The Messianic Praise and Worship scene is very strong, with people like Barry & Bata Segal leading the way. Karen Davis has recorded a CD of songs that she says have been "given to her", from God, during some of the most difficult times for Israel. When war, killings, suicide bombings, and the like have happened, Karen has taken to her keyboard and poured her heart out to God in song. These, then, are the resulting pieces. Sadly, only a couple of tracks are sung in English, therefore making it very difficult for me to pass any real judgement on the lyrics. The music sounds good and I have the feeling that "El Gibor V'El Elyon" is a very strong and powerful ballad. "I Will Answer you" is sung in English and sounds good, too. Karen and Her husband continue to lead worship to Arabs and Jews alike, and for that courage and belief, they have my blessing. Sadly, I don't think I can give a rating on this occasion. (July 2003)
The name of Karen Peck has become synonymous with Southern Gospel Music. Indeed, the Southern Gospel Music Association has just awarded her the accolade of Female Vocalist of the Year. Her flawless, delightful soprano voice has made its way into the hearts of Gospel Music lovers across America and won her numerous awards from the readers of The Singing News Magazine, Southern Gospel Music's leading fan and trade publication. this is the first album I've heard from Karen and the band and I'm quite impressed. It's more Dolly Parton than, say, Faith Hill, but country buffs of the old style will enjoy this immensely. There's some great songs and you'll find yourself foot tapping to numbers like "Working For My Good" and "Rejoiced in the Lord" very easily. Then, there's the praise and worship style of "Walk in Triumph". Believe me, listening to this, you actually do feel as if you want to go out there and do just that! It's an infectious little album that deserves a little more media attention over here. 9/10. (July 2002)
What a surprise this album was! After hearing Kate's contributions on various compilations over the last couple of years, I thought I'd opened the wrong CD as the RnB of "When I Was Lost" burst through my speakers. Then, it was more of the same, with "My God is a Rock" - what was happening? Well, it seems that Kate's decided that she wants to follow the RnB style as practically the whole album contains this genre, in a Yolanda Adams sort of way. I can't say that any of these songs really caught my imagination but, perhaps, "To Be With You" came close. "We Come in Your Name" stands out head and shoulders above the rest of the track listing, for me. It's a great pop p&w number that I really enjoyed. Sadly, I was disappointed with the rest of the fayre as, despite Kate's wonderful voice, the songs were just plain and drab. 2/10. (December 2002)
Kathryn Scott is probably best known for her work on several Vineyard albums. I'm told that the song "Hungry" is revered throughout the land but I'm obviously missing something, as I found it very ordinary. Her debut solo lets her sing some of her own compositions, plus others like the Brian Doerksen and Sandra Gage penned "Today", where Kathryn duets with the former. If she reminds me of anyone, it's the sort of uncluttered pop that made Susan Ashton so popular a few years ago. She has a lovely, natural voice and in this live recording it's as pure as the driven snow. "Blessed Be Your Name" is a top notch song that really praises deeply, while "Breathe on Me Now" runs it a close second. The second half of the album drifts somewhat and, until the last track, never quite repeats the heights of the first. Nevertheless, Kathryn Scott sounds as if she'll be around for years to come. 7/10. (February 2004)
Three years old this one but it's new to me. With a vocal tone compared to the likes of Annie Lennox, Kathy fails to let herself go with this collection of slow/medium paced worship songs. Quite a few songs here that were new to my ears, made good listening that I'd recommend for listening into in the bath. Nice, hot water, lots of bubbles, and Kathy Mattea's CD bathing you in the love of God. Steve Earle's 'Nothing But A Child' is a prime example of the relaxing tones you can expect throughout. Nothing really bad on this album but a few very ordinary songs. Nevertheless. 7/10. (December 1996)
Kathy says "At times we all feel weak......if we can put aside our feelings of inadequacy, or unhappiness, and share Gods love, then love will return." The title track kicks things of at nice and easy pace in a Susan Ashton sort of way, and some country style guitars. The lovely feeling it emits, is carried on by 'When We Don't Speak', as she reaches out for the father's hand. It is a very personal collection of songs, written from the very heart of a Christian woman trying to live in today's world. The music is of general high quality, but I would pick out the piano on 'You Will Find Him' as a little special. Kathy's voice suits every song no matter what their style, whether it be the Celtic tinged 'I Hear Your Voice' or the sweet 'Carry Me'. Interestingly enough, I found the two songs written from a mother's perspective the most difficult to listen to but then, I'm not a mother. Kathy Peters is another bright light in British CCM. 9/10. (November 1997)
It's 15 years since Kathy began her career with the album "Stubborn Love", yet I don't think that she has ever produced such a great collection of songs as the ones here. I would guess that the lady in question must have felt a real blessing from God when writing these songs, as they are some of the most powerful numbers I've ever heard. I've got to say it right now that I had a lump in my throat and tears in my eyes as I listened to "A Baby's Prayer". It's written from a baby's perspective about healing and forgiveness for those who have had or considered abortion, and it is simply beautiful - I played it over and over. "Faithful to Me" is a ballad that tells of the constant fight of trying to live your life for God, while "I Call Him Love" is a song that just reaches out and praises, unrestrained. Sweet vocals, terrific musicians, an album that's destined to become a classic. 10/10. (October 1997, Album of the Month)
