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When you've read such a lot of great things about a band such as Caedmon's Call, you really do tear open that CD packaging a little more quickly than usual. Put the Cd in the player, and wait for that first song, "The Only One". It finishes, and you think "Yeah, that wasn't bad for an opener". The next two tracks play and you find yourself pretty disappointed by the ordinary, middle of the road, American pop that's coming from your speakers. Ah, but then comes hope. The latest single from the album is called "Prove Me Wrong", and it's that song that I have to play again and again. Unfortunately, Caedmon's Call fail to prove me wrong overall. The music, they say, is "edgier" than before. Well, if this is edgier, the previous stuff must have been pretty bland. "Love Alone" is a nice ballad and the throwaway "Ballad of San Francisco reminded me of the BareNakedLadies. Big in their home country, and a wow on the college circuit, but CC leave this reviewer wondering why? 4/10. (May 2001)
A sincere fellowship, community and worshipping within their local church body are the foundation and vision behind this album. Despite selling more than 750,000 units of their three best selling albums, Caedmon's Call hold on to the simple roots that first formed the band nine years ago. What this release brings is a collection of 12 new songs to worship the Lord. No, over the top productions here, just simple celtic tinged songs with power and truth within. Take, for instance, "Warrior". It's an excellent song and one that proclaims the God as a warrior for His people. "Before There Was Time" is a good song, and "We Delight" reminded me of Sixpence None the Richer in sound. "God of Wonders" is a live acoustic worship number while "Laden With Guilt" has a touch of Iona about it. After so many worship albums sounding alike, it's very refreshing to hear some songs as good as these. 9/10. (April 2002)
Still carrying the gospel torch amongst colleges in their native USA, Caedmon's Call return with a new album that's bound to add to their previous one million record sales. Six No.1 radio singles and ten Dove Award nominations are proof that this guitar driven band are one of the most popular today. "You Created" has that sharp guitar feel behind it, as the band proclaim that nothing created is better than God, himself. How true. "Walk With Me could almost be a Sixpence song as the jangly guitars caress the exquisite vocals. "Kingdom" brings in some layered strings that hint of eastern music, while "Beautiful Mystery" concentrates on an acoustic led style, singing about the wonder of the Lord. The album tails off somewhat towards the end, with two or three numbers that sounded very similar. Perhaps it's just because I'm remembering so many of Caedmon's previous songs? 8/10. (April 2003)
A four track EP from 4 guys and a girl, from London. Classed as either acid or corrosive jazz, what the band actually play is something remeniscent of Shakatak meets Jamariqui. Good rhythms, slapping bass, well crafted guitar, and laid back keyboards all provide the platform for the vibrant vocals. 'Come Into My House' had me singing Dr Alban's hit single 'It's My Life', but soon got me grooving around the house. 'Elegance' didn't quite live up to the first track but 'Resurrected Man' puts Capitaan back on the right road with it's easy going style. The best is kept until last. 'New Generation' talks about "spreading His news across every nation", and is the most commercial of the tracks featured. It's not the sort of music that I'd usually listen too but, nonetheless, it's the best offering this month. 7/10 (May 1996, Album of the Month)
I know I said that I'd never review another children's album but, I just couldn't resist the challenge of this one. A double CD too! - it was either going to be very pleasurable, or extremely painful. So, I'm pleased to report that the result was the former. Yes, a few had me cringing a little but, on the whole, there were loads of songs that I enjoyed listening too, and could visualise the impact they would have on young children. Take "I'm Enthusiastic. It's noisey, it's energetic, it's quite wonderful actually. Then, there's "Now I Belong To Jesus", you can just see loads of kids marching along as they sing this one. "Salt for Jesus" takes one or two simple truths from the Bible and makes them come alive with meaning for young people to understand more easily. "The Chistian Conga", "The Holy Hokey" and "I Am So Glad" are just three of the many more songs that will be of great benefit to any children's leaders. 8/10. (December 2001)
The Captain is non-other than Alan Price who has been a Church Army Evangelist for many years. This is his 7th children's album and full of great songs that will help youngsters (and oldies who are still young at heart) express their worship and faith. "Isn't It Brilliant" is the title of, and also sums up, the first track. "All Fired Up" has a sea-shanty feel, and "Jesus Is Here" slows things down to a simple act of prayer. Alan says that he has a new puppet friend called Tommy Tortoise who sings on "Keep On Praising the Lord". Sorry Alan, this one DID make me cringe. However, we're back to top notch songs soon after with "La La La LA La" and "Walk in the Light", which aims at spotting the difference between loving the "dark" things, and loving Jesus. It's a great CD package because a second disc contains all the backing tracks and music scores for you to use with your own children or church groups. If that's not all, there's even one of those crazy kids songs that just gets faster and faster - bound to please them! 8/10. (November 2002)
An album for the kidz, so I asked my 12 year old son, Richard to do the honours. "I've heard some of songs before. There's slow songs, rap, and just plain chart type songs. 'U Before Me' is a song that I'd heard before, and I still like it now. It's got good music and a good tune. I didn't like the babyish 'Sunday School Medley', or 'Hall of Faith'. There's a song on the CD that helps you memorize all 66 books of the Bible. It's a good song but I still can't remember all the books. It's a better Christian CD than some of the others I've listened to, and I will be playing it again. 8/10. RJH. (August 1997)
