I Feel" she teams up with Phil Goss (As If) for a duet of such supreme quality that I get goosebumps every time I play it. With this release Nancy Sawyer's music is about to spread it's wings and fly into the hearts of many. 9/10. (October 1999, Album of the Month)
4 years after her "Walk" album, Nancy returns with a new collection of, mainly, self-penned songs. "Down to Love" begins the listing with a hook-filled song that swings along nicely. "Love Is…" provides some excellent fiddle sounds to give it a "Celtic" feel, while "Always There" is sung as a reflective and meditative way. There's a simple class about Nancy's vocals and the solo piano on "Sense of Heaven", yet "Close To Me" became quite tiresome the more I heard it. "Free" celebrates that freedom from many chains, that only God can give, and is a quality song overall. Nancy is one of those artists who can consistently show a great talent for both singing and writing, and it would be really interesting to see just what she could produce with record company backing. She, and current producer, Phil Goss, have consolidated her sound perhaps, now, she needs to take the next step. 8/10 (December 2003)
Touted as having one of the most impressive voices around, I was eager to play this CD and hear for myself. Following a three year apprenticeship with the American vocal band Truth, Natalie has made the break and stepped into the solo limelight. She's definitely in the Crystal Lewis mould but some of the songs are just downright weak. "At Your Feet" and "Crosses and Crowns" are two early disappointments. "Heavenly" wakes things up with strong ballad that reminds us that, with God, we're never alone, no matter what we may be going through. The acoustic "I Am Not Alone" is in stark contrast to the rest of the album, with an overall softer sound that Natalie copes with admirably. Maybe, once again, it's me but I'm sure she could do much better than this album. Even the throw-away disco track "Waiting For A Prayer" shows immense versatility in her voice that, when controlled, is a joy to listen to. Produced by those veterans of American CCM Brown Bannister and Brian Tankersley, we can only pray that things will get better. 4/10. (July 1999)
The chorus from the opening song of this album suggests that Jesus is the 'ultimate movie star' - hence (I guess) the title. The recording, as a whole reminded me of a box of fireworks; some explosive hits, colourful presentations, and a couple of damp squibs. Burning into the night is the rocketing 'Heaven is Here..' complete with it's Gary Moore guitar licks. Cross Rhythms liked the closing ballad 'Perfect Love' but, although pleasant enough, I personally thought it fizzled out too quickly. However, I would like to state that if this guy was American, he would have recording contract tomorrow. Some of his songs ('Better Way', 'Dreams', and 'Alphabet of Love') would come out well, if matched against the likes of Michael W Smith and Wayne Kirkpatrick. 'Alphabet' is a clever song that combines Neville's quiet and loud styles, without making the finished article sound dis-jointed. There's a smattering of Queen influence here and there, but Mr Raine shows that he has a wealth of talent and is just waiting for someone to light the blue touch paper. A popping 8/10. (December 1996)
Since 1994 America's New Direction has been telling the world that God has the power to take you where you've never been before. The New Direction Choir consits of more than 50 16-25 year olds sharing their musical inspiration with fervour and spirit. Rightly or wrongly, when it comes to black gospel music, I use the Brooklyn Tabernacle Choir as "the standard to review others by". And, while, this album does have it's moments, I'm afraid it's not in the same league as the Brooklyn Choir. "New Direction" sees a lot of hollering going on and at one stage I had to check my CD player as I thought that the track had got stuck. Then, there's a couple of funky praise numbers, including the tiresome "This is the Day". "I'm in Love With Jesus" and "Fire" come as saving grace. There's some great harmonies and vocals on these gentler numbers, and proves just what a talented bunch these people are. When New Direction are at their best, they're good. When they're not, they're pretty awful. 3/10. (August 2004)
