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I never heard a single thing from this band when they were known as Dissident Prophets, so I'm not able to say if and how their music has changed. The press release says "think Velvet Underground, The Ramones, and Lamb all thrown together." Well, I can definitely hear the Ramones influences, especially in "Run For Your Life" and the absolutely brilliant title track. The song is pure gold. Simple lyrics that tell of how we're brainwashed into following today's culture, instead of the truth's of Jesus. I've played it so many times that, it just has to be a radio hit - are reading this Cross Rhythms?. The band have obviously worked very hard at putting this album together and the finished product is first class. As well as those previously mentioned, I thought there was a bit of the late lamented Television in songs like "Keep My Lamp Burning", and the jangly pop of "Do You Know Love At All". Not quite my album of the month, but pretty close. 9/10. (August 2003)
Well, it's taken some time but this album has finally winged it's way to NFN towers. The question is, was it worth the wait? Fronted by Maddy Leigh herself, the band name sort of gives away the type of thing to expect. It's 60's blues with a millennium twist. Take, for instance, the opening "Faith to Follow". Great Hammond organ from Ted Gardner, and extreme slide guitar on the part of Jeff Scheetz. "Impossible Things" sounds like a jam session rather than anything previously rehearsed but the result is quit epleasing. "Heaven Sent" gives you visions of being in a New Orleans bar, as Maddy's vocals tastefully praise God's gift of Jesus to all. You know when you hear people moan who never seem to be satisfied with what they've got? "Moan, moan, moan" asks those people if they'll ever be happy. Marc Ellison plays some catchy guitar riffs throughout and he's backed by some quality muso's. I felt that, once or twice, the songs were a little too samey, although "Takin' It Easy" seemed to owe a lot to the Beautiful South's "Rotterdam". Oh yes, before I forget, and I wish I could, please don't make me listen to the version of "Amazing Grace" again. Apart from that, yes, this album was worth the wait, and is a must for serious blues fans. 8/10. (April 2003)
The voice behind Clannad releases her first Christian album, using the sound and formula that has made them so renowned throughout the world. From the opening moments of the first track "The Big Rock" you are simply carried along by the wonder and beauty of God's gift of music. The title track tells of His perfect timing in your life, while "The Light On the Hill" can only be described as terrific. (Excuse me while I play it again). All the famed styles of Clannad are there including the predominantly vocal "Na Paisti", sounding a little like "Harry's Game". The pipes, the whistles, and fiddles are all to be heard, as well as Maire's moving harp playing on the instrumental "Doon Well". I don't posess a single Clannad album in my collection yet, after the first play, I couldn't wait to play "Perfect Time" again. All too often, the CCM release of a well known secular artist falls a long way short of it's hype. On this occasion, the album more than lives up to the press release. Buy it, and prepare yourself for something special. 10/10. (April 1998, Album of the Month)
Building on the success of her last album, plus the Top 10 UK hit in collaboration with Chicane, Maire releases another crop of Celtic style music. In all honesty, there's no surprises in the resulting album, it's all cleverly produced and in the same winning formula that has proved so poular with fans the world over. "Follow the Word" is a good opening piece and sounds as if it should be a film score, rather than just another song. It's medium pace is soon slowed down the "Where I Stand" and "Hard to Break the Seal" - more haunting in melody. "Ageless Messengers" moves the pace on again and I found myself re-playing this track more than any other on the album. As I say, "Whisper…" doesn't break any new ground for Maire but, then, why disappoint the fans? 8/10. (December 1999)
Manchester Vineyard was planted in 1989. Their goal - ministry to young adults. Described as an exciting, vibrant place to worship God and to be challenged by his word. Looking at their website I notice that this is a very active church involved in various ministries and especially with young people. This is an excellent C.D. Vocals, music and lyrics superb, and consistent throughout. These were all new songs to me, and after having listened to the album a few times can do no other than give it a good review, which it well deserves. It has been put together very professionally. The style of Manchester Vineyard is very similar to that of the Vineyard Music Group. If this is the style of music you like, then I would recommend this album to you. My favourite tracks are:- No.2. All I Can Bring - female vocals and heartfelt worship and praise; No.4. Your Love O Lord - male vocals, a praise song, and No.8. Who May Climb - male vocals, worship and praise. I notice that most of the songs have been written by members of this very talented music group. The lyrics say everything. An excellent worship and praise album.
Pam Robinson 10/10 (June 2002, Album of the Month)
Now I have to admit that I'm not a worship CD lover as quite often the atmosphere of the occasion isn't captured on the recording, and this one is no exception. The Mandate was a conference for men held at the Waterfront in Belfast, and the worship was led by Robin Mark, Northern Ireland's premier worship leader. All the way through the album, the arrangements are very Irish folk with an accent on accoustic guitar, fiddle and penny whistle - a kind of male Corrs playing worship songs and hymns! Particularly good are 'There Is A Place Of Commanded Blessing' and the medley which immediately follows it of 'Amazing Grace/No Not By Might/AreYou Washed?'. As the album progressed however, I found that each song/hymn was given the same treatment - moderate to slow, folky sound which dragged. The only exception was one of Robin's own, 'As Sure As Gold (Revival)'. I was beginning to wonder why Barry Bynum was credited with lead guitar, but I could just hear him on this track. It seems to have been a tremendous evening live, but just doesn't make it onto CD. Of course, I'll not be able to go to the next one, it's all men. Now there's a thought ... 6/10 Julie Lord. (May 1999)
I'm not really sure who this Ira Stanphill is, but he's not legendary around North Yorkshire as far as I know, so I was expecting another collection of sickly American worship songs. However there are enough different styles of music on here to keep it interesting, ranging from acapella gospel choirs
To jazz bands and most things in between. There are several different people playing on this album, including various members of the Stanphill family. However the only one that I have heard of before is Johnny Cash, who does a track called Suppertime, apparently this is the original recording. Most of the tracks on the CD are in a different order to the sleeve, so it's a bit awkward to work out who is doing what, especially with the instrumental tracks, but this is an advance copy, so I guess they will have sorted that out on the release version. Most of the songs are a bit corny to be honest where the lyrics are concerned, but despite this it's still worth a listen just for the contrasting styles. 6/10 Andy Sayner. (January 2004)
Before I begin, I will confess to knowing next to nothing about Marantha Music, apart from being something akin to the Vineyard Music Group. This pre-release copy came with no sleeve or any other details. Initially, when I put this CD on I was a little taken aback as I really didn't think that this was quite my taste in music at all. My husband had very similar thoughts. The first track is verty traditional, male voice choir, Holly, Holy, Holy. But, then, the second track "I Will Remember Thee" has a celtic touch to it. This change of traditional to contemporary runs throughout the album. As I continued to listen to the album I found myself quite enjoying these different styles. This CD is quite unique to me and has been put together very professionally. The vocals, instruments and lyrics are all excellent. My favourite track is "My Soul Finds Rest" and has a Middle Eastern flavour. I doubt that this collection would appeal to the younger generation but, otherwise, there is something for everyone. I like this CD very much. 9/10. Pam Robinson. (July 2001)
Whenever I see the name of Margaret Becker, my mind wanders back to one of the first CCM albums I ever bought, her debut called "Never For Nothing". From it, not only spawned the idea for this fanzine but, two roc k bands. The next two or three years saw further excellent releases but, since then, the product quality does seem to haveslipped somewhat. Unfortunately, this collection of brand new songs is nothing out of the ordinary. With her sleek, smooth voice, Margaret delivers light soul music that is perfect for playing in the background. "Friend For Life" is the first track, and there's no big kick to launch the album. No, this is Margaret at her best, gently bringing thelistener closer to God. The title number slips by without notice while "I Won't Be Persuaded" shows what soul music is all about. There's more of a groove feeling to "Hope in a Hopeless World", that reminded me of several Simply Red numbers, while the odd jazz and folk elements shine through on others. With this, her tenth album , Margaret Becker will still disappoint fans of her ealry work. 6/10. (January 2000)