The mission of this new release is a combination of two things. First of all, to fulfil the Great Commission of taking the Gospel message to the streets and, secondly, to take the message of salvation to those who don't know it. Well, that's what the man says and, after so many hit albums, who can argue with this out of the ordinary preacher. Whether it be to audiences of thousands or with a Sunday school of a few dozen, Carman is the man for all seasons, with the know how, and the gift to make all his words count. This one starts with a tongue in cheek Mission Impossible/Bond theme that leads well into the "People of God" rap. Just how many styles he covers should be counted, fusion, accappella, ballads, rock, and even a calypso/reel version of "The Lord's Prayer". In true Carman fashion, there's the obligatory story, where he narrates the meeting of a sinner in court. God is the judge and the devil is prosecuting, all looks lost until the Lamb of God saves the day. Nobody in the UK could do it this way, there's only one Carman, and thank the lord for him. 9/10. (May 1998)
Now, this is an album that I have been waiting for, as I fell in love with this young lady's debut a couple of years ago. From her humble, folk orientated, pop, Carolyn now has a full band behind her and sounds a lot like Sheryl Crow. Indeed, the opening "Do What You Do" sounds more like Miss Crow than she does herself! The song itself is pretty awful and I prayed that the rest of the album wouldn't sound the same. Thankfully, it doesn't but there is a definite progression in the musical style. "New Year's Day" is the top song on show and tells how our yearly resolutions last a few days, despite all the good intentions. Therefore, Carolyn decides that it should be New Year's Day every day and so start afresh each day. "Do We Dare" sees her fall back on her previous style but there's also a bit of fusion thrown in for good measur . For computer freaks, there's a net -media program, where you can watch a music video, see her interviewed - visiting sites were she grew up, and get a taster of her first album. All in all, not quite what I had hoped for, but it might grow on me. 6/10. (July 1997)
For her debut album, Carolyn Arends presented a collection of folk based pop songs that appealed straight to the heart. Her follow up saw a more aggressive approach in the style of Alanis Morrissette, and a lot of her fans (including myself) were disappointed. So, this new release features 12 songs in a mixture of both the aforementioned styles. Songs like "In Between" and the opening "Happy" are just plain poor. Neither the material or Miss Arends' voice really stand up to the test, and the result is not good. On the other hand "Love You Out Loud" is back to her folk roots, as she sings about the loss of a loved one. The vocals are spot on and the music is top class. "In Good Hand" she carries on the trend and it really makes me wonder just what made her produce such a patchy record. There are more highlights than just the these two songs but, really, someone should have a word in her shell like. 5/10. (June 1999)
Carpe Diem are a 6 piece outfit from Bradford who release their second offering on June 19th. 6 is also the number of tracks contained on this EP, which kicks off with the Jars of Clay orientated "Braindead". Lot's of good indie/rock guitars and a meaty hook to get your teeth into. "Lookin 'Round is a lot lighter in depth and feel, while "Wishing Well" proves to be vocalist, Kevin Pease's highpoint. Indeed, without being overtly strong, the singer does have an endearing voice. Perhaps, the only blot on his copybook is "Let It Flow" but, then again, the whole band seem to struggle with this one. Jock James writes practically all the songs but is helped out by Charlotte Amadeo on "Always", where she also shares vocals. This song is more of a worship number with the simple message to God of "Never Let Me Go". By the time we reach "Start Over" we have, indeed, come full circle into the style of track 1. Swirly keyboards and distorted guitars carry the song through to a sound finale. It sounds as if Carpe Diem are still finding what's their best sound and this EP should help them smooth the rough edges. Overall, they reminded me a lot of Devon's NSC, and should prove popular, especially on the live front. 7/10. (June 2000)
The long awaited debut gospel album from David and Carrie is finally here and I expected great things. 'It's So Good' opens things up nicely with it's pop/soul feel but that smooth vocal sound that Mr Grant is renowned for is sadly missing. Indeed, it's the lack of that inimitable style that hits you throughout the album. Perhaps he's changed but, on the whole, David provides a poor Ron Kenoly sound to Carrie's sweeter voice. She, actually, tends to be behind most of the good things that come to light, including the title track. Otherwise, we're treat to some old f fashioned black gospel that really slips on by. 'Lord I Worship You' is a ballad that provides brief respite in proceedings but this is quite a disappointing release. 4/10. (January 1998)
Here are two guys from South Africa who do a fair impersonation of Simon & Garfunkle, with a millenium feel. What do I mean? Well, the songs have got those lovely harmonies and clean acoustic guitars, but there's an additional edge to the finished product that only the technological age can give. The title track is nice little ditty that cruises around your head for days. "Can You See Jesus In Me" asks if we actually show, in our lives, what we believe. The sweet mellow folk song "Don't Throw It All Away" is a plea for the believer not to give up everything he/she's had, while "Carpenter's Son" tells the story of Jeus' early years. In a world where music plays such a big part in one's life, there's room in your heart for something light. Case & Shears are certainly no Delirious? but the message they deliver is just as important.