Paul Field is the main man behind this recording, as he takes all or part writing credit on all but two of the twelve songs featured. One of those he didn't turns out to be the strongest cut. Written by Phil Hart and Joanne Hogg, "Pierced" is a tremendously powerful song, sung with feeling and gentleness. Jonathan Viera also adds his weight to some of the writing and also provides his rich vocal tones to lovely numbers such as the title track, and "The Promise of Your Grace." I tried to imagine the hymns being used in my own church but found it difficult to do. Certainly, the worshipful "River of Healing", as well as the celtic sounding "Through Days of Rage and Wonder" may well be used,but I'm not sure about someof the others. In my opinion, tunes like "Crown of Glory", sound too much like a performance, than a congregational hymn. There's some fine musicians and soloists pulled in for this album, but that didn't stop me thinking "does this album do what it's supposed to?". The jury's out. 6/10. (March 2004)
If you were at the New Wine 2000 conference, then you'll already be familiar with the songs on this album. Led by Neil Bennetts, Tim Hughes, Gareth Robinson, and Scott Underwood, the worship here is of the highest quality. Tim Hughes is going to get sick of me mentioning this but he DOES sound so much like Matt Redman! "Jesus You Alone" is one of his own songs and pumps up the worship with praise. "Name Above All Names" is a brand new song from the pen of Neil Bennetts, and what a song it is too. A very beautiful feel, that peacefully builds into great power and then slowly mellows down again. "I Will Sing the Wondrous Story" is a surprise inclusion and, if I'm honest, it gets rather messy mid way along. From my own point of view, Gareth Robinson gets a little carried away with the lead vocals and clashes horribly with the sweet sound of those gathered. But, never mind, that's one criticism on an otherwise top British worship release. 9/10. (December 2000)
It doesn't take you long as a reviewer to know that a praise and worship album is going to contain, on the whole, a similar format to the last. This one, led by Andy Park and David Ruis, is no different. Let's get people clapping and stomping their feet with "Mercy is Falling" - guaranteed to lift people's hearts and souls. Then, just as everyone is on a high praise level, slow it down with "It's Our Confession Lord" and "Draw Me Close" and let the real worship begin. If all this sounds a little flippant, it's not meant to be but there's no surprises in this offering from New Wine. There again, the second CD of this twin pack does show off a few lesser know songs, which make quite a refreshing change. Throughout, the musicians and leaders take those gathered to a closer time with the Lord and songs like "Shake the Heaven's" and "Blessed Assurance" just continue the journey. Not bad at all. 7/10. (February 1999)
There's no getting away from the fact that the New Wine series has proved hugely popular over then years, and this double CD isn't going to change a thing. Using songs written by the worship leaders, Tim Hughes, Matt Redman, and Scott Underwood, the list of songs reads like a "greatest Hits" album. "Lord You Never Promised", "Lord, Let your Glory Fall", and "My Jesus, My Lifeline" are all early highlights. CD2 is treat like a bonus recording and, therefore, the only track listing is on the disc itself. However, that shouldn't detract from, what is, another quality album. "Come, Now is the Time to Worship", "Jesus Christ (Once Again) and an endless list of top worship songs. No surprises, just good old fashioned worship. 8/10. (April 2000)
With a band member called Jeff Frankenstein and a producer of Steve Taylor's genre, you have a sneaking suspicion that this album could be a little out of the ordinary. Whacky lyrics confirm it; "I'm busy giving blood and shovelling elephant dung" they sing, on the excellent 'Reality'. "When the toast is burned and the milk has turned", is part of the chorus to the song 'Breakfast', which looks (I think) at the passing of a friend. It's early American punk rock crossed with a touch of Split Enz madness. However, the album is let down by it's own quirkiness and becomes quite tedious by the end. If you want something a bit different..........5/10 (April 1996)