Readers with long memories will, no doubt, remember all the times that I've mentioned that an effect Margaret Becker's first album had on my early Christian life. The title track became the inspiration for this publication, and another spawned the Hull based band Giants Will Fall. Since then, I've longed for another one of her albums to have that same effect. "Immigrant's Daughter" came close but since then, nothing. This album sees her respond to requests for an acoustic type recording, featuring some of her songs from the last 10years. As much as I'd love to wax lyrical about it, this album doesn't do much for me at all. It was, however, nice to hear one of my personal favourites again, "Just Come In", but in this form, it's lost a lot of quality. There is a good version of "Hear All Creation" - which featured on the New Irish Hymns collaboration, but those are two highlights in an, otherwise, disappointing affair. 3/10. (July 2003)
With the pedigree of these three ladies, you know that by putting them together, the result is going to be something quite astounding. Composer, Keith Getty, is the man responsible for most of the music, while each of the singers contribute to the words. It's sometimes a little difficult to tell the voices apart but that didn't stop me enjoying the opening "Your Hand O God Has Guided", nor the following upbeat "With the Early Morning". If I tell you that the musicians include Terl Bryant, Tim Harries, Phil Keaggy and Troy Donockley, you'll also understand just how good the sound is. As it's written by her, I'm sure that it's Becker's lovely vocals that take the lead on the lament "Jesus Draw Me Ever Nearer" - 4 minutes of pure joy. "Hear All Creation" picks up the pace again while "In Christ Alone" builds into a crescendo of celtic beauty. Each track could be described individually for it's wonderful content, such is the quality of this release. It's one of those collaboration albums that comes along every so often and is truly a gift of God. 10/10. (December 2001, Album of the Month)
The first of this series was a storming success. Now, Keith Getty presents a follow up that is bound to follow in it's predecessors footsteps. There's no Mairre Brennan this time, but the voice of Kristyn Lennox more than makes up for that loss. I had to listen to the first album again to confirm that this one begins with much more power in it's presentation. Co-written with Stuart Townend, Getty let's the heaven's open with "See What a Morning - the Resurrection Hymn. I've used this word a few times lately, but this song is truly awesome. Then, it's "I Will Trust", lots of energy and reminded me of something from Riverdance. "Join All the Glorious names" swings along nicely before we, finally, pause for breath with the gentle lament "My Heart is Filled". Both musically and vocally, I can't fault this recording, it's been a real listening pleasure. 10/10. (December 2003, Album of the Month)
As a fan of the first two albums in this series, I was really looking forward to hearing this one, dedicated to Christmas. I was slightly put off by the opening prologue, but settled down, undaunted, to listen. The striking thing about those previous albums has been the spark of life contained within each song, that dances effortlessly through your mind. Sadly, on this release, that spark seems to have been lost. What I did find is that a lot of the tunes from the first releases have been re-sampled to give an air of newness but, to the well trained ear, it's fooling no-one. "Holy Child…" is an acoustic based tune that is gentle in both spirit and presentation but I found the rest of the album to lack any real passion. Certainly, there's no feel of a joyous Christmas, and I cannot commend this album to be on par with that of it's predecessors. 3/10. (December 2004)
Every Christmas, there seems to be a new Foster & Allen, or Daniel O'Donnell video for us to buy our respective parents. Sound familiar? In a similar mould comes the sweet sound of Marilla Ness, whom we meet for the first time in NFN, despite 5 album releases. This video would never win prizes for it's originality but, nevertheless, it does the job. Marilla is seen, and interviewed, at various locations in both Northern Ireland and Cheshire singing such well known songs as 'Be Still' and 'Jesus We Enthrone You'. There's also some new songs there, 'What Colour is the Wind' being one of my favourites. Christian music videos are few and far between and Marilla Ness should be congratulated and encouraged by this release. 8/10. (December 1996)
After seeing, and hearing, just how much my own relations had enjoyed Marilla's 1996 album and video, I was full of high expectations for her latest release. I'm pleased to say that I have not been disappointed, as here is a collection of old and new songs that have been given the full Marilla Ness treatment, resulting in a brilliant album. From the moment 'Make My Heart...' opens, you can literally relax and enjoy the soft, gentle vocals of this talented p&w vocalist. Most of her songs have the feel of Irish folk and the beautiful acoustic guitar playing on numbers like 'As Gentle As Silence' is almost perfection. 'Abba Father' has rarely been sung better and the country tinged 'Jesus the Healer' is just another of the list of high points on show. Delirious? or WWMT fans probably wouldn't give this lady the time of day but, for many others, 'From Where I Stand' it will be an essential purchase. 10/10. (November 1997, Album of the Month)
Album number 10 finds Marilla Ness, ministering in song the only way she knows how. With gentle, easy listening tunes she delivers 12 beautiful tracks in typical Marilla fashion. From a personal point of view I can only tell you of the spiritual joy and uplifting her previous releases have given to various members of my own family. Here, using songs written by the likes of Tom Paxton, Michael Cameron and Robin Mark, her voice is only made more outstanding by the excellent musical backing. Stve Hindalong is a name from the CCM past, and his "Beautiful Scandalous Night" is an early highlight. When I heard that other writing credits included ex-Pogue Shane McGowan, I was a little worried. However, any fears were quickly squashed by the excuisite "You're the One". "Don't Give Up On Me", Gently She Carried", "I Will Love You", are just 3 more of a track listing of which I can find no fault. Long may her wonderful ministry continue. 10/10. (October 1999, Album of the Month)
By now, regular readers of NFN will have learnt that I AM a Marilla Ness fan. In the three, or so, years I have listened to her music I've been constantly amazed at the way she can deliver such beautiful numbers such as "Holy Is His Name" and "Jesus the Healer". Both tracks are now featured on this video which joins Marilla on a trip through the Holy Land. Here, she sails on the Sea of Galilee, wanders through the garden of Gethsemane, and many other historic places which help to depict the life of Christ. As well as the fifteen songs, there's readings from the Gospels, plus her own thoughts, to gently take you on a memorable journey. One of my favourite songs "Beautiful Scandalous night" is included, as are "I Am the Bread of Life" and "Holy Ground", all sung as only Marilla can. 80 minutes of pure bliss that finishes with the triumphant "Alleluia He Is Coming", signifying our risen Lord to all. What more can I say? This video will minister to many, in countless ways, as well as aiding personal worship. 10/10. (April 2000)
My local newspaper recently, rather unkindly, described the listeners to this type of music as the "grey cardigan brigade" - presuming that they all fall into the Over 60 category. Artists falling into that category included Daniel O'Donnell, Charlie Landsborough, and, of course, Marilla Ness. But, why do people have a problem with this style of easy listening music? Certainly not I, as I can testify after attending one such concert and feeling so inspired and touched by God's spirit. And, in the same way, I can only say, once again, just how Marilla's recordings have brought such joy and pleasure to my family over the last few years. Everyone knows her style, typified by that gentle voice and warmth that carefully caresses each song. Backed by her superb musicians, Marilla sings songs old and new on this latest release. "Goin' Home" is sung to the tune of Dvorak's "Morning", and the medley of "I Want to Worship" and "Come Lord Jesus" is simply beautiful. From the Gaither stable comes "Because He Lives" and this song, I found particularly excellent. "Do You Love Me", "Softly & Tenderly", and Robin Mark's "Days of Elijah" are all included by an artist who never fails to deliver. While I don't possess a grey cardigan, I do find great comfort in knowing that this music will minister to many. 10/10 (September 2001, Album of the Month)