8/10. (June 2000)
The third release in this popular series has been,once again, recorded by the Scottish Festival Singers at St Cuthbert's Church in Ediburgh. Now, when it comes to describing the different vocal parts of a choir, I'm afraid I'm rather lost. Of course, I know what the bass or tenor sounds like but, after that……? However, my limited knowledge doesn't stop me enjoying and appreciating what a fine choir this is, whether we're talking solo parts or full choir participation. The listing includes "Crown Him With Many Crowns", "Love Devine All Loves Excelling", "Jerusalem" and "Stand Up, Stand Up For Jesus". Strangely enough, "Onward Christian Soldiers" still manages to bring back childhood memories of the time when school assemblies consisted of at least three hymns every morning, and I listened in awe at the wondrous stories being told. 14 songs in total and quite enjoyable in all. 8/10. (June 2003)
When I interviewed this young lady in 1995, I thought that I had stumbled upon a special ministry in the making. When I saw her in concert last year, my thoughts were confirmed. Now, with this release, Catherine Francis shows that she has been truely blessed with the gift of 'Hope for the Hurting'. Writing from her own experiences, as well as others, she draws the listener into feeling that the music has been written especially for them. Take the first line of 'This Woman Knows'..."She only cries when she's alone." Catherine brings out the hidden hurts of countless years and lays them gently in God's hands. Tracks 8 & 9 run into each other with 'Kiss the Shore' depicting sorrow and 'The Darkest Years' realising that God was in that sorrow but unseen. Piano based songs, with carefully produced programmed backing brings out Catherine's vocals to pure brilliance. Yes, at times she is like an early Kate Bush, but there's more to her than just a copy. I've never heard another CCM artist like her. Somebody should sign her up, quickly. 10/10. (February 1997, Album of the Month)
There's been a lot of media hype in the run up to this release, so I was keen to hear just what all the fuss was about. The press release says that the lyrics are like "glancing over a magazine's problem page - but far more enjoyable", and that is certainly the case. The commercial sounding "Take Me Out" is a plea to God to take one out of the material world and the things that can leave you spiritually blind. It's pop, in a Natalie Imbruglia sort of way and very catchy, too. There's also a taste of Sixpence's Leigh Nash at times in songs like the melancholy "The Fuss" as well as the title track - which would make an excellent single. Cathy Burton writes about problems but please don't expect the answers from her. As she says "I'll write the song and God will do the rest". Interesting album and a change form the norm. 7/10. (July 2002)
There's been a lot of media hype in the run up to this release, so I was keen to hear just what all the fuss was about. The press release says that the lyrics are like "glancing over a magazine's problem page - but far more enjoyable", and that is certainly the case. The commercial sounding "Take Me Out" is a plea to God to take one out of the material world and the things that can leave you spiritually blind. It's pop, in a Natalie Imbruglia sort of way and very catchy, too. There's also a taste of Sixpence's Leigh Nash at times in songs like the melancholy "The Fuss" as well as the title track - which would make an excellent single. Cathy Burton writes about problems but please don't expect the answers from her. As she says "I'll write the song and God will do the rest". Interesting album and a change form the norm. 7/10. (August 2002)
Two years after her debut "Burn Out" album, this new release sees Cathy Burton progressing into the realms of rock. What? Yes, that's right rock. "La La Love" begins with a little more aggression than her previous album, and the song soon gets it's hooks into you. "Love Without A Trace" made me feel happy, but the following title track had my spirits sinking. Then, Cathy shakes you by the throat with the song "Home", an attacking sound that is a cross between Kate Bush and Evanescence! The overall theme of the track listing seems to be about life and it's up's, as well as it's downs. The lighter "Down the Road" and "Falling" are lovely songs, while "Right Now" also has the best "outro" of the year so far. It's deifintely a more polished affair than her debut, and this album sees Cathy rise many notches in the UK CCM chart, and more than a match for her transatlantic contemporaries. 9/10. (August 2004, Album of the Month)
I didn't really like this CD at all to be honest, it's just incredibly boring from start to finish. It's full of sugary worship songs with choirs and strings, and the obligatory key changes of course, all done in a typical American soul/Gospel music way. The production is very polished and professional but, unfortunately, there is just no variation in tempo or style, despite the songs being divided up into two sets. Songs of Worship and Reflection, and Songs of Praise and Adoration, make up those sets. Indeed I have to say that I found the rendition of "How great thou art", complete with birds singing in the background to be a real fingers down throat moment. There's a bonus DVD with three more songs, some tour footage, and a part about the making of the throne room CD. I had a quick look, but being an American disk it didn't work properly on the DVD player or the PC so I guess that it's not aimed at the UK market really, and to be honest I can't see it appealing to many people here. 4/10 Andy Sayner (December 2003)