Oh dear. The Newsboys' previous CD, 'Take Me To Your Leader', was so absolutely, totally, guitar-crunchingly, spine-tinglingly 10-out-of-10 brilliant, that I feared the follow up couldn't be as good. And it isn't. I don't think it's the slight change in line-up (down to a 5 piece now that John James has left). Maybe it's the lack of Steve Taylor as co-producer and co-songwriter- he wrote the lyrics for only 2 songs here. Whatever the reason, this album lacks the bite of the previous one - hey, I get goosebumps just taking that CD out of it's case! This album just starts, goes on and then stops. Occasional weird sound effects can't spice up a lacklustre offering. Take my advice. Rush out now and buy 'Take Me To Your Leader'. As for this one? Let's just forget it ever happened, shall we? 5/10. Geoff Allen. (October 1998)
Pete Furler and the nutty boys from down under are back with an album full of multi-layered harmonies and orchestrations, but that typical Newsboys touch. The first song to make me sit up and take note was "Forever Man", which sounded uncannily like Robbie Williams' "Millennium". That's really the pick of the opening 5 tracks, while the others just seem to start and finish without anything really happening. However, there's always one song that will kick things into action and, in this case, it's "Say You Need Love". Will physical love feed your needs, or is it the unconditional love of God that you need to know? Simple question, great song. "I Would Give Everything" carries on the upturn in quality but the laid back "Break" is probably even better. On the whole, still nowhere near as good as "Take Me To your Leader" but, not bad. 6/10. (January 2000)
The maths is simple. Newsboys + Steve Taylor = Brilliance. From the driving, high energy of the first 3 tracks through the worship middle section and out through the clever lyrics of such songs as "The Fad of the Land", this is one magnificent album. The return of Steve Taylor as part-producer and part-songwriter raises the Newsboys sound from good to great. If you like songs that make you think, be inspired and jump up and down (and sometimes all 3 together), this is for you. CDs have gradually got longer and longer so you now have to book a holiday to listen to your hour-plus magnum. But this is short and oh so sweet. 37 minutes of quality pop/rock melodies and sheer joy. (And if you want more, there's a free single including live versions of "Shine" and "Breakfast" if you reserve the album at newsboys.com) It thumps, it jumps. It rocks, it rolls. And I like it. 10/10 Edward Booth (April 2002, Album of the Month)
I've heard some strange styles put together on album releases over the last 18 months but this takes the biscuit. R&B meets pop! Seriously, it's as if it's two bands sharing one CD. First of all we get the bluesy title track then, "Miracles", complee with infectious hook. It's like this all the way through, ending with the sugary ballad "Heaven is You", a really fine song. In between, we get more r&b - in the shape of "More Fun Than Sin"- and the bubblegum "Start All Over On Mars", a ditty about how the band would recreate the world from scratch. I couldn't really stomach the blues type songs but the rest were quite appealing. Not too sure what Newsong are trying to achieve? 6/10. (May 1997)
Here's a lady who's been ministering with music for ten years or more, yet I don't recall having heard her before. Nia presents a style that has a country rock tinge, married with a dose of The Pretenders. "Revive Me" first got me thinking along these lines and the acoustic based "Wholehearted" was another. These days, women aren't so scared to rock things up a little, and Nia is no exception especially with "Narrow Little Gate". Track 9 "Jesus Christ Is Lord" is a typical example of how lyrics do not need to be complicated to get the message across. Only 2 verses, but what power in those words, plus a singalong chorus that churches throughout the country should be singing. There's a couple of gorgeous ballads included, not least the closing "I'm Not Alone", and this really is a terrific album. 10/10. (August 1997, Album of the Month)