It's an old cliche I know but, in a world that's constantly changing, it's a real blessing to have the soothing, constant ministry of Marilla Ness. After initially joining the local prayer group, Marilla first bought a guitar and taught herself three chords so that she could accompany them in song. As she later sang at healing services, members of the congregations began to ask if she could record her music for them. From that initial recording, Marilla has now recorded more than a dozen albums, complimented with a couple of videos and a song book. A minor surprise this time is the introduction of three country tinged songs. All are classics in their own right but "One Day At a Time", "What A Friend We Have in Jesus" and "Amazing Grace" are all given a new lease of life with a fresh sound. "Guardian Angel" was written by an Irish nun and, therefore, it won't surprise you when I tell you just how gentle and peaceful the song is. "At the End of the Day" is filled with simple, beautiful truth, and "Lady of Knock" re-kindles fond memories, for me, of an old Dana recording. For lovers of this style of music, I thank God for likes of Marilla and husband Brian. 10/10. (April 2003)
If you'd seen the look of happiness on the lady's face after winning a copy of this album, you'd know just how much the musical ministry of Marilla Ness is loved. As that same lady passed the Cd around to her friends to admire, I heard her add "She's such a lovely singer". Indeed, Marilla is a lovely singer and her albums of easy listening songs give much pleasure to countless thousands all over the world. This latest offering does, perhaps, lend to a time of meditation whilst listening and I, for one, found the whole thing very relaxing. Gems include the Andy Park number "Only You", Dan Francisco's "Come Holy Spirit", and Amy Grant's "Do You Remember the Time". I can't remember when I first heard the song, but "Mary's Song" has always been a favourite of mine. Singing as though Mary herself, Marilla gently portrays a view through a loving mother's eyes. Once more, Marilla has served a dish of delights for listeners old and new. 9/10. (November 2004)
Marilyn Baker is one of the best-known and loved Christian musicians in Britain with a long list of quality, easy listening releases behind her. This album, however, is her first worship album with songs written especially to draw us nearer to God. It's the first Marilyn album I've heard in quite a while and it's quite a low key affair. By that, I mean that the record starts and finishes without ever really either lifting your spirits in any sort of way. Towards the end of the 14 songs, "The Love of God" and "Jesus is Lord of All" begins to stir your soul but, by that time, all you really want to do is make a cup of tea. By Marilyn's previous standards this is rather a disappointing release and one that I hope won't damage her wonderful ministry. 3/10. (May 1999)
Marilyn Baker has been around, what seems like, for years. I hope she doesn't mind me saying that but, she has! Her music ministry has taken her the length and breadth of this country, as well as many others and she's as popular today as she ever was. Her easy going style is enjoyed by easy listening fans of all ages and this double CD brings us two of her previous albums in one package. For those of you with hissy cassettes to replace, or introducing yourself to Marilyn's music, this is a perfect buy. highlights of disc one include "The Day of the Lord" as well as the slow pace of "Can A Mother". Going back as far as 1982 for the writing credits, Marilyn's writing is centred on gospel truths and never more so than on disc two where "Seeing Is Believing" and "Who Paints the Skies" stand out. Twenty-five songs for you to enjoy and use for personal worship. Just what the doctor ordered. 8/10. (July 2002)
Now to a lady who needs no introduction to the thousands who have attended her concerts or bought her albums over the years. She is, simply, Marilyn Baker, and her songs are, simply, written from within. "Open My Eyes" tells of the glory of knowing that she has a real, living relationship with Jesus. "Unconditional Love" tells of just that, while "If You Understood" let's you know just how close God is when he's by your side. From the songs, I got the feeling that the theme for this album was personal renewal. There again, maybe it was just speaking that way to me. "All I Hoped For" is a beautiful little song, and Simeon Wood's crafted flute playing on "Son of Man" makes for wonderful listening. Physically, Marilyn may be blind, but spiritually she sees so much. 8/10. (September 2004)
Although Marilyn seems to have been making albums for years, this is her first Christmas production. But, as she says, she didn't just want to release standard recording of Christmas songs. Instead, Marilyn has lent her own arrangements to well known carols, hymns and song, giving them a new lease of life. Graham Kendrick's "Thorns in the Straw" is a nice song that I don't remember hearing before, while "Long Time Ago in Bethlehem (Mary's Boy Child) works well in it's new guise. "The usual "Once in Royal David's City", "Away in a Manger" and "While Shepherd's Watched", are all on there, but Marilyn's easy listening style adds just that certain something. No doubt, her army of fans will lap up this festive release. 7/10. (December 2005)
Even though the sleeve said "Gaither Gospel Series", looking at the photograph of Mark on the front cover, I guessed that this was going to be an American comedy CD. Wrong! Saying that, Mark does try and be funny on the song "God Help the USA" where he takes the role of a presidential candidate. Sadly, the humour doesn't come over that well. On the whole, it's an album of typical Gaither easy listening, gospel music. But, every now and again, Mark Lowry shows just what a great voice he has, especially on "Things to Do". Here, his powerful vocals sound very much like those of Mark Schultz, and the song is just wonderful. The first track, "Bein' Happy" and the ballad "Home" are both sung in southern gospel style, and you can really get your feet tapping to the former. It's one of those albums that I find difficult to enjoy, yet can't say that I dislike it for any reason. I guess that means if you like Gaither music, you'll enjoy this. 5/10. (November 2004)
Mark's debut album rewarded him with 7 Dove Award nominations and numerous other industry accolades, such as 3 No.1 singles - including the delicious ballad "Remember Me". His follow up album begins with "When the Mountains Fall". The song proclaims God's glory but, after it's initial power, the song degenerates into a cacophony of noise that sounds like the engineer fell asleep during the final mix. However, "Back in His Arms Again" redeems the failings of that first song with a real polished performance by all. The duet with Rachel Lampa, "Think of Me", is quite nice and things really start to get stronger with "I Have Been There". Schultz's vocals are very strong throughout but don't carry the same conviction on "Kyrie Eleison" as elsewhere. The songs reveal the constancy of God's presence even in the most troubled of times and, although not brilliant, Mark Schultz can count his second album a success. 7/10. (April 2002)
After many years of music ministry, and travelling down some of life's toughest paths, The Martins have garnered six Dove awards and a Grammy nomination to become one of Christian music's most critically acclaimed and best-selling vocal groups. Consisting of sisters Joyce McCollough, Judy Hess, and vocalist Paul Lancaster, The Martin's manage to tell of God's truths in song, without sounding condescending. "For the Love" tells of the crucifixion and has nice mandolin sound to accompany the excellent vocals. "I Can't Help Myself" is a little more modern country in style while "Somebody Give Me a Stone" is a light pop number depicting the story of David & Goliath. The Martin's may have spread their wings since their conception, but they still keep a sight of their southern gospel roots, as in the song "Glory Days". It all adds up to a very pleasant listen. 7/10 (April 2004)
I've a l ot of time for this guy because, although he's been given something of a slating by so-called Christians, he's actually never once side-stepped the subject of his faith. So he once signed for Sony in the hope of bigger and better things? If things had worked out, I would have sooner listened to his thoughts than the rantings of someone like George Michael. Anyway, now settled back in the safety of Alliance Music, Martyn has created a wonderful album, full of typical Joseph-type songs that will thrill fans old and new. There's a laid back version of Joan Osbourne's "One of Us", sang with great feeling, and "The Good in Me is Dead" features just his voice and guitar. For me, the six and a half minute "Mayor of Candor Lied" didn't appeal, although the story line was quite good. All in all, Martyn Joseph pulls no punches and doesn't surprise anyone by sticking to the tried and trusted formula that works, for him, so well. "Another Chance" is a beautiful love song that really should be put up alongside such classics as Clapton's "Wonderful Tonight" but, sadly, it won't. Instead, those who pack smaller venues up and down the country to see this gifted artist will be treated to one of the most special songs of the last twelve months. 9/10. (January 2000, Album of the Month)
Just over a year ago, I reviewed Martyn's "Far From Silent" album and made it my album of the month. 15 months on, he's here again and I have to give him the same "accolade". This time, it's a compilation of more than a decade of his best songs. For me, it's goosebump time as he sings that classic "I Will Follow", in a live setting. "Change Your World" is simply acoustic guitar and vocals, but what an impact it has. "Gift To Me" is really catchy, while "Let's Talk About it in the Morning" keeps the listener on the edge of their seat, clinging on to every word of the story which focuses on marriage. Fans of Martyn will tell you that "Dolphin's Make Me Cry" should have been a massive hit and it still has that quality after all this time. The second of this two CD release moves into the later half of the nineties and highlights include "Dic Penderyn" and "Hang the World". "In Between Rounds Girl" has a country feel to it, while then new "This Is Us" is an instant favourite. For many, Martyn's concerts are like being in someone's front room - lovely and intimate. This album is no different and Martyn's back catalogue makes a lovely album. 9/10. (April 2001, Album of the Month)
