Forward to the next archive
Back to the archives index
Back to the current edition of NFN
Back to the ESL home page
Regular listeners to the BBC Radio Daily Service Programme will be overjoyed with this collection of the nations' favourite hymns. Recorded live at Chester Cathedral, there's no surprises in guessing the format of each hymn. There's the occasional solo vocalist and, of course, the full choir, all singing their hearts out for the glory of God. Within the list of favourites come "Dear Lord & Father of Mankind", "Great is Thy Faithfulness", ""Love Devine All Love's Excelling", and "Guide Me O Thou Great Redeemer". From the more modern era comes "What A Friend We Have in Jesus" and "Shine Jesus Shine" - what an impression those two have made over the years! Then, there's my own personal favourite, "And Can It Be". Twenty classic hymns on one CD. Ever thought of the CD series "Wow Hymns"? This could be the start. 8/10. (June 2003)
A new album by Daniel O'Donnell, who must be one of the most popular country ballad singers around, is always eagerly awaited by his many fans, and this one I'm sure will be no exception. He always brings sincerity to songs of faith which is both uplifting and calm. This release includes many favourites such as "make Me A Channel of Your Peace", "Light A Candle", and "Morning Has Broken", all sung with a sweetness and clarity that is typically Daniel, without being overpowering - just the thing to relax with in those quiet moments we all need from time to time! It's an album that was a pleasure to review and a welcome addition to his, already, substantial collection of country ballads and songs of faith. Long may he continue to give so much pleasure to so many with his wonderful voice. 10/10 Judith Wilson. (December 2000)
Love or loathe him, you can't get away from the fact that this crooning Irishman has won millions of fans all over the world with his boyish smile, good looks and golden voice. One look at the UK's Album chart will confirm that, shooting straight in at No.6, his records sell by the bucket full. This release sees Daniel take 20 Great Rock n Roll Love Songs and release them in a style as only he can. To be honest, there's nothing to dislike about any of the renditions, they're all carefully crafted. Favourites of mine include "Singing the Blues", "Teenager In Love", "Donna", and the Billy Fury classic "Halfway to Paradise". Then, there's still time for "Love Me Tender", "Twelth of Never" and "Sealed With A Kiss". Perhaps Daniel lacks the guile to deliver songs like "Blueberry Hill" as it was originally released, but try telling his fans that. 8/10. (April 2003)
Did you know that "My Jesus, My Saviour (Shout to the Lord)" is currently the most played song in UK churches, according to CCLI? As a result, you will no doubt recognise the name of this artist, and in fact, the song in question appears on this very album. I initially thought that this would be a compilation cd, but it isn't, with everything else being new material (as far as I can tell). It is good material too, with the title track and the first number "Pray" being among the strongest. It doesn't have a worship feel to it, which also surprised me, although many of these are actually worship songs. It somehow manages to worship without being "in your face" and what you end up with is a very good pop album, full of good tunes, excellent arrangements and top-notch production. I really like Darlene's voice too; It has a warmth and quality to it which means she can manage the power without it sounding forced or strained. There are many professional, secular female singers and wannabees for whom sadly, this is not the case. As a piece de resistance, there is also a song "Walk On" which is written by U2 and on which Darlene duets with Martin Smith (which actually sounds remarkably like U2!). This is the first album I have heard by Darlene Zschech, and I am sure it won't be the last. 9/10 Robin Thompson (January 2004)
It often happens that, following a successful CCM career, an artist suddenly decides to record a praise and worship album. In Darlene Zschech's case, a successful p&w career has led to her recording a more pop orientated album. The result is a sound that says "Amy Grant" all over. As good as the opening song "Pray" is, Darlene is watered down and sounds only a shadow of her usual, vibrant self on some very mediocre produced songs. "Beautiful Saviour" lends more than just a passing resemblance to Roxette's "Milk & Toast & Honey", while the brilliant "Shout to the Lord" has been given the pop idol treatment and sounds plain lame. The corking title track is just miles ahead of anything else on the recording, and is really catchy. Darlene may have sold millions of records previously, but fans will be disappointed by this. 5/10. (March 2004)
Modern day Celtic writer, David Adams wrote the meditational book on the hymn 'Be Thou My Vision'. These writings have inspired Bainbridge & Fitzgerald to create a whole album of ambient music to accompany both Adam's reading, and Mairre Brennan's occasional vocals. While a recent reviewer of this album wrote that the music both "stirred" him and "moved me to tears", I can only confirm the latter. However, in my case the tears were caused by the sheer numbness I felt whilst listening to this multitude of whining Celtic instruments. Not even the fair maiden, Brennan, could lift or inspire my spirits to listen to it all again. Enjoyable? No. Meditational? Does falling asleep count? 2/10. (January 1999)
With song writing credits such as "I Am A New Creation", "Shout for Joy and Sing", and "So Freely", Dave Bilbrough is almost a national institution in British CCM. This double Cd brings together two of his solo projects and includes those aforementioned tracks on the former. Also included is the jolly, folky sounding "How Wonderful" that gets the album off to a happy sort of start. "All Hail the Lamb" is another well known track that gets the full songwriter treatment, resulting in pure worship. The second album contains tracks written, mostly, some 12 years after the first and lacks the same intimacy. "The Day of the Streams" gets your feet tapping but "We're Moving On" fails to reach similar heights. Indeed, most of the second Cd is instantly forgettable. There just isn't the same quality there, and the songs are quite poor. 5/10. (May 2002)