If you're a regular reader of NFN you will already know about the 'Christmas Child - Shoebox Appeal' that Nia supports with great time and effort. This Christmas album contains the title track which gives, in music, a small insight into just why this work is so important. It's a beautiful song, sung and written from a deeply caring heart and it alone is worth it's weight in gold. However, there are ten other tracks which include Nia's interpretations of well known carols such as 'The First Noel' and the joyously sounding 'Hark! The Herald'. Mal Pope's song writing has come to the fore this year and his contribution of 'Christmas in My Heart' is a listening pleasure. The involvement of two choirs only add to the quality of this recording as Nia's inimitable style leads us through the tracks. 'King For A Day' asks if we really celebrate Christ's birth only once a year, while 'Child Born King' tells the story of the three wise men. Nia and her team have a real heart for their ministry, the music only confirms this. 9/10. (December 1998)
So we now turn to one of the most underated CCM artists in the UK today. She doesn't do it for praise like this but I really have to sit in awe at the wonderful ministry both she and her team perform all around the world. No giant backing behind her, just a few dedicated supporters, all with the belief that God is King. This latest conetemporary album returns to the successful formula of "Rain Will Fall" which combines country foot-tappers with pure pop that will appeal to all ages. "Martha" commences proceedings in the former style, while "Reading, Knowing" slows things down with a mellow ballad. "Tomorrow" livens things up again, before the truly brilliant song "Leftovers" wins my vote for "song of the Album". Co-written with producer Mal Pope, it's a song that deals with how God can sift through all the rubbish of your life and bring out the best in everyone. I especially like the guitar in this song and, once you hear it, you'll want to play it again. Working with such a kindred spirit as Pope has helped Nia to record an album full of good songs, including the poignant "I'd Do anything" written especially for her close friends. It's another super release. 9/10. (October 1999, Album of the Month)
No, you're not seeing things, this is Nia's second new release of the month. This time "Amazing Grace" shows her in praise and worship mode with old favourites such as "Great Is Thy Faithfulness" and "Jesus, We Celebrate" - the former reminding me of Christmas!. The medley of "Shout to the Lord" and "Awesome God" works really well and the 'join' is almost undetectable. When the Pet Shop Boys released "Go West" a few years ago, many church goers started singing "Give Thanks" to the same tune, now Nia puts things right. The synth' opening immediately made me sing "Go West" , but I played Nia's track again. Amy Grant's "Where Do I Go" was a new song to my ears and it's one of the most appealing on the album. "Amazing Grace" is a safe release without pushing back any new frontiers. However, Nia's inimitable style shines through and lifts the result high above being just "another praise album". 8/10. (October 1999)
It doesn't seem long ago that I reviewed Nia's last albums but, nevertheless, here she is with a new collection of pop songs. Bar one, all tracks have been co-written with Mal Pope and this has resulted in slightly more rockier style than her previous releases. Prime example is "Message in A Bottle" where things really motor along. "Why Should I worry" is more like the Nia that we've come to know and love over the years and this track will sure to get the airplay time it deserves. Simple lyrics based on Matthew 6 v25-34, but a great, catchy tune. The title track is a ballad of good standard but the album's purple patch comes halfway through the listing, with "Jesus Christ is Lord". From here on, "Jonah" builds up nicely with driving keyboards, and "Narrow Little Gate" keeps up the pace. Musically, this is a step forward for Nia but not such a giant leap that her loyal fans will disappear. Even after many years in the business, Nia continues to evolve. 8/10. (June 2000)
This Autumn Christian singer Nia and United Christian Broadcasters (UCB) will be taking a trip back in time to celebrate a special anniversary. Yes, it's back to the 80's; the days of curly perms and shoulder pads, to remember the birth of two ministries. It was just one month after her 17th birthday, when Nia left her tiny village in Wales and moved to Leeds. With Welsh as her first language, Nia spoke only broken English but had an overwhelming desire to sing for God. She recorded her first album "You & I" in 1986. That year also saw the start of UCB, a pioneering Chrisitan radio ministry, set up with the vision of broadcasting the message of Jesus Christ to every corner of the UK and Republic of Ireland.