I must admit that on first glance I was a bit disappointed on reading the track list of this album. There is little here that is not on the (fantastic) Thunder and Rainbows "best of" double CD. That said, the live arrangements of many of these songs give a greater understanding of the writers' original meanings and I soon found myself drawn into the music. Whether it adds enough to make buying both of them worthwhile would depend on how huge a fan you are. My favourite song would have to be the title track (partly, I admit, because I remember the Greenbelt concert that it was recorded at). Musically it blends seamlessly into an inspired cover of the chorus of Tracey Chapman's "Revolution" and back out again. Lyrically it shows off Martyn's talent at combining theology with social commentary, and his willingness to point out the logs in the eyes of the church. Martyn has a distinctive voice that suits his guitar-based soft rock style, and I never fail to find his cynical idealism refreshing, challenging and entertaining. This album was recorded at concerts between 1992 and 2000, and begs the question: When will we get some new material? This is a good album, great if you don't have Thunder and Rainbows, but it doesn't scratch the itch that many MJ fans have to hear his new work. Martyn Joseph live is an experience no recording could ever really capture, but this comes far closer to giving glimpses of his humour and intimacy with the audience than could have been expected. 6/10 (if you own Thunder & Rainbows) 9/10 (if you don't) Rachel Ganney. (May 2002)
Here's a lady who's been making great easy listening worship music on both sides of the Atlantic for years. Recorded in Ontario, Canada -makes a change from Nashville- Mary Barrett plays us 10 songs, of which 7 give her writing credits. Quiet numbers such as 'The Great Shepherd' and 'Only For You' are complimented well by the more uptempo 'It is Done'. 'In My Heart' mixes both of these styles with a finger lickin' guitar break for good measure. Fancy a change in your music collection? You'll be pleasantly surprised by Mary Barrett. 8/10. (September 1996)
In the Spring of 1996, two friends at Bible College in Alberta, Canada joined together to form a band that would inspire themselves and their fellow students to grow closer to God. Matt Brouwer and Tim Milner were those two friends and from it, grew Monday Night Worship. Since then, the guys have played other colleges and toured widely. This album puts a collection of their songs together under Matt's name, who signed for Reunion in September last year. As an overview, I'd say that it's a similar style to Matt Redman married to that US/Canadian rock sound. If I'm honest, it's taken two or three plays to start appreciating the songs like "Rivers of Mercy" and "Sanity". Instant favourites would include "New Beginning", "Water", and the catchy "A New Song". Matt's got a good voice, the guitar driven sound is good, and the overall production is sound. Of the slower tunes, "Lead" is probably the best and I'd like to hear more of those. 7/10. (August 2001)
When the accompanying press release read "the album features everything - hip hop beats…." My heart sank. I very rarely get on with hip hop beats, so I wasn't looking forward to this album at all. But, life is full of surprises, and this album turned out to be one of them. Because, along with those hip hop beats are some interesting marriages of style. Take, for instance, "Undeniable", where a great chorus makes for a great song. If The Streets can make it to No.1 in the UK charts with a song like "Dry Your Eyes", then this one should topple it forevermore. "Trainwreck" and "Girl America" both have similar sounds, in that Mat raps his way through the verse but then entwines you around his little finger with a pop chorus that just draws you in. Not sure about his take on the song "Renaissance". Here, he talks about a car crash and I'm not able to fathom out whether there's a message to be found or not. Maybe I was looking too deep for something? By the end of the album I was ready for another rap, but what does he do? Mat turns into a ballad singer, and does it well to the sweet sound on one piano. You could do a lot worse than to give Mat Kearney a whirl. 9/10. (January 2005, February 2005 Album of the Month)
This is an album full of fairly personal worship songs, which are obviously written from experience. It's a fairly laid back type of style on the whole, the kind of thing you can put on in the background while you're doing something else. It's mostly a kind of acoustic guitar led rock album. There is one really annoying track which has a kind of reversed tambourine being hit at the end of every line which goes from one side to the other, it's tedious after the first couple of times because you always know it's coming. Apart from this, and a couple of songs that never seemed to know when to end, this isn't a bad CD. So, not the kind of worship that you can sing along to really, but an honest attempt to explain what goes on inside. 6/10 Andy Sayner. (April 2004)
Matt needs little introduction to most people, as he is one of the most popular praise and worship leaders in the country today. However, like his stable mates Delirious?, I personally find his songs quite bland. This release begins with the tried and tested "There is a Louder Shout to come", and is followed by the uptempo style "Believer". "Bowing Down" left me cold and I didn't really feel anything until "Can We Walk Across the Water". There's nothing theologically wrong with the lyrics and I am not denying that many find this man's gift inspiring, but it's not for me. "Deep Calls To Deep" is another highlight on an album that has too many instantly forgettable tracks. 4/10. (September 1997)
I must have been one of the few people who didn't think that his previous album, 'The Friendship & the Fear', was anything out of the ordinary. Therefore, I wasn't expecting too much from this new release. However, as on many occasions over the last three years, I was pleasantly surprised by what I heard. Matt's idea with this release was to get a reverent closeness with the Lord, and what better way to start than 'Let Everything....'. This song is very upbeat and leads into a great time of worship. The second half of the album is, by far, the best. The superb 'The Heart of Worship' is really brought to it's peak by Matt's songwriting abilities. 'Now to Live...' is very good, but the depth and quality of the 'Hallelujah Song' is just something else. If this album launch is to project Matt's music into America, they just may well succeed. 8/10. (July 1998)
Based in California, USA, Mayfair Laundry formed over 2 years ago when the critically acclaimed band Clay House drew to a close. Three of the band have now been joined by Shannon Woolner, who's vocal contributions to this album lean very much towards the sound of No Doubt. The opening "Bucket Brigade" begins with a brass ska sound that is only once more visited in "Wavy Gravy". There's almost a mad feeling about "I Want lovely Feet" - to follow in Jesus' footsteps - and "Swing Your Partner" but it's the acoustic based "Wonderful Wonder" that makes you really sit up and take note. Catchy, simple, easy going, and one you will want to play over and over again. It's guitar driven pop, on the whole, with the aim to reach teens and encourage the church. Not an instantly likeable album., but it has started to grow on me. 6/10. (June 1998)
So, following the recent chart success of Stacie Orrico, we find another young lady trying to capture the teen market, with pop songs based around the Britney Spears sound. Melanie has, it appears, been recording for years, but this is her first major release. The songs are, sometimes, rather quirky but each one carries a simple gospel message. The opening "1..2..B With U (see how the spelling's done?) is one of the best on the album and is a testimony of the Lord she wants to follow.. also high on the list of goodies, is the slower "Do They See Jesus In Me?", where she questions how she lives as a teenager in today's world. "@ the C" has an infectious Arabic sound to it while "U 4 Me" has a more rockier feel. Both songs are quite catchy and I can see the younger market enjoying as a whole. 7/10. (June 2004)
Formed in 1994 Mercy Me were originally based in Oklahoma City. At the invitation of an evangelist friend in Dallas, the band moved to Texas and quickly found themselves playing as many as 200 dates in a year, with their and worship with a modern rock/pop flair. For this 7th studio album, Mercy Me combine layered guitar work, with plenty of synths, and percussion that, I believe tries to produce an attack minded CD. Does it work? Well, no! It took me three listens to pick out anything positive about the finished product, bar the lyrical content. Their rock approach is just so dated - a sort of early 90's version of Split Level without the polish. Personally, I eventually found their slower numbers like "Cannot Say Enough" and "House of God" to be the best. "Almost There", for me, just turned out to be one of those albums that really meant very little. Sorry. 2/10. (August 2002)