Ceili, a Gaelic word meaning "a party with live music and dancing, "kind of like an Irish square dance. There's also a Latin word, "Coeli," that means Heaven. Rain symbolizes that all of this good stuff comes down to us from the Heavens above. With acknowledgement to the band's website, that is what their name means. The album itself is a breath of fresh air to a pair of ears, bombarded with numerous Christmas carols. The sound features loud driven guitar licks mixed with traditional Celtic instruments. Bob Halligigan writes the songs, as well as singing and playing guitar, and his lyrics are little different to the norm. "Everybody Clap For Everybody" gives joyous praise to God and tells everyone to join in and share that love. Similarly, "Ping Pong" declares that there's so much love around, we should make the most of it and pass it around. It's the first time I've come across Ceili Rain, but I hope it's not the last. 9/10. (December 2002, Album of the Month)
Focusfest is a major annual event attended by over 3,500 women, and held at the Odyssey Arena in Belfast. This musical celebration of their 10th anniversary is, unfortunately, another live worship album that promises something different but only delivers in fits and starts. A strong Celtic/Irish influence is apparent throughout the opening song (possibly the best version of "Come, now is the time" that I have heard) and I had high hopes for the rest of the collection, but that initial excitement quickly disappeared once that song was over. The rest of the first half of the album kind of plods along the same, well-worn path trodden by too many previous contemporary worship albums. However, just when it seems that the first track might be the only high spot, things begin to pick up again. A stirring violin and whistle introduction to "Praise Him you heavens" lifts the album out of the doldrums and, a couple of tracks later, a powerful mandolin and violin led version of "In Christ alone" takes it to new heights. I have never really taken to either of those songs, but the versions on this album have definitely helped me see them in a new light. Sadly the last couple of tracks just don't do the same. As with so many live worship albums the highlights are definitely worthwhile, but the rest is just filler. 6/10 David Cooper (February 2003)
15 songs and hymns on show here, all given the Celtic treatment by instrumentalists such as Troy Donockley, Martin Neil and Rachel Bartells. Mind you, as soon as the first notes of "Be Thou My Vision sounded, I thought I'd got hold of an Iona recording by mistake! Soothing pipes and whistles, and I was transported to some peaceful place, far away. Wendy Ritchie provides some nice vocals on songs like "O Deep, Deep Love of Jesus" and "Not By Might", while Joanne Hogg is responsible for the pretty melody on "We Have Sung Our Songs of Victory". Instrumentally, "Here is Love" and "I Will Offer Up My Life" are performed well on, what is, a very pleasant listen. 8/10. (January 2003)
I've got to admit that the first time I listened to this album, I fell asleep half way through. I think that was because I'd just finished a large meal, following quite a hectic day at work. The peaceful sounds of this Celtic collection was just what I needed to soothe away the stress and accompanying headache. My second listen confirmed that this was, indeed, an album for meditation, rather than sleep. With contemporary worship songs penned by writers such as Graham Kendrick, Stuart Townend and Rich Mullins. Matt Redman's "I Will Offer Up My Life" remains a personal favourite and this instrumental version compliments the songs sentiments, completely. "Peace To you", "See Your Saviour Comes", and "Surely Our God" are just 3 more of the tracks included on an album that just gets a little monotonous after 7 or 8 similar sounding numbers. Nevertheless, I think this is a valuable tool in personal worship. 7/10. (October 2000)
Well, right out of the school of rock comes this new lady of attitude called Charity Von. With gritty vocals and some crashing guitar sounds, she's on a mission to rock for God. To be honest, I've heard nothing like this for a few years. Indeed, not since the Alanis Morrisette syndrome kicked in a few years back, have I heard a female rocker with such a gutsy performance. Saying that, the material isn't all that hot, but she doestry and make the best of what she has to work with. Not sure about the writing credits as I've only got a promotional copy of the album, but she desperately needs some stronger stuff. "Weight of the Word" opens things up and it's probably one of the stronger numbers on offer. "I'll BE" is quite good but from then, there's a bit of a nose dive in song quality. Terrific voice, shame about the songs. 3/10. (January 2005)
Former NewSong man, Charles Billingsley strikes out with this wonderful solo album that is bound to be a hit on both sides of the Atlantic. His powerful vocals have been likened to those of Michael Bolton, and in the opening "Perfect Peace" you see just why. It's not all just big production ballads though, as Charles seems just as comfortable with the pop sounds of "Journey On" and "All I Need To Know". Indeed, both of these songs had a smattering of Michael W. Smith's trademark within - very catchy. With writing credits on 5 of the 10 tracks, Charles shows that he's not just a good singer. The track of the album just has to be "Within the Veil". It begins with the laid back, velvet tones of Charles' vocals, before exploding into an audio delight of strings, orchestrations, searing guitar, and astounding delivery. Perfect album? Not quite. "Golden Streets" is a slower, more delicate track that just doesn't make the grade but then, nobody's perfect An excellent album. 9/10. (July 1999, Album of the Month)