Well, as part of Nia's celebrations, she's just released two albums. The first is a worship album that takes some well known songs, as well as some not so well known, and let Nia gently caress them in that lovely Welsh voice that we've come to know. "Now Is the Time to worship" is a gr4eat opening track and "Open the Eyes of My Heart" is sung so powerfully that I really had to just sit and listen! "Be Still" is simply beautiful, as is "Be Thou My vision", but "Cry of My Heart" took the plaudit of "best song" for me.
The second release is a look back, as the title suggests, at the 15 years of Nia's ministry and includes a re-recorded version of "Thank You" from that very first album. Some of the earlier songs do sound a little dated now, compared to her recent material, but as someone who hadn't heard her 80's recordings I still found quality peeking through. "Saviour" is a stirring ballad that was co-written with Paul Field and "Matthew 25" is easy listening at it's best from her excellent 1997 album "Rain Will Come". "Artist's Heart" and "Christmas Child" are two of my favourites, and I look forward to listening and supporting Nia's ministry for another 15 years…..at least!
A Time for Worship 9/10
The First 15 Years 7/10 (July 2001)
Another very nice album from Nia, recorded earlier this year. She has a beautiful singing voice consistent throughout the album and sings some great songs. There's a mixture of old and new songs, with superb musical accompaniment provided by Nigel Hopkins on keyboard and Tim Hamill on electric and acoustic guitars. If you are a Nia fan then this album is to be recommended. If you haven't heard Nia before, then it's time you did. Profits from Album Sales support Mission projects around the World. This would be a good album to add to your Christmas present list! Songs include:- "Reign in Me", "Heart of Worship", and "Make Me a Channel of Your Peace". A song I hadn't heard before, and my favourite, "Scandalous Night" was so lovely, as were "Have Mercy Lord" and "Trading my Sorrows". I have thoroughly enjoyed reviewing this album, it makes for good listening from the minute it comes on and right through to the end. 10/10 Pam Robinson. (November 2002, Album of the Month)
Nearly 6 years after hearing my first Nia album, comes "Small Things", a release - and title track - that does say "let's be happy with the small things in life. "You See, I See" is pure pop and, teaming up with Mal Pope, Nia is in her element. Never mind how good you look on the outside, God looks at the whole person.. I, personally, think that Nia records some very good pop songs and "I Will Follow" is another great example. Mind you, she's just at home with the slower numbers too. "Lullaby" is written from the first person perspective of a loving Father and the strong lyrics "The arms that so cruelly stretched out on the tree, are tenderly holding me now". She tells it how it was and, for her, how it is. Nia also shares writing credits with John Pantry and the closing "Guardian of My Soul" prayerfully acknowledges just how big God is in her life. For me, "Fishin'" is a wonderful little tune that borders on the edge of country and may just benefit from a slide guitar here and there. But, what do I know? Nia's made another beautiful album and maintains a strong string of hits. 9/10. (November 2002)
No-one was more surprised, than me, when I listened to their previous album of Celtic-folk songs and gave it a whopping 10/10 score. So, it was hard to stop myself from letting this one jump the review queue, in the hope of more of the same. Indeed, like so often, would I be disappointed by the follow up release? The answer was soon there in front of me. No worries what so ever as Nick & Anita carry on where they left off with a superb collection of music in their own inimitable style. There's the brilliant start of "Come Away With Me" and "Brendan's Prayer", which is soon followed by "Crossing Over". A mention here, too, for the devine backing vocals of Sarah Lacey on this track, as well as throughout the album. There's a reel and jig which is quite enjoyable, and the gentle song "Tender Saviour" - a passionate rendition by Anita for those of broken spirit. There's a little more leaning towards folk this time round, but that only heightened the enjoyment and worship I gained from listening. 10/10. (April 2003, Album of the Month)