When I received this album it showed me just how jaded and cynical I have become - my first thought on seeing the picture of the band was that "they must be Christians because they don't look like they just stepped out of a magazine". Hmmm … But enough aesthetics, what about the music? Well, Mercy Me have 3 Dove awards under their belt as a result of their debut album, "Almost There", and this follow up has garnered five further nominations so the pedigree is certainly there, and the sound is certainly slick and well-presented. There are a few shades of Delirious? in there, as well as a smattering of other influences, but it never seems quite sure where it is going and too many songs sound too similar particularly in the first half. The quieter songs are the highlights, with some excellent use of melody and harmony, and "The Love of God" especially is a beautiful, worshipful song. Overall impression - lyrically strong? Yes. Uplifting? Certainly, but all a bit too "CCM by numbers" for me to get really excited. 7/10 David Cooper (April 2003)
Ten years after the first Catch the fire conference, the largest gathering in it's history took place in October 2003, to show that God's business is still very much at the top of the agenda in Toronto. Worship leaders Robert Critchley, David Ruis, Tom Lane, and Jeremy Sinnott are joined by a cast of thousands for this latest recording. Now, I've always enjoyed these albums in the past but I found this one to be a little tiresome. There's no excitement during the first two songs, and the new version of "O Worship the King" wasn't much better. Indeed, it's track 5 before any real spark ignites the fire. Tim Hughes' "Beautiful One" really sets the place alight and you really believe that those gathered have "caught the fire". There's some nice guitar and keyboard work on "Jesus Shall Regin" but it's the last song that will stay in my memory. "Can't Help" is just full of praise and power and reminds me of Robin Mark first singing "The Lion of Judah" a few years ago. A patchy, rather than a polished, affair. 5/10. (April 2004)
He's been around for years but this is the first album that I've ever heard from Mr Anderson. He starts of with a song that could have had me believing that I was listening to Michael W.Smith, - the title track. An upbeat number with a catchy chorus. There's a great jingly jangly guitar opening to my favourite track 'I Know It's Not the Rain', but he then goes completely off the rails with a rock ballad that is simply dreadful! Great messages of faith in the lyrics of 'Shot Down' and 'Fighting to Surrender', but Michael shoots himself in the foot again with the moody six and a half minute 'Revival' - more like 'Relapse'. It's not a bad release but, again, I feel he could do a whole lot better. 6/10. (August 1996)
New Dawn Music's 3rd release comes from an Irishman who, on the whole, is largely unknown in mainland Britain. Mind you, who had heard of Robin Mark a couple years ago? In contrast to Mr Mark, Michael Cameron is a little more folk orientated but not in an old fashioned style. With Louise Wilson's excellent backing vocals, it's hard not to compare the resulting sound to a stipped-down Deacon Blue. Great harmonies, wrapped within some very catchy lyrics, will have you tapping your foot along with songs such as 'Someone Who Can' and 'Anywhere'. 'Rescue Me' is a song that pleads for forgiveness, to a heavenly Father that we've let down so many times, and the title track continues the feeling. Michael himself, is a t ease with most of the vocals and he certainly has an engaging voice. I just thought that the quality of the some of the songs dipped a little and, therefore, made a good album of what could have been even better. 7/10. (January 1999)
Michael Card's 20th album sees this prolific writer turn his hand to Celtic music as he uses ancient melodies and traditional lyrics from a cross the centuries to reset 8 hymns. The album includes only one of his own compositions, the title track, which is one of the highlights for me. The album contrasts with his usual style of folk songs, with layers of vocal harmony, by using traditional Celtic instruments, some of which he plays himself and a softly sung vocal. The album begins and ends with 'Be Thou My Vision' and was not quite what I was expecting from Card, but it is definitely listenable and very suitable as mellow background music with a lilting style and timeless lyrics. The other highlights for me are 'Jesus Lover of My Soul' and 'I Heard the Voice of Jesus Say' which have upbeat themes. The record represents a worshipful conversation and recognises God's authorship of creation. 7/10. Rose Waring. (December 1998)
Michael Card's light-folk style has always promoted his clean cut, wholesome, Christian values. I first came across his music in 1990 with the release of the wonderful "The Way of Wisdom". This budget priced release is a compilation of some of his earlier work and includes classics like "El Shaddai" and "I Have Decided". Despite the fact that the whole thing begins with a little kids song, the quality of the songs are quite high. You can tell how Card's songwriting abilities have improved over the years but there's still plenty to get your teeth into here. "Abba Father" sounds incredibly like REM's "Losing My Religion" and "don't You Know had thinking along the lines of an early Beatles sound. The prize track, in my mind, is "Jesus Loves Me". Upfront, unashamed lyrics, and a tune that will have you foot tapping straight away. From full blooded orchestral backing to simple acoustic led songs, Michael shows that his song - on the whole - have stood the test of time. 7/10. (June 1999)
With the sale of over 4 million records and 400,000 books over his twenty (20) year career, Michael Card's response to God's creation has clearly impacted many, but with his new project Scribbling in the Sand (CD/DVD/VHS), Michael Card invites his audience into the creative process which has inspired him. A live album featuring some of the best of Michael Card's classic material, Scribbling in the Sand is accompanied by a companion video of the private concert taped in Nashville in the Fall of 2001, (July 2002)
With the sale of over 4 million records and 400,000 books over his 20 year career, Michael Card's response to God's creation has clearly impacted many. "Scribbling in the Sand" is a live album featuring some of the best of his classic material, recorded at a private concert taped in Nashville in the Fall of 2001. It kicks off with the classic "El Shaddai" and then tumbles from it's great height with dull and uninspiring offerings such as "Immanuel" and "Soul Anchor". Guest artists appear every now and again, with Phil Keaggy adding to the album's purple patch - including "The Poem of Your Life". As a fan of Michael Card, I found this live album to fall rather flat with previous favourites like "Love Crucified Arose" and "Sunrise of Your Smile" just not making the grade. To be honest, you'd be better off paying more but buying the original albums. 3/10. (August 2002)
"He has a nack for writing catchy tunes"....the record "emanates strength and faith".... "He shows his convictions openly & in a way that touches your heart". These are just three quotes from the many wonderful reviews that Michael received when this album was first released in Canada. As for writing "catchy tunes", I can confirm that this is the case, as he shows in both "The Righteous" and "You Are My Confidence". "Paper & Phone" has a tropical feel to it, as Michael comes up with a story like ditty about media dating. His tenor vocals are slick and precise throughout, with "I Had No Idea" being one of many strong points. Here, Hart's lyrics tell of life's journey, his music providing the perfect accompaniment. Just one track out of ten that I didn't rate, that holds this release from being my album of the month. If, as he hopes, Michael returns to the UK next year for some concert dates, be sure to check him out. In the meantime, check his sounds. 9/10. (May 1998)
Since I first wrote about this singer in NFN earlier this year, Michael Hart has continued to win friends wherever his ministry has taken him. A recent Cross Rhythms review of his previous release "The Heart of the Matter" only confirmed the well deserved interest that this man is gaining. Released in his home country last year, "Dulcimer Light" is not just another artist jumping on the Christmas bandwagon. True, well known songs like "Joy to the World" and "Angels We Have Heard.." are included but, given the Michael Hart style. Listening to it, you can close your eyes and imagine a typical family Christmas, sat around the tree and a roaring log fire in the background. On the other hand, there's enough carefully thought out music and lyrics to touch the heart of many. Other, less familiar songs, are just as impressive with Michael adapting the sound of the dulcimer to carefully wrap each track with care. Well worth your effort to order. 8/10. (November 1998)