I so long for this lady to be consistent with her releases. Her last album was simply a classic and so much better than her previous two releases. This one begins with the powerful 'A Different Road' which, at 6minutes 30 sounds long but simply tells the old story of someone turning their back on God and then realising their mistake. Kathy's vocals are right on song and the music makes a wonderful result. It's then that she starts to lose her way with the gospel/blues 'He Will Make A Way' and the over produced ballad 'Goodbye For Now'. Things start to improve again towards the end and 'Fill Me Up' will, no doubt, have many singing along quite quickly. Kathy Troccoli's music ministers to countless folk around the world but, until she finds that consistency, she'll never reach the Amy Grant league. 5/10. (January 1999)
Although you will know practically all the songs featured on this album, at least Kathy and her production team have tried to make it different. How? By using the big band sound instead of the usual synth sounds. "White Christmas" sounds like a late night lounge bar number, and the self-penned "Only Always" brings out the best in both Miss Troccoli and the players. IF you like the sound of a big band then, in the style of Count Basie, this is for you. Tracks like "Let It Snow", "I'll Be Home For Christmas", and "Silent Night" are all given the right treatment, and there's a terrific trumpet solo on the closing "Have Yourself A Merry Little Christmas". One of the better Christmas buys. 7/10. (December 1999)
Promoted as Reunion's Premier Female Vocalist, Kathy Troccoli has quite a track record. As well as the countless awards she's won, Kathy has also had 15 No.1 songs, as well as 5 Top 20 mainstream hits. This is her 11th album and she's sounding as good as ever. "Parade", I think, will be a massive radio hit. It's one of those songs that comes around now and again, that you just want to play over and over again. "On My Way to You" mixes pop with some blues, before we get into typical Troccoli ballad-land, with "Live For the lord" and "Break My Heart". "God Said It", provides with a reminder of God's promises, as does "Count On Me". Late on in proceedings, Kathy sings the old Foreigner hit "I Want to Know What Love Is". It's an interesting arrangement, and one that is sufficiently different from the original version to stop it being just another copy. It's not an instantly "wow" exclamation album but one that I promise will grow on you. 9/10. (February 2001)
The five Katinas brothers -James, Jesse, Joe, John, and Sam, have been singing together since they were children growing up in American Samoa. Many of their songs communicate a message of family and they have witnessed firsthand how God has worked in their own family relationships. With this, their second album, they've become more chart orientated and taken leaves out of the books of Backstreet Boys and N'Sync, to become one of America's biggest 'boy' bands. Maybe, therefore, being a 40-something adult, I found a lot of the songs too noisy, with too many different voices vying for prominence. It's an album that is very dance orientated, with songs like "It's Real" and "If You Really" getting the bpm moving. Personally, I preferred the close harmonies on pop songs like "Thank You" - a classic if ever there was one - and "Who Do You Love?". "You Are" sees the boys move into a gospel affair that really doesn't work, while I tired very quickly of "Sold Out Believer". Hard to decide my overall opinion of this album. In some respects, the pop side of things are good, but I certainly took a dislike to the dance number. Perhaps I'll sit on the fence with this one. 5/10 (August 2001)
The Katinas are 5 of 12 children who have been singing together since early childhood. The brothers, (John, Joe, James, Jesse, and Sam), grew up on the tropical Polynesian island of American Samoa. First up, I think that this album is a definite improvement on their 2001 release, "Destiny". The boys seem to have settled for a smooth groove style, with plenty of luscious harmonies standing out in songs like "One More Time" and "Sing Me A Song". "Takin' Me Higher" is a funky affair while the rap of "Nothin' But…." Briefly revisits the "Destiny" style. The guys have toured with the Winans, Andrae Crouch, and many other top names in the world of CCM, and this album should see them climbing the ladder of gospel success. 8/10. (October 2002)
Remember the band K? Well, in Star Trek terms, KATO are the next generation, with Captain Keith Ayling still at the helm. "Seasider" is a seven track Brit-pop mini-album that sounds more like the Charlatans than, say Oasis, but with a distinctive Kato twist. "Superhero" is chart material and opens things up with driving guitars and posing the question; "If your hero (Jesus) was 2 9 and living in your home town, what would you say to him"? "Grow" is very similar, but "Into Your Hands" is packed full of energy and I can see this one going down well live. "The Waves Are High" is a slower number that still works well, but "Walking on Water" doesn't quite have the same class about it. Bands may come and go but Keith Ayling and his troops continue to play where others fear to tread. 8/10. (August 1997)
£12 from : : Keith Ayling, PO Box 61, St. Anne's, Lancashire, England, FY8 1SS.