For more than 20 years Dave Bilbrough has ministered through music and, in that time, has recorded 16 albums. His brand new live release features 14 songs that draw on some diverse musical influences. For instance, there's the Celtic feel of "This is Jesus", and the African rhythms of "Jesus Christ", both songs of great excellence. "Yours is the Kingdom" is a typical uptempo praise song, from the man who has given us so many well known songs over the years. "Again and Again" plods along quite nicely, and "Draw Me Again" is just full of worship. That's the good stuff out of the way. Unfortunately, there's a few songs that I didn't enjoy, such as the title track and "One Heart". But, it's hard to please everyone all of the time isn't it? 7/10. (February 2003)
Nine years since his last album, singer songwriter, Dave Deeks returns to the CCM scene with an album that is very much the creation of his son, Mark. For, he selected the songs, produced them, played most of the instruments and even found time to lend a hand with the backing vocals. What happens is that you can spot Dad's 60/70's influences in the basic song, but with son's 90's interpretation. The result is mixed. Songs like the strong opener, "Such Love Amazes Me" is a choppy affair that is carried along by some simple, yet effective, guitar playing. "Free For All" sees Dave almost talking the words to an accompaniment of more good guitar work and fx. And so the album continues in positive vain with songs like the catchy "Man Without A Reason" and the title track. It's around here that things get a bit messy, with too many ideas complicating the overall sound. "A Christian Isn't" being a prime example as the vocals fight against the swirling guitars. The writing itself is very good, with Dave writing an honest chronicle of the ups and downs of life. Ending with the folk meets pop "My Hope…" the album improves with play and has currently risen to…..8/10. (November 1999)
Dave lives in York and is employed by the York Schools & Youth Trust. He helps to lead assemblies, RE lessons and takes the word of God into the schools of York. His other work includes running Scripture Union Holiday's for 7-11 year olds so, you can see, he's a man with the Lord firmly at the centre of his life. This CD, then, takes some of the songs from his work and makes them available for others in similar posts to use, as well as for the children to enjoy. Well, as I work with 11-16 year olds I thought that I would still find some of the music useful. "Joy in the House" is an 80's synth-based number, where Dave invites you to "jump, wave, bounce, slide…" enough said? "Ace Foundations" simply says you must build your life on Jesus, and the country style is quite good. Then came the bitter blow. I couldn't believe it, "The Pirate Song". I never thought I would hear anything so awful. Two voices pretending to be pirates but sounding, to those of us old enough to remember, The Wurzles' "Combine Harvester". It was so bad that I had to play it to several people and ask "Is it me?". Unfortunately, there was more of the same to come in "The Little Green Alien Song". Do you remember Keith Harris and that green duck, Orville? That's just what it sounds like. Ten or more years ago this stuff might have been what kids would listen to, but not now. Obviously, Dave and his ministry must be reaching out in live situations, where action songs like "Your Love" can be seen, but the CD just doesn't work. "Pausing" and "Deep" save it from being awarded one for effort. 2/10. (June 2001)
"Oh no", I cried on receiving this CD to review, "my worst nightmare". Why? Well, I didn't exactly enjoy Dave's last children's offering "Heaven's No.1", and I felt that this might be more of the same. In fact, when the first couple of tracks played, I was convinced of this. Try singing "All scripture is God breathed, 2 Tim Chapter 3, 16". Know what I mean? Then, there's the Elvis impression for "Go", sung in a typical 60's rock n' roll fashion. Ah well, it could only get better. And, to my surprise, it did. Starting with the all action, all singing song "Knock!", the whole Cd really does take off. And despite the fact that "I Love Ya" lends a lot to The Wurzles again, it's a terrific song for kids. "Worship Song" is almost a lullaby and very well produced, and "On the Day of Pentecost" shows Dave, himself, in top form. Pick of the bunch? Perhaps "Superhero", where Dave says "never mind the superpowers of fictitious hero's like Superman, how would you like the spiritual powers of Jesus that are free to all?". And if all this is not enough, there's all the backing tracks provided on a 2nd CD. Well done Dave. 7/10. (June 2003)
The sleeve notes for this CD compare David Crowder to Rich Mullens, and John Michael Talbot - two artists that I'm not too familiar with. In places the vocals reminded me of Delirious, around their King of Fools period but, to be honest, I couldn't really think of any other band that I could compare them to. That's not a criticism, it's good to find somebody these days with their own sound. The only tracks that I am familiar with are a cover of Matt Redman's "Undignified" which I thought was the best track on the album, and the hymn "AlI Creatures of our God and King". There are no songwriting credits, so it's anybody's guess who wrote the rest of the tracks. All in all though, I found this to be a strange CD. The individual tracks were all very good on their own, but by about two thirds of the way through I found the album a bit tiring. The arrangements seemed to be a bit too complicated. With too much going on in the background on most of the tracks, I found that the backing kept distracting me from the vocals which made listening to the whole thing fairly hard. It's a shame really because the singer has quite a good voice, and you can tell that a lot of hard work has gone into this CD. As seems to be the fashion these days there is a three minute gap between the last two tracks, which is fairly annoying if you like to play CD's in Shuffle mode. It's the production/engineering that lets it down rather than the band themselves, who are obviously a talented bunch. David is the Music and Arts pastor at the University Baptist Church in Waco, Texas, so I would guess that this CD is aimed more at the American market, where according to the sleeve notes David has a large and growing audience. This is his debut CD, and I think it would be fair to say that it will go down quite well over there, but I just can't really see listeners in this country buying too many copies. 6/10 Andy Sayner. (March 2002)