It was a complete surprise to me when I saw Charlie in concert for the first time last year, to learn of his faith. His blend of easy listening and country music, mixed with his Mersey wit and repartee made such an impact on me. A change of record label hasn't done anything to his winning formula and this new release is filled with typical Landsborough tracks. I could wax lyrical about each song, such is the quality, but "Special" is rather, special. As God knows each hair on our head, each one of us are unique and - no matter who you are - you are special to the Lord. "Leave Me" and "Who Can Blame Him" take Charlie back to his country roots, as does the bouncy "Passin' Through". There's the gentle waltz of "I Wish it Was Me", and the blues shuffle of "Sunshine", then there's the slightly rockier "Long And Heavy Chain". This is another foot tapper that tells of one's craving for material things, drinking, and sex, and how each sin adds another heavy link to the chain we carry round. The joy, pleasure, and love I saw on the audiences faces last year said everything. Charlie Landsborough is a man blessed with a wonderful gift and long may he continue to bring it to those in need. 10/10. (August 2002, Album of the Month)
Just a year after his previous release, the UK's favourite country artist appears with a new album of 18 easy listening songs. Most are slef penned by the man himself, but of those not, "When You Were Sweet 16" and "Raining in my Heart" stand proud. The album begins with a gentle little number called "Sentimentally Yours", with Charlie's gentle vocals carefully caressing each word. "What Makes Me Happy" is a nice little song that ticks along while the following "After All These Years" is a lovely crafted love song. I'm not sure if Charlie's rushed this release a bit, as the high quality he's set himself over previous releases seems to stall a little mid-way through. But, he picks himself up once again with the charming "Like you Once loved Me", and he's on his way once more. Not his best, but a good album nevertheless. 8/10. (October 2003)
Inspired by the song "Is the Brightness Still in Me", this release will, no doubt, appease those Peacock fans who have been waiting far too long to see him get out from behind that producer's chair. The title track is typically bright and styled along MOR American guitar pop. However, the song that made this listener sit up and take note was the simplicity of "Cheer Up Church". With it's piano accompaniment and so full of meaningful lyrics, this is a beautiful song that tells how God can use anyone for His glory. "Don't Be Afraid" says just that. Be yourself, don't let others put you down, great song. At times, Peacock seems to take a trip back into the 70's with a sound that reminded me of The Eagles but, somehow, it's so fresh. "What We Do" is a bit of a plodder but so catchy that I've been singing it constantly. "Kingdom Come" is a good album, without being outstanding. 7/10. (September 1999)
The title track's chorus says "My faith will grow, sometimes fast and sometimes slow". Well, Cheri Keaggy must have been enjoying one of those 'fast' times when she wrote this inspiring collection of songs. Two excellent opening tracks have great, catchy hooks with a nice and easy style. And things get better! 'Lay It Down' has brought a lump to my throat every time I've played it, the words, the melody, it is superb. Let's face it, this is MOR pop at it's very best, with so many accessible songs that are too many to list. No matter who you are and how you're feeling, I guarantee that there's at least one title written especially for you. Feeling down?, there's 'He Will Look After You'. New parent? Try 'Sarah's Song'. How can she better this?
10/10 Yes, Ten! I've got to lie down. (April 1996, Album of the Month)
Two years ago, I gave this young lady my first ever 10/10 album rating, so she had a lot to live up to with this follow up release! Penning all 11 numbers herself, Cheri kicks off with a very Beatlesque "What A Privilege", straight from those Magical Mystery Tour days. Carefully, crafted easy listening songs follow, one after another, all with a certain quality. "His Banner..." is a great poppy standard with some real nice guitars carrying the song along. Possibly the best track is the piano based "Not With Jesus", a ballad of some depth both lyrically and musically. Produced by Phil Nash and with more than a helping hand from Dan Huff, Cheri may not have repeated her 10 score, but fans will be more than pleased with this new collection. "Take Me...", "Part of Your Story", and the closing "Glory Be" are super songs from a super lady. 9/10. (March 1998)
Cheri Keaggy is one of my favourite female artists on the CCM scene and I regualarly receive requests to play her music on local radio. She's easily pigeon-holed into the soft pop music genre but that's not to say that the songs are simple throwaways. This album sees her collect some of hervery best praise and worship songs and re-record them to give a whole new feel. If I just gave a full track listing then that would probably suffice as a review. Classics such as "We Have Come to worship Him" , "Reign On Me" and the title track all flow easily to the ear. New numbers like "Pour Out Your Love" don't let the quality slip and the gentle tone of "In Remembrance of Me" is just excuisite. Not quite a classic release but you always get good quality from Miss Keaggy. 8/10. (October 1999)
It's over 5 years since NFN gave it's first 10/10 rating to an album, and that was Miss Keaggy's "Lay It Down". A couple of mediocre albums on, "Let's Fly" sees her using that lovely voice in a range of pop melodies and sweet ballads. Exploring the the paradox of faith and grace, of the gently wooing yet boldly compelling Spirit of God, of the absurd, comprehensible reality of Christ living within us. Let me say that straight away "I Like" is the best song on the album.simple lyrics, simple tune, and a "da da da" bridge that makes you feel on top of the world. "Definitely" would push it a close second though, and I thought that it reminded me of a Sheryl Crow song. Of the others "Say You love Me" is a delicate tune while "Save A Place" plods along but has one of those catchy choruses that I like to sing. A little short on total content but, nevertheless, a good album. 8/10. Judith Wilson. (August 2001)