I can't remember the first time that I saw Keith Ayling fronting the now defunct band, K. What impressed me most was the way he led some fine musicians into delivering God's word, through popular music, to young people. A few years down the line, the group name and personnel may have changed but Keith Ayling shows no sign of letting up in his beliefs. This acoustic album features songs, old and new, with a few re-mixes thrown in for good measure. Favourites like "My Imaginary Friend" and "Die For You" now sound like Crowded House, and stand out really well in their new style. "Can't Sleep" features some mellow keyboards, and "Breathe" is another top tune. "So Alive" sounds as good, if not better, than those restrained type of songs that bands like Super Furry Animals and Suede are currently touting about, and "Change" finishes proceedings as a crowning glory. It's not quite perfect but "Home Movie" gives a brilliant snapshot of just who Kato are but, by no means, is it the complete picture. 9/10. (October 1999)
A look back at the previous NFN reviews of Kato (and K) material will show that I've a lot of time for frontman Keith Ayling and his band. For longer than I care to remember, they have been leading the line of british pop in the world of CCM - albeit living in the shadow of Delirious? ICC's new label Elevation have finally given the guys the record deal they've been waiting for and "Welcome to My World" is the result. The album takes a few tried and trusted songs from the Kato back catalogue and mixes them seamlessly with terrific new stuff. Produced by Dave Lynch (Toploader) we see "Welcome" open the album with an almighty crash of pop power that is electrifying to the soul. "Know What You Believe" is just the same, while "Die For You" has grown up so much it is out of this world. The slower "Strong" sounds a little like the Manic's, and "Trust Me" - although lighter - shows that Keith's writing, too, continues to grow. Think I've said enough? Tough! There's still the quite brilliant "Can't Sleep" and the anthemic "#25" that is truly God inspired. To Keith, Mick, Rick, & Mike, this is a great album, and Bless you for being Kato. 10/10. (May 2001, Album of the Month)
The second release from Kato on ICC's Elevation label, sees the boys trying to emulate their brilliant debut "Welcome to My World". This time, all the songs are brand new and there's the addition of strings to accompany the bands acknowledged guitar sound. That makes for a sometimes confusing listen to someone like me who's grown up with the previous material. Keith Ayling's lyrics are as sound as ever but it may take fans a little time to get used to this new, more mature sound. "Don't Let Me Fall" is a song that I can readily relate to. When times are dark and things look hopeless, you often cry to God and ask Him not to let you fall from Him. "Butterfly" then kicks in with an attacking thrash of guitar mayhem, as does the wildly fantastic "Won't Back Down". Where full use of the orchestral music is used, "Skydiver" rates as a melodic treat for the listener. "Welcome…" contained a few songs that I was already familiar with, whereas this album is full of new stuff. The band are still as hot, still doing the job, and still producing the goods. 9/10. (October 2002)
In her home country of America, Kelli won three consecutive times on Ed McMahon's Star Search 1993' and landed the crown of Teen vocalist - which led to her recording contract. While she credits the likes of Whitney Houston as an important influence, she certainly does have her own style. In parts, that she is a very capable and
talented gospel singer. She has some sweet vocals that are best used on tracks such as "You're Never Alone" and the summery "I Wish", but wails intolerably on the big production numbers like "Counting on You". "Thank you" leads us into an Eternal style dance number, the style of which is reprised on track 6 "Holy Spirit". Kelli Williams can only improve with age and she looks likely to be around for some time to come. 6/10 (September 1997)
The debut album from singer/songwriter Kelly Minter explores the basic Christian themes of faith, hope and love through a solid sonic foundation of rollicking guitars, insightful lyrics and raw vocals. Imagine the rocky Jennifer Knapp being crossed with the more restrained Sarah Masen and you'll get a good idea of what Miss Minter produces. "Believer" is a self assured song that proclaims her as a "Believer" and even though the song is quite repetitive, it's one of those you find whizzing through your head for days."On My Way Back Home" is nice and bouncy, and "Speak to Me" is really good. Listening to Jesus and hearing Him say "Return to Me" is just what track 8 is all about and it's delivered in a really uplifting style. Kelly sounds good enough to make a real difference in the world of female CCM and the lovely "Whatever I Do" is a great, worshipful ending to the album. 8/10. (June 2001)