Dave Wuyts, and his musical colleagues, are based in Colchester, Essex, where he co-leader of the Gosbecks congregation, which is part of Kingsland Church. We have a real vision for unity and the coming together of Christians to worship and pray for their towns and cities. To this end, then, Dave has written 11 songs in typical praise and worship style. Brownie point straight away to Dave because he recorded at Appletree Studios, where Phil Goss' expertise and advice can really polish up any rough edges there may be. Unless you're blessed with a really good studio yourself, paying that little extra can make all the difference. The songs here are simple in format and are formed around passages and stories from the Bible. The Psalms, are behind the opening track "Under the Shadow", and speaks of refuge and safety under God's wings. "Jesus You're My All in All" is acoustic led that features some nice harmonies, as well as putting Sarah Greenwood's flute/recorder playing to good use. My favourite track is "Awesome God", where Dave finally seems to let himself go a bit and the vocals have a little more edge than some other songs. Good guitar work from the aforementioned Mr Goss, makes this the prime track. Solid start from Dave Wuyts, who should be greatly encouraged by this offering. 6/10. (November 2002)
Inspired by the belief that where words fail, often it is music that speaks, it's David's belief that this album reinvigorates songs originally conceived out of heartfelt and often exhilarating responses to God's Spirit. Including contributions from Joanne Hogg, Adrian Snell, as well as others, Fitzgerald uses all of his many instrumental talents to present this album, which has taken over four years to make, and consists of well known tunes such as "Dear Lord & Father of Mankind" and "Hear O Isreal". Pipes, saxophones, whistles and more, are all used in this meditational styled album which, perhaps, lacks a little in variation from start to finish. Some songs work very well, such as the carefully crafted "Here I Stand", while Kendrick's "What Grace" sounds decidedly lame. I enjoyed the album mostly as background music while working, as it gave a very relaxing feel to the air. One for the connoisseurs I think. 7/10. (October 2001)
Beginning his musical life in the Royal Marines, David Fitzgerald's first claim to CCM fame was in 1989 as the founding member of 'Iona'. He now pursues other interests, including solo projects like this one, his fourth. For those unfamiliar with David's work it should be emphasised that he is not a singer but an instrumentalist - playing saxophones, flutes, whistles and woodwind on this album. Some of the tracks have no clearly definable 'structure', being more of the 'ambient' type. I prefer a track to fairly obviously 'go' somewhere. Those that do so most successfully are 'Agnus Dei', 'No Scenes of Stately Majesty', 'There is a Green Hill' (no, not that tune - a new one!), 'I Could Sing of Your Love Forever' and best of all the gorgeous Chris Eaton composition 'God So Loved'. Whilst there is an attempt to compensate for the lack of vocalists by including the lyrics for each 'song', these don't really work for singing along to the music, as most of the tracks are too 'arranged' for this. Beautiful playing and production however, and probably most appropriate as background music at Christian house parties. For these occasions worth … 8/10 Dave Deeks (June 2004)
David Lyle morris is one of those gifted worship leaders who quietly go about their ministry with the least amount of fuss. And, by that rule of thumb, his music, therefore, sometimes drifts by without a second thought from the listener. However, this album should change all that and give David the praise that his music deserves. To get the one negative point out of the way, the music doesn't quite have that power that is always so evident with the likes of Hillsongs. There again, the collection of songs, here, still does manage to convey a blend of songs old and new. "Love, Joy, Peace" has a calypso feel that will warm the coldest of spirits. It's followed by a great version of the classic hymn "Guide Me, O Thou Great Redeemer". "His Name, His Name" is, perhaps, the most worshipful song on show but the collection, as a whole, will delight many. 8/10. (August 2000)
David Phelps may be a new name to many of you, but this guy has already won many Dove & Grammy Awards, as part of the best selling vocal group, The Gaither Vocal Band. He's also sung at a host of Billy Graham Crusades, and is renowned for his powerful voice. This solo album sees him wrestle with a multiple of styles, and he wins with all hands down. The vocal power is obvious from the start as he launches with "Arms Open Wide", a simple song depicting how Jesus is waiting for us all. The title track is very clever and uses numerous styles and instrumentation to provide a tremendously inspiring number. On "Virtuoso", David suddenly decides he wants to do a dance track and, although you might think his vocals might not work on this type of song, he pulls it off magnificently. I didn't like his blues attempt of "Break Free", declaring how Jesus sets the prisoner's free, but I think that's more my personal dislike of the blues, rather than David singing badly. There's no wonder, people sing his praises, for David is one, big talent. 9/10. (August 2004)