Her debut self titled release produced the Dove Award winning Song of theYear, "Redeemer", and what a song that was! Her follow up album features 11 tracks written or co-written by the lady herself and begins with the dance number, "Talk About It". Then, we get into some funky, urban pop with "Baby Girl". A sucker for the great balled, I instantly fell in love with "Call On Jesus". As good as "Redeemer"? Better! That's what I say. The slower hip-hop style of "Let Me In" didn't do much for me, nor did the Destiny's Child sounding "Witness" - which became far too repetative - but "Come Unto Me" and "Sometimes" get things back on track once more. It's an album that tells stories about life and about people, and about a big God who works through everyday heroes. Well, He's certainly working through this young lady. 8/10. (October 2001)
Christmas in Black and White is Nicole's latest release following three incredibly successful albums, which sold over 210,00 albums worldwide. Up to date she has won 7 Dove Awards including the 2002 Award for Female Vocalist Of The Year. Listening to the album Nicole is clearly a very gifted and talented singer song-writer which is portrayed throughout the album. She has written many of the songs herself but has also incorporated some of the traditional Christmas carols and songs, such as "Away In A Manger" and "Hark The Herald Angels". Track 4 Nicole is joined by her father Napoleon Coleman jr. singing their version of what I remember to be an old Nat King Cole song,' Chestnuts Roasting By An Open Fire'. This is one of my favourite tracks. Track 8 sounds like they have all got together to have a good jamming session, using voice and percussion you can tell they are having a really good time together and it is very effective. "St.Nick's Groove", a geat note to finish on, a super version of "O Come, O Come, Emmanuel" which rounds the album off. There are also guest appearances by Kirk Whalum and Phil Keaggy. This album should appeal to people with varying tastes in music, as Nicole uses various styles including pop, gospel, calypso.... along with the traditional carols. The album has been put together very professionally, and makes for enjoyable listening.There is a very clear christian message throughout. A really good Christmas Album and good value at £9.99! 9/10 Pam Robinson. (December 2002)
This lady has a cracking voice, and when sings full bodied numbers like "I Am", it really shines through. There again, when she drops into her RnB roots, her vocals are totally wasted in second rate Destiny's Child type of songs. "Message For Ya" and "This This" are both shining examples of the latter, and I really didn't enjoy either. "Bye Bye Brianna" is a hoot. Why? Because it sounds so much like Michael Jackson's "Earthsong", and I had visions of Nicole singing this to the MJ video. As the track listing went on, it becomes more tiresome in sound. There's not much to write about really, as the songs just don't rise up to the challenge. 3/10. (December 2004)
This is a debut album for Nichole. Having won a major US gospel singer/songwriting competition, she secured a contract from Star Song. She might be a new name, but I think we'll be hearing a lot more from her. A kind of Natalie Imbruglia meets Beverley Craven, piano based songs are given the Nashville treatment with some excellent production by Mark Hammond. But,, what makes these songs even better are the lyrics. Matter of fact, Allannis Morrisette type lines, but with a definite Christian element and some deep soul searching. The title track is a good example. There are a couple of almost unplugged songs, showing Nichole's material in it's original form. 'Burnin' is one of those, and I feel that the starkness captures the essence of the song. Maybe some of the others are over produced for this reason. Nevertheless, a great, listenable album with a punch. 8/10. Julie Lord. (December 1998)
First, Nichole won a songwriting contest in L.A, then, she got a record deal and moved to Nashville. Number 1 radio hits have followed, as well as a Dove Award by the GMA for Best Female Vocalist of 2001. Yes, it's been quite a journey for Miss Norderman, but what a welcome addition she is. I missed out on her first album and thought that her follow up, "This Mystery" was quite a poor dish. This time, however, Nichole has served up an appetising delight of songs that range from the pop praise of "Holy" to the gentle flow of worship that is, "I Am". In between, she declares love for her Heavenly Father with the bouncy "Legacy", as well as giving thanks for our healing by His wounds on the delightful "Healed". One magazine has already hailed this release as "a lyrical quilt of poetic beauty" and, while I wouldn't go quite as far as that, they do serve up a healthy offering. 9/10. (November 2002)