So, why do the adults have all the good music? Well, because they just wouldn't put up with this kind of third rate rubbish. I've got two children under 6 years old and even they turned their noses up at this collection of songs. The General Directors of Children Worldwide "believe that all work done with children should be Biblical, bang-up-to-date and of the highest quality…" One out of three ain't bad, I suppose. I can't knock the lyrical content although "It's Good to Make Melody" made me want to. "If we stamp our feet or raise our arms, or sit down quietly to read the psalms". It's sung to a rock beat, complete with annoying electric guitar and is so condescending that it's beyond belief. I thought that the first song "Those Who Put Their Hope in the Lord" wasn't too bad but, from thereon, it was downhill all the way. I'm all for children's songs, but give me Doug Horley or Captain Alan anyday. 2/10. Richard Devine. (September 2002)
Chris Bowater has established himself as one of the most well known Worship leaders and songwriters in the UK today. His work at Spring Harvest and other international bible weeks go before him. This new album seeks to uplift Jesus as the Sovereign Lord of our lives. It's easy to fall into the trap of releasing 'another' worship album for the sake of it, but this release does not come over as 'old hat'. It's got an old fashioned worship feel to it but the bouquet is one of sweet freshness. I found it impossible not to get wrapped up in the worship even if, on reflection, not many of the songs are outstanding. "Jesus At Your Name" and "For Unto Us..." are just two of those type of songs that you find yourself singing along to. "You Are Worthy" contains voices together in worship and the piano based "If You Love Me" is another simple melody. Unlike some of the recent p&w albums I've reviewed, this one has life and the Spirit of Jesus is lifted high. 8/10. (December 1997)
Here's a man who's music I have only really begun to appreciate in the last twelve months. Chris has been writing praise & worship songs for years and there's a good chance that you'll be singing one in your local church this Sunday. Unlike his previous album, this latest release is very light in style and most suitable for meditational and personal devotion. It took a couple of plays for me to get into it, but I'm glad I stuck with it. "Pleasant", would be my overall opinion of the songs, as long as we don't incl;ude the awful "Creation Is Awaiting". "Living On the Edge of Destiny" is a superb title and a rousing song that lifts your spirit, no matter how deep it may be slumbering. There's a wonderful version of Matt Redman's "When the Music Fades", really peaceful and worshipful, and "As Through A Darkened Glass" runs it a close second for being my favvourite track. I didn't like the gospel tinged "They That Wait..." but then, I'm not a gospel music lover. Good one, Chris. 8/10. (November 1998)
Recorded live almost 2 years ago in Atlanta, USA, this album offers something a little different to those praise and worship releases that we've come to take for granted by the likes of Hillsongs etc. Here, the emphasis is more on old fashioned rock music, in both ballad and heavier styles. Falson, himself, plays guitar as well as leading the worship, and a fine job he does too. The opening title track sounds like the old Tina Turner number "Nutbush City Limits" and is guaranteed to get you up on your feet. Jacky's voice, however, sounds so like Cher that the result is unbelievable. It's especially true when dueting on the song "What An Awesome God" and "I Will Wake in the Morning". Ever listened to a 15 minute song? No? Well, your ears will be severely tested to stay with "All Honour", a song that will grate on you like finger nails on a teacher's blackboard. "I See the Lord" is a terrific track though. Great worship with a gentle song, building up into a crescendo of exuberant praise. Not a bad album and certainly something to consider. 7/10. (April 2000)
A Californian singer/songwriter who has released 4 albums in his homeland, and now gets to share his music with us Brits. There's lots of Hammond and Wurlitzer organs featured here, which gives a feel of mid-sixties R&B. The cover picture is shadowy and moody, and this could well describe the music too. If the songs depict Chris' mood swings then I would be really worried for his well being. "Human Kind" - the song - opens things up with deep Curtis Stigers style vocals that sound really depressing. But, after a few listens, his approach does begin to grow on you. The first excitement comes on "You Put the Fire in Me" and is followed - in style - by "I'm Gonna Stand By You." Cross Rhythms raved about this release, but I'm not so sure. I think I'll give Mr Lizotte the benefit of the doubt here. 5/10. (October 1996)
Chris is the debut artist on Michael W Smith's new label. The title track is a cross between Ralph McTell's "Streets of London" and Simon & Garfunkle's "The Boxer", but still stands up high on it's own merits. The sparse accompaniment, throughout, comes as a welcome change and is well produced. The piano based "Welcome to our World" is a song, sung to our Saviour , and "Good News" provides the only dance track is a funky sort of way. Chris has over 10 years of youth & camp ministry experience in the US and hopes that this album will "stir many hearts". It's a nice album that grows on you after several plays. Unfortunately, it only runs around 40 minutes despite the final number "I Need Hero" lasting 5. Here, Chris croons in lounge singer style, and you could easily fall asleep whilst listening. Nevertheless, Mr Rice has got a certain something. 7/10. (October 1997)