For the uninitiated, David Ruis is a powerful worship leader and songwriter, and this album features 11 of his best songs. I was going to bite my lip here but I can't. If these are 11 of his best, I'd hate to hear some of the bad ones! Now, before you stop reading, there are some great numbers here. Apart from the title track, the album's purple patch comes mid listing. "Sweet Mercies" and "Faithful" are tremendous worship songs and are in complete contrast to the awfulness that is "Rest in His Promise" and "Mercy is Falling". Indeed, there is no way I could "rest in His promise" whilst listening to this racket. The Arabic chanting within the latter is also very off putting, and is repeated with accompanying wailing on "Amen". I'm afraid David Ruis joins that list of worship leader's who 's solo albums just don't cut the mustard. 3/10. (November 2004)
Fans of Green Day and Nickleback will soon find that these 5 guys have a lot in common with their secular counterparts. Sound wise, they stand up with the best, with their crunching guitars, thumping beats and gravel filled vocals. On songs like "Through the Fire" and "Detainer", Day of Fire simply rock their way through from beginning to end. "Cornerstone" shows them in a milder mode, with some nice strings adding a good accompaniment. But, it's the rockier sounds that work the best and the band literally thunder their way through songs like "Time", "I Am the Door" and "To Fly". Not usually my taste in music, but I liked this a lot. 8/10 (February 2005)
Let me say straight away that this must be a contender for Album of the Year, let alone the month. Robbie Bronniman and Shaz Sparkes, together with producer Ray Goudie, produce the finest dance release that I have ever heard. As soon as I saw for the sleeve photograph, I hoped and prayed that the music would not be a disappointment, and my prayers were answered. 'Spiritual Woman' ( a possible single release) kicks things off with a 137bpm stomper, while 'Time' is more Human League than Phil Oakey himself. The old Aretha Franklin classic, 'I Say A Little Prayer' gets the 150bpm jungle treatment while 'Planet Love' and 'Reason Why' have 'class' written all over them. It's not all high energy, at 103bpm 'Kiss the Sky' is masterful. This puts lots of chart stuff to shame and deserves to break into the secular market. Don't just sit there, buy it! 10/10. (August 1996, Album of the Month)
Five years after their brilliant "Bubble" album, Shaz Sparks and Robbie Bronnimann return with a dance sound that is full of electronica, synths, and great dance beats. 80's pop star and, now, top producer Howard Jones lends a hand co-writing some of the songs but Bronnimann's skills and talents are there for all to see. For someone who usually cringes at the dance music of today, I especially liked the title track - it's exceptional in both quality and sound. Release now as a single - it would be a monster hit. "Oceans of Love" is actually a communion song about God's cup but is so catchy, that even non-Christians listening started to nodding in time with the beat. "When the Light Has Gone" is another star track but, then, most of them are. Maybe I'm being too hard on myself but I found one or two a little samey in sound - a sign of age maybe? There again, why do I like the rest of the album so much? My daughter is still listening to "Bubble", so this one is bound to have the same longevity. Highly recommended. 9/10. (June 2002)
Three years after the amazing success of 'Jesus Freak' comes the follow up release from DC Talk. Never ones to compromise, they basically leave the winning formula of the previous album for a more guitar driven rock sound that really could be anyone. Here and there, the distinctive band sounds are still there but the overall sound is lost in a cacophony of grungy music in songs like 'It's Killing Me', and 'Consume Me'. It's track 5 'My Friend' that is the song to really bite, complete with a chorus that has had me singing it for days now. The single 'Into Jesus' was an obvious biggie and is supported well by the bouncy 'Since I Met You'. Beyond these few songs it's all a bit of a mess. I was expecting something better and I don't think that I'll be the only one to be disappointed with 'Supernatural'. 6/10. (December 1998)
In my years as a Christian, I've watched and listened as these three guys have literally ripped to shreds, the confines of religious music. Now, arguably, their best music is captured on one new album, presenting a momento for those who know them, and a gob-smacking introduction for those about to encounter DC Talk for the very first time. "Say the Words", "Coloured People", "Jesus Is Just Alright", "Between You And Me", are just the first, four tracks and they lay down the foundations of a really strong album. Of course, "Supernatural's" included, as is the awesome "Jesus Freak" - the latter still pumping adrenalin some 5 years after it's release. The album also charts the changes in musical style as we travel through indie, rap, metal, and even disco dance. Towards the end of this 19 track album, things get a little tiring but, by then, even the most hardened of hearts will have found plenty to feed upon. 9/10. (January 2001)
Debbie is currently training as a Methodist Minister and has just recovered from a long illness. The latter being the main reason why this debut CD has taken 13 months to record. The moment I heard the opening "Safe in His Arms" I knew that I was going to like it. It's great pop song that's well constructed and has some nice jangly guitar moments within. I can't say that Debbie has a particularly strong voice and that does show on the title track. However, she does use her vocals well and on songs like "Breathe on Me" and the 60's folk tinged "Stay Close to Me". One of my favourites on the album is "I Believe" that, although simply put together, has a terrific - almost 70's punk - chorus. Ably assisted by the likes of David Cooper, Dave Keagan, Mark Pierce, and Antoine Robinson, Debbie comes up with good first release that should see her make some waves in the mor market place. Not one for the teens, but there's plenty of us oldies around! 7/10. (December 2002)