The press back up tells us that Kendall Payne's music has some of the jaggedness of Alanis Morisette but with a far more positive message. To be honest, I wish I'd written that as it really goes some way in summing up this album. As for the positive message, you've really got to get deep into Kendall's way of thinking before you even attempt to understand what she's trying to say in her songs. Complicated lyrics? Well, they were, for me. The overall sound is, undoubtedly, akin to Miss Morisette and prime example is "Supermodel", a little ditty about, er…supermodels. Sadly, Miss Payne is a couple of years out of date with her style of music and, to be honest, it shows. "It's Not the Time" is not a raunchy and lends itself to some good hooks but it's all far too late. By far, the best songs come at the end and in a different style to the rest of the album. "Never Leave" is sung with such feeling and a cry for God to that it really shows the mediocrity of the previous tracks. Finally, "Fatherless at 14" looks at what a father, looking down from heaven, might say to his grieving daughter - simply terrific. Unfortunately, three good songs don't make up for the previous ten. 4/10. (June 2000)
There seems to be no shortage of 'live' praise and worship albums being released these days, especially in the run up to Christmas. Although they appear to sell well, I often wonder why, and my cynical self says 'Well, that's why they release them!'. To me live worship just doesn't transfer to CD, and so it puzzles me that any record label should expect to sell beyond the people who were there, unless there was something different, a definite buzz (such as Hillsongs), or the songs are new. Here is a case in point. If you were at Keswick this year, it was probably a wonderful worship occasion, but unfortunately what comes across is very mediocre. When the full band plays, the musicians are good, but there are too many very moderate to slow songs/hymns which make the album drag. Some, such as 'I Will Sing The Wondrous Story' seem to be with only piano accompaniment, which is nice for quiet contemplative worship, but comes over here as Mrs Brown playing in the church hall - with a few more people than usual! Okay, I might be missing the point, you say, and we certainly can't forget to mention the wonderful worshipful words of this collection, that there's a good mix of ancient and modern here, and that the album ends with a great solo performance from Jayne Lewis on 'We Bow Down'. More solo items could have benefited this album, in my opinion. A final note - there's a misprint in the credits which had me amused. Martin Smith's 'Shout To The North' is credited to Curious? Music! A Freudian slip? Or have Delirious? played Keswick yet?! 5/10 Julie Lord (December 2000)
I know very little about Keswick Praise apart from being aware of it's existence. However, if this album is typical of praise events held there previously, and I was visiting that part of the country, I would make a determined effort to go along. This is an album with a good mixture of traditional and new songs like, "Be Thou My Vision", "Come Lord Jesus", "Tell Out My soul" and "My Jesus, My Saviour". Other songs I particularly liked were "Break Thou the Bread of life", the rousing Kevin Prosch song "He Is the Lord", "Light of the World" (Matt Redman), and "We Have Sung Songs of Victory", a quiet, prayerful number. The vocals and music are very good throughout and it's a nice CD to add to your collection. 7/10. Pam Robinson. (April 2002)
Steve James, John Risbridger and Colin Webster are the three leaders on Volume 18 of the Keswick Praise series. Whether it just hit me at the right time I don't know, but this album of well known contemporary songs and old fashioned hymns was just so refreshing. Imagine a mighty church congregation singing to music played by a very competent band. That, in essence, is what you have. But, how alive that congregation sounds! "O For A Thousand Tongues" is sung so brightly and "Love Divine, All Loves Excelling" is superb. The version of "Lion of Judah" is certainly the best I've heard since the original Robin Mark one, many moons ago - it's filled with power and vigour. There's also a heartfelt rendition of "Pierced" which is beautifully delivered, and "What A Friend We Have in Jesus". One of the best praise albums around. 9/10. (February 2004)