When you think of Canada, what to associate with it? Mounties? Ice Hockey? If you do, then, you're missing out on a lot of good Christian music. One of the many talented - and often underrated - artists to come out this country is singer/songwriter Michael Hart. For this, his 5th album, Michael collected some fine musicians around him and recorded most of the sounds live. With his trademark dulcimer featuring throughout, he and the band present a collection of songs in the style of contemporary hymns, blues, jazz, light pop, and sweet harmonies. Michael's voice is rich in tone and is immediately on top form with the opening "I Put My Trust", where piano and acoustic sounds are so fresh. The title track includes some lovely violin and "Call Me" really soothes all inside you. Lyrically, Michael writes from having a deep longing to serve a loving God and from enjoying the beauty of such a relationship. Two short instrumental pieces are a welcome addition to the running order, while "Praise Him" and "There Is Forgiveness" stand out towards the end. Overall, it's an album that should see Michael's music reach far further than the boundaries of his native Canada - it just needs someone to sit up and take note. 9/10. (June 2000)
This is the debut gospel album from a remarkable vocalist/composer/producer Michael Speaks. His singing career was launched in 1995 when he was discovered singing in a New York subway system/ His critically acclaimed album "No Equal" positioned him as an R&B/pop star. Now, he's returned to his roots and this son of a Pentecostal preacher delivers music in similar vein to that of Mary Mary and Destiny's Child. I'll come straight out and say it that the album is not my type of music - never has been. There again, the recent Tonex album was a real pleasure to listen to. Michael Speaks gives gospel funk and hip hop in the shape of "Jump" and "Born Again". The opening "I Just Wanna Dance Now" won't fail to get your feet tapping and he delivers the same message throughout the 10 songs. His lyrics are very strong and, sometimes, very simple. If you got a problem, that's no worry, just "Praise Your Problems Away". In similar vein the title track says that you "Praise At your own Risk" - don't be surprised at just what wonders God will do when you really start to praise. No, not my cup of tea, but strong songwriting on show. 6/10. (February 2001)
For me, the name of Michael Sweet still conjures up those exciting days of finding my first CCM rockers, clad in their yellow and black spandex and playing some great songs. Following his first solo album, Sweet is back with an album that his record company compare to Bon Jovi. Well, let me tell you, there's no way Jon Bon Jovi would want to be compared with this. If that first solo album was disappointing, then this one is even more so. He does give a good account on the revamped 'Always There For You' and the Stryperesque "Second Chance", but there's so much weak material here, it's hard to pick out any more worth listening to. Sorry. 3/10. (April 1996)
One thing you can be sure of, a quality recording from Smitty. Yes, this is no exception as the No.1 best selling male artist produces another fine album of songs. Pop, at it's very best, is apparent from the start, especially with the opening 'Missing Person', which asks why your child-like faith has to disappear as you grow? The hit US single, and title track is another top tune that oozes class and shows just why it was such a smash. Pairing up with the likes of Brent Bourgeois and Wayne Kirkpatrick, the quality of the writing never dips on other greats as 'Don't Give Up' and the truely tremendous 'Hello, Good-Bye'. This is an album that you'll play over and over again. 10/10. (Album of the Month, July 1998)
I'm sure it must have seemed like ma good idea at the time but what possessed Smitty to record this album is beyond me. Just how many versions of 'Jingle Bells' and 'O Come O'Come Emmanuel' can one stomach? 'The Happiest Christmas' reminds you of those tacky American TV Christmas shows were the artist mimes to a record while happy families frolic merrily in the surrounding snow. There is, however, a plus side to the album. The title track was is written by Joanna Carlson and is one of the best, new Christmas songs to be released in ages. Full choir backing, gives it an old fashioned sort of feel and Mr Smith does the rest. It's great and should be a massive hit. 'Carols Sing' is another highlight amongst this rather bleak offering that I certainly wouldn't want to find in my stocking! 4/10. (December 1998)
Studio album number 13 finds Michael in his usual fine form, producing a collection of songs ranging from pop ballads to guitar driven anthems. "Hey You It's Me" is a prime example of the latter, co written with 80's chart man, Nik Kershaw. The title track was inspired by the tragedy of Columbine High School, Colorado, and Michael challenges us to live every moment and leave nothing to chance. Chris Rice, Cindy Morgan, and Wayne Kirkpatrick have all helped Smithy to produce some excellent songs and keep to the standard that we come to expect from the "King of Christian Pop". Even the throwaway love song "I'm Gone" is nothing short of a classic as he really gets over the message of what true love is all about. Another hit, no doubt. 9/10. (February 2000, Album of the Month)
When you think of Michael W Smith, you immediately think of classic pop music. But, for nearly two decades, Michael has dreamed of making an instrumental album, and this is it. Using a famous letter written by a soldier in the American Civil War, he has written pieces that tell of the bloodshed, the battles, and the love contained within. The title track itself is on such example where you can almost hear the bitter struggle of guns and cannon's firing. "Carol Ann" has to be my favourite piece of music, totally inspired by the death of a close family friend. It's a beautifully orchestrated piece, led by great piano playing. In fact, it's so good that it sounds as if it's come straight from an epic film score. "Hibernia" is more like "Riverdance". Close your eyes, and you could almost visualise hordes of Irish dancers, kicking and leaping across the stage. "The Call" gets a wee bit messy for my liking, especially when a rogue guitar is let loose, quite spoiling the whole effect. But, with other pieces like "The Giving" and "Thy Word", Michael has produced a something that will surprise many. 9/10. (February 2001)
A crowd of nearly 8,000 filled Carpenter's Home Church in Lakeland, Florida to take part in Michael's live praise and worship album. Artists such as Amy Grant, Mark Schultz and a host of others joined him on stage as part of a 23 voice choir. The result is one of the best contemporary praise and worship albums that you're ever likely to hear. I'd already heard "Above All" and what a great track that is, so powerful. Even Matt Redman's "The Heart of Worship" has new life with a quite moving and astonishing version. The middle part of the album is the real purple patch which includes "Let It Rain", "Angus Dei", and truly awesome version of Rich Mullins' "Awesome God". As I listen to albums, I jot down notes and, as I read mine for this album, words like "brilliant", "wonderful" and "excellent" constantly appeared. I guess that sums up this release perfectly. 10/10. (November 2001, Album of the Month)
I'm a big fan of Smithy, so it's very hard to give this review as I am going to. A two album collection, packaged together, featuring songs recorded nearly 9 years apart. "Christmastime" is the most recent of the two collections and it sounds no better than it did when it was first released in 1998. The title track stands head and shoulders above any of the mind numbing renditions of carols like "We Three Kings" and "Away in a Manger". Indeed, on it's own, the song would have made a splendid single. As for "Christmas", recorded in 1989, I'm afraid it's more of the same. "Anthem For Christmas","First Snowfall", "Christ the Messiah", all fall into the "trash at it's most highest" category. It's bad, and I wouldn't waste your money on this package at all. 2/10. (December 2004)
So far this year, I raved about albums from Maire Brennan, Janis English, and Gemma McQueen. Now, a fourth lady has won my musical heart with her debut album. Born in Australia but now living in the U.S, Michelle's release has been produced by Charlie Peacock. Her voice is sometimes like that of Enya and, then again, sometimes like 80's starlet Judi Tzuke. Music is so carefully put together and used to it's full potential for Michelle's beautiful vocals. The title track literally drenches you in a lovely feeling of God, which is carried on by the following number, "Healing Waters". How may times I wanted to describe a track as, simply, "beautiful" I don't know but that is exactly how I felt about this album. "Please Come Back" is a song that is lyrically drawn from the parable of the prodigal song, while "Life is Beautiful" directly sums up Michelle's own spiritual and emotional journey. No matter how I try, "beautiful" is the only word for this album. 10/10. (May 1998, Album of the Month)
I must admit to being very excited when I heard that this album was on its way. I simply loved Michelle's debut release and couldn't wait to play this brand new offering. "Centre of My Universe" opens with one of those songs that give you a lift, no matter how down and depressed you may be feeling. "Deep Love" is filled with deep love, and a joy of knowing that God is with us, always. "Lovely" is a more refrained number, but "Do Ya" is a snappy, guitar, pop song that is more in the style of Natalie Imbruglia. It's hard to compare her with the likes of Clannad but there is that sort of sound to most of the songs. Vocal wise, Michelle sounds a little like Genie Nillsson, especially so on the very beautiful "Missing You". The monasticism "Chant" is something a little different and just provides another twist in the delights that await any listener of this rather delicious and sensitive release. 10/10. (May 2000)