Two years after her debut album, Hull based Debbie arrives with a 14 track offering that sees her mature as a writer and co-producer. "Set Me Free" opens the listing and it's simplicity is it's strength. Great keyboard work by Antoine Robinson, and the richness of Debbie's vocals, make for a perfect marriage and a wonderful result. "Be Still and Wait" is a moving little song, but the use of the flute does detract the listener somewhat. "Close to Your Eyes" is a carefully crafted worship song that I played again and again, such was it's beauty. From then on, the track listing goes a little more poppy. I found the production of "The Other Side of the Rainbow" a little messy, but songs such as "Jesus Sends His Angels" and "Safe in His Arms" shine out brightly. "You're All Around Me" has an infectious beat to it and the closing "Take Us Home" is very poignant. The lyrics all seem to gel together nicely and I think that Debbie has found a winning formula. With a live band to back her now, all that she needs are regular concerts to finely tune some of those rough edges. 8/10. (February 2005)
Here's something a little "off the wall", in the shape of an American born singer/songwriter, now residing in Oxfordshire. Debby Barnes seems to have got some very good media attention in the southern part of the UK but is, practically, unknown, north of the midlands. "Lay Hold" demonstrates some thoughtful lyric writing and combines it with various musical styles. The title track is very radio friendly and jogs along in a poppy sort of way. "You Are the Lord" then moves into blues, while "No-one Else Will Do" coasts along quite nicely, and could be one of those memorable tracks which visions one driving along the US highway, top down, and radio playing loud. Debby's got a little bit of the quirkiness of Julie Miller in her songs, but the vocals give more warmth, perhaps in the mould of Sarah Masen. "Just Move On" proves the point, I think, while we get a Latin feel to "Holy Ranger". From there, it's folk, for "Come And See", and back to blues for "Come Get the Love". The main distraction, I felt, was that Debby jumps from one style to another with out any great conviction. Even the beautiful, closing "Doxology" finds her in celtic mood - another style. For me, all that Debby lacks is the consistency that all the style changes fail to provide. Most songs are good but the blues just gave me the blues. Nevertheless, worth investigating. 7/10. (October 2001)
Dee has previously toured the UK as a member of the Birmingham Mass Choir, and also sang backing for Simply Red during the 1996 European Championship Draw. Now, she's concentrating on a solo career and releases her first single, "Don't Wait". With influences such as Shirley Caesar and the Winans, it's the latter to which I can make comparison to. The main track is a dance mix and would be perfect for mainstream radio or club play. Nice rhythm, catchy beat, and sweet vocals that could melt the hardest of hearts. "Reaching Out to You" is a slower number and had me thinking of Eternal's hits, and this is good, too. "Let Go and Let God" didn't quite make the same grade but, overall, I think that Dee Moore could have a big hit on her hands. In typical fashion, there's various mixes of "Don't Go", of which, the club mix is the best. 9/10. (April 2000, Album of the Month)
Since the release of her debut Cd a couple of years ago, Dee Moore has slowly, but surely, been making ripples in the world of UK gospel. She states that artists like Mary Mary, Desitny's Child, and Shola Ama are amongst her influences and the results show great respect. Not that this is just another young girl jumping on the pop bandwagon, Dee has been singing for most of her 23 years. This 5 track CD showcases 3 songs and 2 re-mixes. The first two "Reaching Out to You" and "Let Go and Let God" both tell of the simple truth about Jesus and His love for anyone of us who answers His knock on our door. The songs are quite laid back and Dee's vocals are a dream delight. "Defined" changes tempo a little and the vocals become a bit more attack minded, but the quality of both song and vocal remain high. I wasn't so keen on the "Let Go…" remix, but the dance version of "Reaching Out…" would not be out of place on any club album currently being traded around. Like all budding artists, she needs a break if she's going to make a breakthrough for the Lord into the secular market. However, if someone sees the same in her that someone saw in Destiny's Child, she certainly has all the right qualities. 9/10. (June 2001, Album of the Month)
This is very good. See them live, Delirious? are excellent. The sound? Well, it's a sort of U2, guitar rock, and their own original style. This album was recorded live during 1996 and contains all the 'cutting edge' numbers that people know so well. "I Am Not Ashamed" is a favourite of mine, while "Obsession" is another. The rocky sound hits hard and drives right in. As a band, they're superb, excellent musicians. Live, I just wonder what Martin Smith is on? 10/10 R.W. (May 1997, Album of the Month)
You know the story. Delirious? (the darlings of UK CCM) have gone back to their roots and released an album that takes the Brit sound of recent records, with that of their early praise & worship songs. The result is "Glo" and album that has already received a tremendous response in both Britain and further afield. Drawing on passion, power, polish, impact, intimacy, creativity and credibility, Delirious? present 15 tracks that range from ordinary to anthemic brilliance. The ordinary comes in the shape of things like "Glo in the Dark - part 1". Not quite sure what the idea behind this was but it sounds like Oasis meet death metal. Nevertheless "Glo in the Dark - part 2) is completely different and gets into Manic Street Preachers territory. The anthemic brilliance is track 7, "My Glorious". Martin Smith at his vocal best, and the rest of the band bringing praise and worship to the youth of today as only Delirious? can. "Hang on To You", "Intimate Stanger", and "The Years Go By" all improve on second hearing and it's no wonder that fans old and new are buying this in ship loads. 8/10. (November 2000)