Nick and Anita who? Well, that's exactly what I said before I heard this album. The title led me to expect something in the mould of Eden's Bridge, rather than Iona, but what I didn't expect was something completely different. It's back to basics, and the real roots of Celtic music, uncluttered by synthetic musical layers. For the oldies among us, Nick & Anita, at times, sound like Steeleye Span but, in essence, they have their very own style. From the opening "Captivate Me", I knew that I was listening to something quite special - I especially loved the violin. "Pilgrim" follows in similar vein, while "I Heard the Voice of Jesus" ends with a great reel. Instrumentals like "Strange Land" and "All Around the World" show off Nick and his talented friends' musicianship, while Anita's vocals remain smooth throughout. A brilliant collection of songs and highly recommended. 10/10. (September 2000, Album of the Month)
Inspired by Madeline L'Engle's book "Walking on Water", Nicole Norderman's "This Mystery" looks at innocence, naivety, and the mystery of faith before it got lost in a land of adult reasoning. Hence, track 4 "Help Me Believe" takes a journey back to childhood when believing came easy and before rational analysis and systematic thinking robs you of a sweet simplicity. Nice idea, but the music is just dull and un-inspiring. Nicole has a sweet voice but all too often I found myself drifting through each song with no recollection of it's sound. Perhaps the exception is "Every Season" a light, piano led song that wouldn't seem out of place in any worship gathering. Sadly, on this album, it does sound out of place - a rose amongst far too many thorns. 2/10. (July 2000)
Sub-titled "Songs for worship and ministry", this album sees Nik and Emma sharing the singing but with Emma contributing most of the writing. That latter find came as a bit of a surprise because I felt that there was such a gap between the quality of certain songs. Nik has a voice that compares well with that of Keane or Coldplay, and is predominantly stronger than that of Emma. On songs like the uptempo "Bless the Lord" and "Come Lord Jesus" Nik's vocals are at the forefront of what's happening in the song. On the other hand, Emma's rather weak sound does nothing for the sweetness of "Father Creator". Saying that, she does come into her own towards the end of the album on two rather whistful numbers, "This Thing I Know" and "Love Song". Mid-album I found that things got a bit complicated in sound and the songs suffered. Either side, however, there's enough to say that Nik & Emma have plenty to build on. 6/10. (February 2005)
With new pop sensation Billie riding high in the British Top 20 singles chart it is, perhaps, a measure to compare her appeal against that of 16 year old Nikki Leonti. For your average teenager there is enough potential chart material here, beginning with the infectious tune and lyrics of "It'll Be Alright". It's poppy, it's got a good beat, and it sounds happy. "Shoelaces" is another song to fit into the same category and is pure sugar pop. Nikki's young voice stands out quite well and is put to the test on ballads such as "Everlasting Place" and "Love One Another", where she duets with co-producer John Elefante. The let down to the album is, after those tracks already mentioned, there's little staying quality. The pop goes out of the upbeat numbers and the fizz is certainly lacking from the rest. As debut's go, it's quite ordinary but worth considering if you have a pop mad teenager in the house. 6/10. (December 1998)
Here's a double CD package of Noel's early 90's material. Not a bad thing, you may think, but that's only if you're new to his music. These days, Mr Richards is renowned for his forceful sounds and gentle praises, built on good tunes and thoughtful lyrics. It's the lack of those gifts that are so apparent on these CD's. Most of the material featured does sound very out of date and "Cast your Burdens" must rate as a ten on the cringe scale. I'm not saying that there aren't any good moments, "My Lips Shall Praise You" starts things of in a very hopeful way, and "Nothing Shall Separate Us" (although not good by today's standards) is the sort of thing that we all know and love from this talented man. If you're replacing an old vinyl or cassette of the original, it's worth your money but the jury's out for the rest of you. 5/10. (April 1999)