So, as the first of the solo projects from the members of DC Talk hits the streets, I wondered just what sort of sound Kevin Max was going to produce. Thankfully, although there are DC traces, the album is different enough from what he's well known for to stand up on it's own. In fact, my initial listen had me thinking back to those heady days when Steve Taylor delighted everyone with his inane sense of humour and great delivery. "Return of the Singer" is one such song that kicks off proceedings, complete with middle eastern instruments defining their own way. "World music, progressive rock and pop" say the sleeve notes and that's quite true. It's a mix that works well on songs like "Angel With No Wings" and "Alycen". Max's vocal strengths are tested to the full on "Dead End Moon" and this has quickly become my favourite track. "I Don't Belong" is another strong number while "Be" left me rather cold. "Her Game", "Deconstructing Venus" and "I Went Over…" didn't set my soul alight either but, as a DC Talk fan, I guess they may grow on me. 7/10. (October 2001)
Kevin Prosch visits our country on such regularity that he's almost been 'adopted' by the British worshipping churches. Here's a live album that has nine tracks, with some of them lasting well over nine minutes! Listening, I asked myself the question; "Would this CD aid my own, personal worship?". Sadly, the answer was a big "No". Kevin's gravel laden voice takes you through some very repetitive and mundane numbers. However, the epic "Lord of the Dance" is particularly good for half of it's twelve minute duration, while the tasty "Holding On" is far too exceptional for this poor show. "Revelation" is the final track and I was really sunk by the time the whale noises appeared! The live worship event may have been worth while, but it fails to cross onto CD. Sorry. 4/10. (October 1996)
This is a collection of songs that use the minimum of instrumental backing, often letting just a couple of guitars stringing the words along. I suppose it could be classed as Folk/Roots but it would be difficult to confine the album to just one style. Prosch leads off with a toe-tapping number called "I Need To Sing". This is followed by an instrumental duet which, although repetitive, is excellent. Not sure what Kevin was doing when writing the title track but it includes such lyrics as "Like the smell of electricity, you're not seen but you are there". Bryn Haworth excels on various mandolins and slide guitar but I did start to get bored with the simple sounds. Indeed, by the third listen, my score had gone down two points. One of the few albums that I've disliked the more I've listened. 6/10 before it falls further. (December 1997)
It's almost 10 years since I bought Kim's debut album. A former beauty queen, it was quite a novelty to hear this pretty young thing sing about Jesus. Several albums later, Kim Boyce has matured into a fine songstress without ever really hitting the same heights as Amy Grant. From the opening "You" and it's good to be alive feeling, she presents 10 songs from a self prospective. At times, Kim is reminiscent of an early Madonna and the catchy "I Fall in Love" confirms that ideal. She duets with husband Gary Koreiba on "Amazing Love..." and sings passionately for the Lord on "The Communion Song". Kim gives consistantly good albums but there always does seem to be a little something missing. 7/10. (May 1997)
Kim Hill is one of those singers who's albums have, so far escaped my attention. True, she's featured on many compilations but this the first time I've had the pleasure of just hearing her. It's a live worship album and features 12 songs. Kim gives everything in her heart to songs like "Born to Worship" and "Famous One", as they sound the glory of God to the fore. "Glory Unto You" gets a bit out of hand and you lose the continuity a little. However, Kim soon pulls things round with "Your Mercy" and the worshipful "Love You More". A competent, if not outstanding, release, and you can see why she's so popular in her own country. 7/10. (December 2003)
Following their recent successful tour with Kato, I was interested to hear just how this, relatively, new band would perform. Pre-album material wasn't too impressive and, on first hearing, neither was the finished product. But, I'm rarely one to review on just one listen, so I persevered. And, I'm pleased to say, I'm glad I did. Simon Parkin's vocals almost snarl the words at you and I still don't like the opening "Every Little Thing You Do". "Don't Fly Away" becomes more tuneful and this is the track that I think deserves more airplay. Not sure what happens during the album but, halfway through, it steps up a gear in class. "Live For Heaven" finds this Radiohead sounding band in more mellow mood, as does "Someone to Live For". Then, the brilliant "Step on Up" becomes almost anthemic in it's delivery. Predominently a guitar band, these guys have had great backing from a whole host of people in making this a solid, if not excellent, debut. 7/10. (July 2002)