After finally getting my hands on the album "Glo" last month, the Delirious? Video popped through my letter box at the beginning of December. With 8 main tracks on show, there's footage from Wembley Stadium TRACK 3, various band shoots, and the enigmatic 60's pastiche of TRACK 6, where the lads take off The Monkees zany humour. "Deeper" is the opener, with it's infectious guitars and Martin Smith's cheeky little boy look that reminds me so much of John Lydon. Then, it's deeper still, as the more aggressive "Promise" asks the question of your promise to God. Watching the video's, for me, was far better than just listening to an album. In the same way that I saw so much of the band's ministry in a live situation three years ago, the video shows much more about Delirious? As a whole. The latest American release "Everything" is also on show, and there's even extra footage thrown in a the end, along with a couple of bonus tracks. For me, getting hold of my Stryper video 10 years ago was memorable, Delirious? Fans should think likewise of this - it's superb. 10/10. (January 2001, Video)
So, as I write, the latest assault on the pop charts is over, at least for now, from Martin Smith and the rest of Delirious? How did it fair? Well, entering the Top 40 at number 26 would be, I expect, a slight disappointment but, then, it has been some time since all but their biggest fans had heard anything from them. The song? Well, it's fast, it's furious, it's bouncy, it's happy, it's fun, and it sounded like Supergrass did a couple of years ago. Twanging guitars and "la, la,la" backing vocals gave it a summery feel but, perhaps, like the weather, we're still waiting for that hot Delirious? single. 7/10. (July 2001)
Release date : 23rd July 2001
No sooner had I written the epitaph to "Waiting For the Summer", when a pre-release copy of the next Delirous? Single dropped through my letter box. Is that really a Bontempi organ being used at the beginning of the song? It doesn't matter as some serious lo-fi bass and drums enter the scene, accompanied by some great guitars and vocals. So, I put the single to the test and played it a couple of times to a group of 15 year old girls all with school books covered in the latest pictures of Westlife, A1, Stereophonics, and the like. This was the response;
Amy: "It's a bit like Offspring. It's okay".
Laura: "It's good, who are Delirious?"
Gemma: (who knew who Delirious were) "It's a lot better than "Waiting for the Summer". That was *#*!".
Louise: "Play it again, that was ace".
So, there you have it. Those were just four out of twenty or so who heard it and, on the whole, the single was voted a hit. As for me, I agree, this COULD be the one! 9/10. (July 2001)
So, for their 4th studio album, Delirious? turned to producer Chuck Zwicky (Semisonic, Prince, Madonna) to aid craft their new sound. New sound? Well, new sound for Delirous? Maybe, but not for The Beatles and U2, all of which the D-boys seem to imitate on this album. Sad to report that "Take Me Away" failed to bother the Top singles chart at all in the UK, which I find incredible as I like it more every time I play it. I still think tit contains one of the best guitar breaks of the year. "Waiting For the Summer" opens the listing and, after Take Me…", we move into a Beatlesque "Love is the Compass, complete with orchestral pads. The U2 influences turn up on the guitar driven "Fire" and "Show Me Heaven" where Martin Smith does his best not to slip into bono impressions. Great songs, great delivery. My favourite has to be "Angel in Disguise" which I can see going down a storm at Wembley or equally as intense at a praise and worship event. My other worry, and this may be just me, is that I failed to understand far too many of the lyrics this time round. "Bicycle Gasoline"? No, it didn't get my spiritual motor out of first gear, and neither did "Stealing Time". If this is a new sound for Delrious?, then it's going to take a bit of time for their fans to get use to it. 7/10. (September 2001)
Following the rather disappointing chart response to the last two singles, it's a very brave step that Delirious? have taken in releasing a revamped version of this classic praise and worship song. However, one thing you can be sure of from this band is that they will never give up what is at the centre of their lives just to the media. From the moment Martin Smith's opening vocals raise up the name of God, you're transported into a song of love and praise only a relationship with God can produce. The beauty of the song is it's simplicity and the wonderful feeling that comes from the heavenly voices during the chorus. I'm almost crying by the time it's finished and I just want to play it again, and again, and again…..10/10. (December 2001)
A history lesson. In 1994 a worship band known as Cutting Edge provided left of centre worship for a hometown event. There, songs like "I Could Sing of Your Love Forever", "The Happy Song", and "Lord You Have My Heart", first saw the light of day. From there, the passionate buzz grew into epidemic proportions and the band renamed themselves Delirious? Albums, tours, Top 20 singles, have come and gone but their belief and their cause remains steadfast. This double CD captures that spirit and breathes new life into some old favourites such as "History Maker" and "Revival Town". However, with so many songs on show, there's bound to be a fair mix of those you do and don't like. For me, the second Cd is stronger, particularly songs like "Jesus' Blood" and "King of Love". Not that the first doesn't have it's moments but, it's just not as good. If you want to know what all the fuss about Delirious? is, or you want to replace those hissy tapes, it's worth your money. 6/10. Andy Sayner. (March 2002)
This album clicked with me straight away. It is one of the best
worship albums I've heard for a long time. There is a real sense
that the audience are having a real good time, although by the
way that they join in the songs it's plain to see that they are
all serious fans. Its not
often that double CD's can hold the attention all the way through
both discs, but I must say that I really liked all the tracks,
and there are 26 songs here! In fact the only thing that I didn't
like, which is a personal thing, is that I always like to know
where the different tracks were recorded and there's no detailed
information, but that doesn't in any way detract from the music.