This is one of those "easy listening" type of CD's that you put on in the background and forget about while you're doing something else. It's mainly accoustic guitar led, A couple of the tracks are fairly rocky, but mostly the music is a kind of forgettable middle of the road type thing. One or two songs reminded me of how Randy Stonehill sounded very early in his career, but on a much lighter note. There is a touch of humour some tracks too, but it's the kind of humour that Americans would appreciate rather than us Brits. Apparently Chris has won a Dove award, (although it seems that every artist in America has one of those nowadays) for best male vocalist back in 1999. The publicity material that came with the CD also includes the other apparent prerequisite for success these days, a positive endorsement from Rich Mullins, or am I just being cynical? There's nothing particularly bad about this CD, but there's nothing particularly outstanding about it either, it's not unpleasant music, it won't offend your granny or anything. All the lyrics are on a fairly simple level so there's not much to think about, it's all well played and recorded, it just doesn't seem to go anywhere somehow. Like I said before, if you want some background music it's fine, if you want something to make you think, then this is not for you. 5/10 Andy Sayner. (July 2003)
I've got to admit to being rather disappointed at Chris' recent recordings. I quite liked his debut and, from it, the classic "Deep Enough to Dream" opens things here. It's still a wonderful song and one that lifts me every time I hear it. Similarly, I thought the new song "Go Light YourWorld" showed the same quality. "Smellin' Coffee" is the awful side of Chris that I don't like. Here, he journey's into jazz and the result just doesn't have the same feel. "The Other Side of Radio" sees him rock things up a little and I think that this song would go down well as a radio single. Of the other "greatest hits", then the "Untitled Hymn" must be the shining star. Simply a superb song. 17 songs, and an interesting insight to the works of Chris Rice. 7/10. (September 2004)
This is a fairly lively accoustic rock worship CD, and there is
some good stuff here. The first track "Indescribable is to
be released as a single, although presumably not in this country.
The lyrics are all pretty straight forward, not too much thinking
needed to listen to this album, it's just no nonsense worship
songs all the way through, "Your grace is enough" was
the standout track for me, but to be honest there was nothing
on the CD that I took a dislike to. The vocals reminded me a bit
of Bryan Adams in places, which should give some idea of what
the sound is like here. If I had to moan
at all my only criticism would be that I found that a lot of the
tracks are a bit too alike, and towards the end I found myself
wondering when it was going to end. That really is a minor criticism
though, it's a good CD and I would recommend it.
9/10 Andy Sayner. (December 2004)
"Nobody can take this broken man, lift him up and make him new again.......Nobody but Jesus". So says Chris Willis in his powerful opening track. You like gospel /soul music? This man is for you. In the style of Ron Kenoly - but with a sweeter voice -, this guy sounds as if he's come straight down from heaven. He takes writing credits on 7 of the 11 songs here, one exception being the classy 'Out of My Hands' which was co-written by NFN fave' Scott Krippayne. 'Mighty Love' is more uptempo, compared with most of the songs, but it really is chart material. Musically, this is a very good album and, lyrically, one of the strongest I've heard for some time. 9/10. (November 1996, Album of the Month)
I've had a soft spot for Christine Dente and her husband, Scott, since their early Out of the Grey recordings. Lately, however, I've found their recordings to be rather disappointing, with little sign of those early sparks they used to project through their music. Sadly, this debut solo release from Christine also follows the latter trait. She's got such a sweet voice, yet the songs do nothing for her. "Bigger Story" is a realisation that there is more to life than what she's been accustomed to and is, possibly, the most enjoyable track featured. The acoustic based "Take it From Here" is like so many songs on the album that just don't seem to go anywhere. The album is about her journey as a little girl becoming a woman of God. She traces the Lord's hand in her life from childhood upheavals to grown up struggles. Perhaps, being a man, I just didn't warm to Christine's lyrics but, in all honesty, they left me cold. 2/10. (April 2004)
Robotic voices, Nirvana type guitars, and Duran Duran melodies are just some of the traits that you will find on this debut release from an exciting new artist. I say exciting because you don't really know just what she'll try next. Not once during the album can you predict the type of song she's going to sing. She's very experimental in a Kate Bush early 80's type of way, and has the touch of Aimme Mann in her delivery. "I Believe" and "Waves" are excellent numbers but Miss Glass really comes into her own on the epic "You Want" - a personal conversation with God. There's even an acoustic number with sparse backing for the delightful "Come Back Down", which is really kinda sweet. All in all it's a bit bizarre and the final "When Worlds Collide" is simply superb, even if it does sound like a certain U2 hit. I, for one, predict great things for Miss Glass. 8/10. (September 1997)