The vision is to summon the youth of the world and the young at heart to worship Jesus Christ, the Champion of the World, at the Olympic Stadium, Berlin, Germany, in the summer of 2001. The next step in that vision is the release of this album with songs of anthemic and worship quality. The former style comes in the form of the title track, as well as "What Jesus Would Have Done". Whereas "Calling…" soon becomes a plodding bore of epic proportions, the latter has it all, with the orchestrations adding another dimension to Noel's writing. However, this is Track number 9 and, to be perfectly honest, the previous 8 songs are pretty ordinary. Every time I listened to the album I kept asking, "Has Noel gone mellow? Where has all the excitement of his music gone?". "Come, Now is the Time" is a well known song that I've heard sung much better - and with more conviction - at many a church gathering. "I Believe" almost makes the grade but I still felt that the man himself was holding something back. The album ends with 2 worship numbers, of which I can feel "How I Long For You" becoming a crowd favourite. Otherwise, this is a pretty poor offering. 4/10. (July 1999)
So, for the first time, Noel gathers his touring band around him for studio album recording. It's been a while since we've had anything new from this pioneer of UK CCM and the wait is worthwhile. Along with those distinctive Noel Richards' traits are various influences. "There is Only One God" has a great guitar rhythms to it and it sounds very much as if it could be a U2 track. There again, there's a brit-pop feel about "There Are No Secret Places" which sees Noel step out of his normal sound. I had visions of dancing and clapping when I heard "Altogether Now" but got just as much enjoyment from the quieter and poignant song "There Are No Secret Places". As it's become his anthem, "Calling All Nations" appears at the end of the track listing but even this song has been given new life. After so long without him, it's good to hear Noel Richards in fine form. 9/10 (April 2004, Album of the Month)
The haunting vocals on "I'll Be Home Soon" and the jangly feel of "Romeo On The Radio" make for a reasonable start to this album, the band's third. Even on the rockier tracks there's still a laid back feel and the vocal can be treacle-slow. "Less Than Love" was probably my favourite, almost perky in comparison. But the interminable "Happiness" just goes on and on. This is followed by "We Go On". Yes, you do a bit. The album's lyrics hint of spirituality rather than exegesis (just an observation, not a criticism). "Brittle Bone" starts with the feel of Springsteen's "Streets Of Philadelphia" and "Epilogue" has a nice weird keyboard intro. But there's a point where "grand and anthemic" wanders close to "ponderous and plodding". But it did grow on me by the fifth playing. Low on excitement, high on thoughtful atmosphere. 6/10 Edward Booth (March 2002)
Is it really 4 years since I first interviewed this band for Cross Rhythms? Since then, they've become festival regulars and turned into one of the tightest indie/rock bands of their kind. Enforced breaks due to marriages, births, and career changes have only served to refresh the band at various times over the last couple of years, and this new release shows their potential to the full. From track 1 ("Your Love") Miriam Pitts' vocals enter your head in such a way that you know it's going to be a good album. Explosive start, kicking guitars and one of those songs which are a moshers delight. "Truth" is a slower song and, perhaps, comes a little early in the track listing but "Show Me the Way" soon picks up the pace again. I can't compare NSC to anyone else this time round, but non-Christian friends tell me that it's a very American sound. "Out of Mind" is a very strong cut based around Psalm 51 and dealing with guilt, while crowd favourite "Breakpedal" didn't quite work for me. Leave the final track running and you'll hear a great acoustic number to round off, what is, a fine album. 8/10. (October 1999)
With their recent chart success in this country, Nu Colours are the biggest CCM cross-over artists since Amy Grant. The hit singles 'Desire' and 'Special Kind of Lover' are both featured, but they are far from the strongest material on offer. That privilege goes to 'I Pray', with it's superb, laid back harmonies. "Whenever I need you, I pray", so simple, so classy. There's a few bland numbers too, and the album ends without you really noticing. It's almost totally programmed music and it does tend to be fairly repetitive. However, why change a winning formula? 6/10. (January 1997)
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