While Beyonce Knowles has become one of the hottest properties in the secular music market, her Destiny's Child sister, Michelle, has stayed true to her faith and recorded her first gospel album. The result is rather a tepid affair with some watered down DC sound's and second rate song writing. Unlike some recordings, the more the played this album, the less I liked it. Tracks like "The Movement" just grated on me and it was a relief when it finished. Michelle does posess a silky, warm voice and her smooth vocals on "Never Be the Same" are a real joy to listen to. It may be just coincidence that the two songs I thought stood out, were both written by someone called T.Sims - they stood head and shoulder above anything else. "15 Minutes" is a personal retrospective of her life with DC and time in the media spotlight, and I had the feeling that it was very Yolanda Adams inspired. Hats off to Michelle for her beliefs and stance, but she needs stronger songs if she's going to make an impact on the Christian scene. 3/10. (April 2004)
Here's a new idea from Mike Burn. A two Cd presentation for children. CD1 is a normal audio CD, while CD2 is an interactive CD Rom containing a simple overview of the Bible, a fun quiz, and lots more. The songs range from the simple nursery rhyme type to some solid musical numbers. "I'm Putting on God's Armour" and ""Don't Be Like the Hypocrites" are both simple, repetitive songs that younger children will enjoy. The older ones will like songs such as "Do Your Best to Present Yourself" and "Get into the Word". The latter opens with a guitar riff that sounds like the Rolling Stones' "Start Me Up", and what a good song it is. As for CD2, I had no-one but myself to try it on, but I think that it looks like an ideal, fun thing for young people. All in all, Mike Burn presents quite a hit. 8/10. (November 2004)
How often do we get Christian jazz music to review? Once in a blue moon, that's how often. But, here we find talented pianist and composer, Mike Roberts conveying God's word in a style that, unfortunately, get's pushed aside all too easily. As he says in his biography, "the relaxed style cuts across all generations". Indeed, listening to this album I was instantly transported back in time to the late 40's (before my time, honestly!) and those smokey bars were all the best dressed people used to meet. With excellent musicians gathered around him, Mike has produced an album of jazz that may well fill a hole in the music market. From the piano led "See What God Can Do" to the lovely title track, there's a real quality to the sounds. "No One Can Take the Place of Jesus" is a straight forward praise of the work of the Lord in his life, but Mike's stlye, somehow, makes it all sound so fresh. Do not worry, is the message behind "God Is Much Bigger Than You", complete with it's gripping trumpet solo. Nostalgic, yes, it certainly is but I'm not so sure about it's appeal to the younger age group. Jazz musos will have to go a long way before finding something better on the British scene. 8/10. (February 2000)
For those unfamiliar with both Scott and The Waterboys, where have you been? It's not too late, and if you can find this import it is a good place to start as any. You can expect uncommonly good, high energy rock and roll with influences as far reaching as Van Morrison and Big Country. Also, like Bill Mallonee of Vigilantes of Love, Mike Scott's voice is atypical. With respect to his Scotish heritage, he sounds as if he might have a bit of the leprechaun in him, such is his gutsy, yet higher-pitched pixieish trolling. The rest of the sound is fleshed out with elexctric guitars, drums, bass, and some interesting additions, including horns, pianos, a mellotron, RD500 synths, Hammond and Wurlitzer organs, a Bellzouki, and something called a rainstick. There is also some lush orchestration on one track. The result is a batch of ten songs ranging from the full-throttle rocker that is opener "Questions" all the way to the hymn-ballad hybrid of "Everlasting Arms". There's nary a dull moment in between. 8/10. Steven Baldwin (Courtesy The Phantom Tollbooth e-zine http://www/tollbooth.org ) (March 1999)
Miles Cain - man of precision. He must be. Every song on this CdD is exactly 3:58. Oh, all right, both songs are 3:58. Oh, all right, the second song fades out, let's not get picky. And what musical adventure waits for us in that 3:58? Both songs are written by Miles and his chum Syd Egan and we're somewhere in Deacon Blue land. Or, for those of more mature years, Jackson Browne land (ask your mom). Printed lyrics would have been nice - I am President of W.H.E.W. (Wanna Hear Every Word) but if you like singer/songwriter stuff, this could be for you. Chumbles along at a good pace then has a nice change in tempo. R.E.M. but not so weird. Beautiful South but with a tune. 7/10 Geoff Allen. (June 1998)
To celebrate his 10 years of musical performance and recording, Miles Cain has produced this live album containing the best of his repertoire, so far. Already pigeon holed as a cross between REM, Bob Dylan and Bruce Springstein, his music is based around his acoustic guitar but is more than ably accompanied by his electric colleagues. "The One I Love" is so REM, you might even search your collection to see if he's nicked the track, but he hasn't. That Michael Stipe drone is there and the backing is sheer delight. "Mystery Girl" rocks well, while "All Of Our Lives" and "Not Everybody Makes It Into the Light" slows things down and makes you sit and ponder just where you are in your life. The pick of the album has to be "Song For Becca", written in memory of a dear departed friend but, once again, celebrating her life and being thankful for it. "Fairground Town" (his single from last year) features well towards the end as the overall quality begins to fade. 13 songs for under £8 from a guy who also busks to the late night club crowd of Hull. Now, how many of you would do that? 7/10. (October 1999)
Produced by Paul Davies, this 3 track single is a taste of things to come from a guy who's spent an awful long time recording his latest album. Previously, his style fitted into the REM and Crowded House mode but that seems to have evolved this time round. "Don't Care About the Weather", written by Rosario & Tomlinson, is a great song, and spot on for radio play. And, if Miles ever fancies an entry on TV's Stars in their Eyes, then he's got to do Ricky Ross of Deacon Blue. "Waking Up With the House on Fire", on the other hand, has one of the most dark, depressing feelings to it that I've ever heard. Not quite sure that I understood this one, but Miles tells me that he doesn't just sing about the good times in life. And, finally, "The Other Side of Midnight". This is more like it. Nice guitar work, and the quality of the voice oozes out. Helen Turner's accompanying vocal is very Annie Lennox and works well. Nice taster Miles, so please finish that album soon! 7/10. (May 2003)
Recorded and assembled over a period of nearly 5 years, Miles certainly doesn't rush when he's making an album. Over the years, I've pigeon holed him as a Ricky Ross soundalike, and this release does nothing to make me change my mind. That Deacon Blue sound comes to the fore on songs like the distinctly pop sounding "Don't Care About the Weather" and the relaxed vein of "All of Our Lives". On both tracks, Miles' vocals are complimented by the passionate harmonies of Helen Turner. The oddly titled "Ozymandias" is, perhaps, one of the most commercial tracks on show and there's some nice mandolin sounds used effectively. Topic wise, Miles looks at relationships, wealth & poverty, and the wonder of life itself. Indeed, the latter is born on the final track where it's a case of Pink Floyd meets War of the Worlds. Mainly guitar based, it's an album of which you need to take careful note if you're to get the best out of it. It's not one for just putting on in the background, you really do need to listen as Miles carefully weaves his lyrics and hooks into each individual song. For those of you who like something different to the norm, try this cleverly produced piece of art. 8/10. (June 2004)
Now here's an interesting album. This is the follow up to 'One Million Eyeballs', an album that surely must have won an award for the title. (I'm thinking of calling my next album 'Two Million Ear Drums'). Myrrh describe Miss Angie's unique style as Techno Rock but there are touches of Indie here. Heavy on the synthetic effects, lots of distorted guitar and some great pumping rhythms give this album the edge. Miss Angie's vocals remind me a lot of Nina from The Cardigans, but the music couldn't be more different. It's a shame that some of the vocals are covered over by excess use of effects as in the opening track, 'Jesus Get Me', but that aside it's an album that definitely grows on you. 'Let's Get Together', 'Dancin' In My Head', and 'Doom' particularly stand out for me - they've got that indie touch but a very commercial, polished production. Clever lyrics too, but I can't understand why some of the tracks are so short. There are 10 tracks on this album with a total running time of 31mins 32 secs - and this is a full priced album at £14.99. Ever get the feeling that we're being ripped off? Message to Myrrh - this is good stuff, so give us more for our money!