Delirious fans will already know all the tracks on this album
I should think. As far as I could tell there was nothing unheard
of on it, but I personally would be willing to shell out for it.
It also comes in a rather neat looking tin box too. 10/10 Andy
Sayner. (April 2003)
2.5 years since their last studio album, Delirious? return with World Service. Have they moved on, musically? Well, they've gone from Brit pop to a more mature U2 sound. "Inside Out" could well be a Bono number, as it contains all the well known Irishman's traits, but is a super song nevertheless. "Majesty" has grown on me so much over the last couple of weeks, as I dismissed it quite easily on first play - funny how that can happen. "Mountains High" and "Feel It Coming On" both failed to inspire me and, indeed, I had to switch the former off. I think that, at times, the band tends to "over-do" the guitar sounds and the result is a wall of mush. However, fair play to the guys as, at least, this band never rests on it's laurels. "Grace Like A River" and" I Was Blind" work well but I'm not sure if we'll see any great assault on the secular charts. A real pity. 7/10. (December 2003)
Formed by a group of friend's at Nashville's Belmont University in 1999, this group of musicians is comprised of three trumpet players, three saxophonists, two trombone players, and a rhythm section. The sound is unique and energetic, and on this album they give fresh sounds to classic Christmas songs. I couldn't help but smile and feel happy when I played the opening track. "Jungle Bells" gets the big band treatment and takes you back to the 40's and 50's era with fine vocals enriching the musical sounds. The same can be said of "The Most Wonderful Time of the Year" and the quieter, but well delivered, "Born Tonight". I didn't like the blues take on "Frosty the Bluesman" but the smooth sounding "This Christmas" soon rectified this. I thought that, late on, the sounds got into a jamming session rather than an organised song, and the closing "This Must Be the Place" sounds more like a Michael W Smith song than anything else. Hats off to the band for a different approach to Christmas. 7/10. (December 2005)
Sounding not a million light years away from The Beautiful South,, at times, DEP4 present their debut full length album. Twelve songs, all written by singer and guitarist Tony Cornish, and ably backed by Kev Plant on bass and John Ramm on drums and percussion. Based in Wales, this threesome have travelled as far as Northern England to take their ministry into venues such as prisons. As for the musical style, well it's never going to produce a mosh pit at the front of the stage. It's more like, sitting, tapping your feet, and listening to each song as it tells it's own story. "Pick It Up Downstream" is all about losing your way in your walk with God. But, as we all know, just because you fall, it doesn't mean that we can't ask the Lord to pick us up and dust us down once again. One of my favourite tracks is the last one, "The Real Cost of Living". This looks at how so many people live for the 'now', as well as what they can get out of life, forgetting the most important things. As I say, there's plenty of foot tapping to do whilst listening, but not many that you find yourself actually singing along with. However, "Here Comes Summer" is one exception, and very welcome it is too. For me, the album takes a little while to get going but, then, it may be that I'm imagining it in a live set listing. The lyrical depth of Tony's writing is very good and it really is an album that makes the listener think about themselves. Now, how many albums do that? 8/10. (August 2001)
Here's the former member of Caedmon's Call, with his debut offering. The media havealready called him a cross between Keith Green and Bob Dylan and, while I'm not an expert on the former's music, there is an element of early Dylan here. "Beloved" sounds the most like Dylan, complete with it's harmonica breaks. The style of the album takes in a bit of country, a little bluegrass, and a pinch of folk, and the result is quite uninteresting. Lyrically as sound as the next Jesus album but as bland as they come musically. I found trhe last three songs the highlight of a very disappointing debut from Mr Webb. 2/10. (January 2004, Album of the Month)
"From a desperate generation of worshippers crying out to our God emerges 14 all new songs. Recorded live at the International Desperation Conference in Colorado Springs, experience this life changing time of worship filled with high emotion, strong passion and delicate intimacy". Well, that's enough of the sleeve notes, what about the facts? The album begins in typical uptempo style, with bouncy numbers that are aimed to raise the excitement levels of those gathered. It does, therefore, beg the question, "is this sort of event becoming more of a performance concert, than one of worship?" I'll let you contemplate on that one. Imagine the likes of Matt Redman, Paul Oakley and Martin Smith leading worship at, say, SpringHarvest. This, then, has a similar feel. The faster numbers like "Everyone Praises" and "Rooftops" are complimented later on by the prayerful worship of "Amazed". Also included on the CD are printable chord charts and lyrics so, if you fancy your church having a go at some of the songs, you've got all the help you need. 8/10. (August 2004)
All the tracks on this album contain strong Christian lyrics set to a modern dance beat. The beat varies from rock, on "Scarlet Letter" (our favourite) and "Rock of Ages" to the Ibiza club dance sound of "Glory On Your House" and "King of Kings & Power and Might". All the tracks are written by Robert Parr and performed by various artists. The album as a whole could be compared to Raze or WWMT. We both enjoyed reviewing this album , which should appeal to most young Christians, as well as 40 year old+ teenagers like ourselves. 8/10. Tim & Pam Robinson. (February 2000)