After some of the music I'd listened to this month, this came as a welcome relief. Praise and worship that I could really use myself, and enjoy. Don't expect any sort of Worldwide Message Tribe stuff here, this is pure 'old fashioned' p&w of a powerful kind. Sung by a congregation from Jerusalem, there's slow meditational music, as well as up tempo numbers to clap along too. Yes, I know, it's not the sort of thing I'd usually listen too, but I'm glad I did. 7/10. (October 1996)
Here's a collection of 17 songs (mostly new) that are aimed at capturing the presence and holiness of God and those who focus on His majesty and glory. It opens with three songs of exciting praise before going into four quieter, worship numbers. Darlene Zschech's "Overwhelmed" is quite outstanding - the female vocalist excelling in her delivery. "Jesus, Awesome God" is also very strong and powerful. From then on, things get a bit samey although Martin Stanesby's "Jesus, Your Glory Fills This Place" is pretty good. For the other tracks, I just felt that the production left a little to be desired. Somehow, many of the songs sounded too old fashioned in their end result. Couldn't quite put my finger on it but, after several plays, I was still waiting for something to happen. 4/10. (April 2002)
Now, I usually don't review samplers due to the time and space limitations of NFN, but this one slipped in by accident. For £1.99 you get 12 full tracks from worship leaders such as Kate Simmonds, Geralidine Latty, and Noel Richards. Robin Mark's "Find Rest All the Earth" is delivered in typical Mark style, and I loved playing the track. Brian Houston's gritty display is a little different to the norm' on "You Are Mystical", and Dave Bilbrough is at his best with "Everybody Sing". The only one I really didn't like was Robert Critchley's "Your Love is Better Than Wine". How many more songs will use the cliché about being drawn "like a moth to the flame"? Well worth your money. 9/10. (July 2003)
Promoted as a 'Top Hit' in the USA, I wondered just what to expect from this black gospel team. What you do get is a mixture of traditional and rap music, recorded in Dallas. Certain tracks, including 'Stomp' sound very much like MC Hammer did in his day. Others, such as 'It's Rainin' and 'So Good' are just what you would expect from a gospel choir - sweet backing and a front singer who can holler with the best. 'Love' is a personal testimony, that works well, but it's the straight forward choir filled songs that stand out. 'The Storm is Over' is, perhaps, the pick. It's an album that begins well, dips into tedium during the middle, and then rises again for a strong finish. I've heard better, but then, I've heard a lot worse! 5/10. (January 1998)
Kirsty's life changed when she joined 6 other finalists on a live TV talent showcase, wit the winner being picked by an audience phone in. although Kirsty came second, Warner Bros legendary producer David Foster had seen enough to offer her a recording contract. Her songs reminded me of all sorts of singers, from the Whitney Houston type balled "Broken" to the well written Faith Hill sound of "All For You". "Water" is the best song for me and it's given two outings on the track listing. The first is obviously a radio edit mix, with edgy guitars, while the second version features some more string effects for that easier listening touch. "There Will Come a Day" gets a little raunchier, and Kirsty's delivery isn't quite the same. It's a sound debut all in all, and there's plenty to build on for the future. 8/10. (October 2003)
It's almost a year since I first heard this guy in concert, and I believe that this album was practically finished then. So, a year on, Kite's songs stand up well to my memories of that live performance, and the crafted opener 'Precious Holy Spirit' kicks things off nicely. The style that runs through is a laid back soul feel, although at the forefront of one such song called 'My God, Holy God'. The album's title comes from track 6 in which Kite cries that Jesus came into his heart "like a mighty flood". "How High" was the song I really wanted to hear again, and I wasn't disappointed by it's immediate freshness. Kite has a knack of finding the right sort of catchy chorus and the formula is repeated on "Carry Me Home". His voice does seem to be stretched once or twice but, as a whole, carries quite a bit of texture. Not specifically a p&w album, but I got quite a lot out of it. 8/10. (December 1997)
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