8/10 (would have been 9 if there was more of it) (October 1999)
This is an acoustic rock album, which it took me a few plays to get into, but it was worth the effort I think. The lyrics are the thing that I found a bit strange. There's nothing wrong with the content, but Mitch sings the words as if he were speaking in conversation rather than how you'd expect a song to sound, which does give the album quite a unique style. The words are on the whole very well thought out, although a few of the songs left me a bit unsure as to what they were about. The sleeve notes describe this as an album of "Progressive acoustic driven songs that encourage the listener not to look down on their fears and doubts, but to focus on God". I guess that sums it up nicely really. Mitch received a Dove award for "My Deliverer" which he co-wrote with Rich Mullins, whom he described as his mentor. In fact Mitch was in the car with Rich when the accident occurred and this is his first serious piece of work since. It reminded me a lot of Soul Asylum, and it's certainly worth a listen if you can find a copy. 8/10. Andy Sayner. (February 2003)
MIC are South Africa's biggest and brightest CCM act, best known for their dance/pop productions. Here, however, is a 7 track CD that sees them stripped down to an acoustic guitar and a little percussion thrown in for good measure. It's not a well produced release and it's all done very much "off the cuff" to try and get that spontaneous feeling across. "Superhuman" is the title track from their last full length album but fails to live up to what many fans will know and love. Cover versions of Crowded House's "Weather With You" and Matt Redman's "I Will Offer", also come through as limp as a wet lettuce leaf on this, what is overall, disappointing release. Plenty of artists can make an un-plugged album sound really good but MIC have a lot to learn. 4/10. (May 1999)
If you're into modern R&B/rap stuff, you'd better check this out, bro. I find it difficult to get into this style, but if you like Fugees and Boyz II Men, you'll find elements of both on this album. Montrel's voice is reminiscent of Stevie Wonder in parts, and really comes into its own on the slower ballads, especially 'So Sorry'. All tracks tend to be on the slow side, with the R&B rhythms dominating a superb production. I found myself wanting a faster number to break up the album, but alas, it was not to be. The opener, 'Tough Love' is a kind of R&B 12 bar which works well, apart from some of the backing vocals which really made me laugh! The main criticism I have is that the lyrics are generally masked by the ornamentation of the singing. Why sing one note when five will do? And they're excellent lyrics, it's a shame we can't hear more of them. The other thing that bugged me was the length of the tracks. Eight out of thirteen tracks are over four and a half minutes long, and I found myself getting bored. I quite like long tracks if the music is interesting and my attention is kept by variation, but these tended to just keep going on the same tack. But then, that's the nature of modern R&B. Full marks to Montrel for using a topical idiom for Christian music. It's a risk that can have dire consequences, but he definitely succeeds. Check it out.
Mowglee are 4 childhood friends from Birmingham's inner city, who have played together in bands for the last 10 years, and who's talents have been matured in the church. This 6 track EP shows some of those talents from brothers George, Marcus, and Patrick Masih, and Bobby Frank. I was a little surprised by the style of the music on the record, as so many of today's independent guitar bands are very similar. Here's, although not as technically gifted, there's a definite Simply Red undertone running throughout the listing. There's good harmonies on the poppy "Crazy", while "Beautiful Lord" (recorded in two guises) is more worshipful and laid back. The opening track also gets two outings, firstly as a funky number, and latterly with an "R'n'B mix". I get the feeling that they couldn't decide which version to use, therefore, Mowglee recorded them both. That's the slight downside to the album, as I would have liked to hear different songs rather than just different mixes. Saying that, Mowglee do a fine job that would, if I'm honest, benefit from a bigger production. There again, many independent recordings would fall into that category. Nice to hear from the boys in the Midlands and they should be very pleased with their debut efforts. 7/10. (August 2003)
She may have changed the spelling of her name, but Moya Brennan hasn't surprised anyone with the sound of this latest CD. All the ethereal Celtic sounds are there, just as in her previous releases. In fact, if you played her old albums alongside this one, you wouldn't be able to tell what was new and what was old. Rarely does she get out of first gear as Moya ponders on various aspects of life to the accompaniment of various whistles and pipes. Dreary, was one word that came to mind whilst listening to the songs. Most of them blend into one another so easily that it becomes a bit of a release when you do realise that a track has finished. "Tara" brings momentary freshness and the jungle drums of "Sailing Away" break up, what is, an otherwise monotonous album. 3/10. (September 2004)
In the history of Celtic music, one of the legendary names must be that of Clannad. In case you didn't know, Clannad means 'family' in Gaelic, and it has truly been a family affair since the early 1970s, with cousins, uncles and the like, as well as perhaps the best known relative, Moya's sister Enya. Moya's parallel solo career in the field of more up-front Celtic Christian music took off in 1998 with the release of her album 'Perfect Time', which she followed up with an equally stunning CD, 'Whisper To The Wild Water'; she has also been involved in various projects with other people, notably her contribution to Graham Kendrick's 'Millennium Chorus' album in 1999, a truly awesome reading of 'No Scenes Of Stately Majesty' which never fails to raise the goose bumps every time I hear it, and her collaboration with Margaret Becker and Joanne Hogg on 'New Irish Hymns' in 2001, another landmark release. So, with that track record, if the lady wants to do a Christmas album, I for one wouldn't stop her, and this is the inevitably classy result. She's gone on record as saying that, instead of doing yet another 'Celtic' Christmas album, she wanted to do something more obviously Irish, hence the title, and it's a delight from start to finish. Well-known (some may say well-worn) carols and Christmas pieces ('Deck The Halls', 'God Rest Ye Merry Gentlemen', 'In The Bleak Midwinter', 'Joy To the World') sit alongside less familiar stuff ('The Wexford Carol', 'Carol Of The Bells', and an original piece 'I Still Believe'), and Moya adds Celtic lyrics to 'Do You Hear What I Hear' and 'Silent Night'. And to all that, add arguably one of the best female voices in any sort of music, let alone Christian music; stir in several truckloads of authentic Celtic ambience; and you have just about the best Christmas album I've heard this century. Buy with confidence. 9/10 Trevor Kirk (December 2005)
Fancy a good meal? Try this. It's raw and it's meaty. It's tangy, and it's quite hot. This is the debut offering from Bristol's Mudhead's Monkey. 12 tracks to feed on here, starting with the tempting version of the old Donna Summer hit, 'Unconditional Love'. Prepare your tastebuds for the main course which consists of a stonkin' good title track and a guitar driven gourmet's delight. Of course, you need a good wine to accompany this and I personally recommend the vintage ballad 'Ashes'. Feeling like a wickedly fattening sweet? Both 'He Died For Me' and 'Johnnie's Song' are specialities of the house and guaranteed to get you excited. There's one or two bland servings on the menu but you'll soon pass them by and loosen your belt a notch or two, well filled. Tasty. 8/10. (June 1996)
The 23 year old singer/songwriter behind Mumble is Nick Kinsella. After previously working alongside various CCM bands, this is his first solo venture. 5 tracks on offer, opening with the engaging "I'm Scared". This shows Nick's vocals and guitar playing at the best, with some nice fx used to enhance the sound. This, like the rest of the tracks, is a song about faith and life, and a perspective which allows you to see the world from a slightly different angle. Instruments used are few, but that doesn't stop Nick's basic writing skills showing what he is capable of. I'm assured by the man himself, that the strange vocal mixes on 'Get To Get Out' and 'Dated' are done on purpose, but I'd like to see the former played straight. 'Invisible Friend' is a more acoustic number but, with influences such as Radiohead and Crowded House, it's the warped guitar playing that is performed most freely. I think that Nick lacks a bit of confidence in his singing ability - almost scared to let go - but that should improve with time. This debut is not going to change the world but if you want to support a new artist and feel like something out of the ordinary, give Mumble a try. 6/10. (July 1997)
It is very rare as a reviewer to get a recording that is so good
you want to play it to everyone you know. It is also rare to get
a cd that lives up to the hype printed on the sleeve. However,
this is cd is just one of those. The cover states "Reset
is guaranteed to be THE most innovative new project in Christian
music this year" and it would be difficult to argue with
that. A fusion of many styles ("jazz, rock and electronica"),
from the Police/Sting sounding "Peculiar People" to
the Lemon Jelly type instrumental "Reset", this EP is
nothing short of stunning. Succinct and poetic lyrics supported
by original and exciting melodies raise the standard of Christian
Music to a new level, making much of what has been termed great
in the past seem uninspiring. What is more, this is just a taster
of the full album due out sometime next year. Buy this and then
buy the album as sson as you can. Sublime 10/10 Robin Thompson (January 2005)
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