This enhanced CD package contains not only 10 new worship songs, but all the things you might need to use them in your church … Chord Charts, OHP transparencies, Sheet Music, etc. all neatly bundled up in a flashy CD-ROM presentation that also includes ideas for worship, ways to improve your band and a whole host of useful (or so it tells me) internet links to take you even further. But stick it in an ordinary CD player rather than your PC/MAC and you will just get the songs, and all the flashy presentation in the world won't help if the music isn't up to snuff. So is it? To be honest, I wasn't holding out much hope based on what it looks like (uninspiring would be the understatement of the year), but I was more encouraged when I saw Andy Flannagan's name here. The songs include contributions from Andy and a couple of other writers, and in Flannagan's "Help Me Hold On" and Jamie Hill's "We Are Your People" (both owing more than a little of their sound to Delirious?) the CD starts and ends on easily the two most inspiring tracks. The rest are OK without being anything special. Judged solely as an album of music it could do with a sharp kick to the rear about halfway through, but as a complete package with all the additional materials it is well worth checking out if you are looking for some new ideas for leading young people into worship. 8/10 David Cooper (August 2003)
As the title gives away, this collection of songs has been inspired by the Psalms. Worship leader Donn Thomas seems to have the gift that Donnie McClurkin is still searching for. The songs are really appealing and his vocals can be sweet, or low for those bass numbers. Singalong with 'Praise Him' and groove with the reggae style 'Lament For the Nation'. There's some powerful worship contained on this album and you'll be really moved by songs like 'The Spirit' and, the pick of the bunch, 'He Is Our Father'. Donn has writing credits on most tracks and is accompanied on bass guitar by Abraham Laboriel. This is one of the better worship albums I've heard and well worth your time. 8/10. (June 1997)
At his best, Donnie McClurkin does a good impression of Ron Kenoly or Alvin Slaughter but, at his worst he's so miserable. 'Stand' is a good song which has, I have to admit, grown on me with each play. He then follows this with a lot of whooping and hollering presenting 'Just A Little Talk With Jesus'. There's a great version of the old hymn 'Holy, Holy, Holy', and the self penned 'Here With You' shines out too. Despite the negative drift of this review, I do feel that there's a lot more good things to come from Donnie, he just needs time. 4/10. (June 1997)
I really have a lot of respect for this guy. Not only is he a wicked guitar player (Noel Richard's band) but he brings out great sounding albums, primarily, aimed at younger people. He's got it all right, using words that youngsters will understand, to the type of music that they hear on the radio everyday. "Have We Made...?" sounds like a familiar soft drink advert, and "Oi Oi, We Are Gonna Praise..." will have older kids tapping their feet too. "Do Not Worry" sounds as if it's been culled straight from Sesame Street and is, by far, the winner of the this month's 'Cringe Award'. The title track blasts with African drums and a powerful female vocal, pushing forward the simple praise of the song. I guess that I must have got this album a little late/early, as it contains a rap version of "Hark the Herald Angels Sing". Neat idea, Doug. Finishing off with a couple of ordinary songs, the album - perhaps - lacks a little something. There again, maybe I'm getting too old. 7/10. (May 1998)
The latest Kingsway re-release packages, sees the number one children's songwriters, Doug Horley, with a singly priced double CD. Doug always manages to make excellent young people's praise and worship material without them sounding either tacky or condescending. Songs here include "Who's in the House", "Come to the Father" "I've Got a Wobbly Tooth" (honest) and "We Are Warriors". A total of 29 tracks that feature the dance feel of "Have We Made Our God Too small?" and a cracking version of "We Want to See Jesus Lifted High". No surprises here, but this is an excellent package if you don't already possess either of these albums. 8/10. (January 2003)
Canadian band, Downhere, have already toured many states in the
US, as well as in their home country. this debut release for Word
Records mixes energetic pop/rock with some quieter acoustic led
ballads, such as tastefully delivered "Great You Are",
based on Psalm 8. The members of the band are Jason Germain, Marc
Martel, Jeremy Thiessen and Glenn Lavender. I'm not sure which
of the first two guys take the vocals on each song but one of
them sure has them has the distinct depth and quality of DC Talk's
Kevin Max. Indeed, "Free Me Up" and "Reconcile"
could well have been likened to DC Talk circa "Jesus Freak"
period. Of the radio friendly songs, I found "Raincoat"
to be the best, singing praise of Jesus as 'my friend'. The second
half of the album, I feel, is not as strong as the second and,
therefore, the quality dips somewhat. However, there's enough
on show in the first think that we're going to here more of Downhere
in the future. 6/10. (February 2002)
Forward to the next archive
Back to the archives index
Back to the current edition of NFN
Back to the ESL home page