Produced by Brent Bourgeois usually means a top class album but, I suppose, even he can have an off day. This Dove Award singer/songwriter fights through 12 rounds (songs) and loses convincingly. The supposed "acoustically-based composition and performance" fails to appear from the dressing room as Miss Morgan bombards you with sledgehammer blows such as the title track and 'Gravity' - both of which fail to convey any sort of message. Just for a moment I thought that she was going to pull something special out of the bag with the ballad 'The Promise' but, all too often, she returns to her slugging blows. Little style and little promise. I found this album very hard to listen to. 1/10. (March 1997)
This established CCM artist has won 5 Dove Awards and had 13 number 1 radio singles yet, all too often, I find her albums full of hit and miss tracks. By that, I mean that there are some real classics, and then there's some quite awful songs. I'm sorry to say that this new release is no different. "Good Thing" sounds like an Abba reunion. It's got that classic Abba feel and sound, with Cindy's vocals making the most of a well produced song. "Love Can" is a typical Morgan ballad about a sinner who has ignored the Lord's calling in the past, but now wants to take His hand. It's a great song, and Cindy Morgan's delivery is outstanding. Then, she turns all jazzy on us and changes the whole style of the album. "New World" is just not my sort of thing and, half a dozen songs later, I'm left wondering just what happened after all the early promise. By the time she gets to the soft shoe "I Love You", I'm ready to switch off. 4/10. (October 2001)
Cutting edge rock with more than a nod in the direction of Radiohead and U2. That's one description of this worship band that's come out of Liberty University in Virgina. The name? Well, I don't know where they got it from but I think it's superb. The music, though, is a little tiring. The band start well enough with the guitar thrusting "Beautiful Saviour", which reminded me of an old Split Level number. "We Are Hungry" is quite catchy and contains a nice fiddle sound within it's content. It's all going quite nicely, even when they launch into the big orchestral production sound of "Into You" but the quality starts to decline with "Ever My Love". Can't quite put my finger on it but the album just doesn't sound the same after this one. In fact, as a 6 track EP Circadian Rhythm would score a 9 but for a full album, the score is not so good. 5/10. (June 2001)
Following the great success of "Songs of Worship and Praise" the much anticipated follow-up continues that same 'artists in community' approach. As Caedmon Call's Cliff young says "the purpose is to show listeners that we all have one faith in Jesus Christ", and that's just what this album does. From the opening choral prelude of "All Creatures of Our God and King", to it's closure, the Cd is filled with great songs. I simply love Nichole Nordman's voice and, on "You Are Holy", her vocals become very reminiscent of Genie Nilsson. Later on, she returns with FFH on the uptempo "Shine Your Light", another pearl. Mac Powell (3rd Day) and Fernando Ortega duet well on "Our Great God", while members of Caedmon's Call shine throughout. Best track? Well, that's a tough one to call but, in the end, I plumped for FFH's "Hide Me in Your Heart". It's a simple prayer to the Lord but so well delivered, and one that each one of us should echo in our own hearts. 9/10. (May 2002, Album of the Month)
Yes, it is Christmastime again and time for all those releases that contain bland versions of all your favourite carols. So, it's really good to be able to say that this one contains some real crackers. The title track is going to take some beating for Christmas Song of the Year (according to me) and features a host of top artists both musically and vocally. Sixpence none the Richer present "Silent Night" in typical Sixpence style and the Paul Colman Trio serve up a heart warming version of "In the Bleak Midwinter". Then, there's the magic of Caedmon's Call's "Babe in the Straw", which tells the story of the virgin birth - that is truly sumptious in every way. Julie Miller's quirky vocals may not be everyones cup of tea, but I've always loved her range. Firstly, she joins Third Day and Derri Daugherty on the excellent "Manger Throne", then it's just her and Daugherty on "Away in a Manger". A nice change of presentation for a Christmas album and a very welcome on at that. 9/10. (December 2002)
Supposedly, the last in the City on a Hill series, where US CCM stars come together to sing God's praises. You know the format by now, there's members from various bands, singer songwriters, as well as individuals, giving everything they've got for the cause. Leigh Nash sings "Beautiful, Scandalous night", while Caedmon's Call, Dan Heseltine, Charlie Lowell, Bebo Norman and Sarah Groves sing sweetly on the title track. The best song, "Jesus Went to the Garden" is well sung, well written and well produced. Jars of Clay have a celtic influenced offering in the shape of "Come Thou Fount of Every Blessing", while Caedmon's Call and Silers Band combine for the acoustic pop ballad "Hallelujah NeverEnding". The album doesn't seem to have the flow of it's predecessors, so maybe it is time this series was put to bed. 6/10. (December 2003)
One of the first albums I ever reviewed wasby gospel singer Yolanda Adams. As it was the first, it's quality has long stuck in my mind. Listening to Claudette, I felt a lot of similarities in both the vocal style and song presentation. What did differ was the quality of the songs. Whereas Yolanda has years of experience behind her, Claudette is fairly new to the scene, and a lot of the songs here just don't make the grade. Hand on heart, I can't say that I disliked any, but I just realised that each time I played the album, it finished and I couldn't really remember one song that stuck in my mind. The title track almost makes it, and "I'm In Love" comes a close second, but "Stand", "Potter's House" and many more were just very ordinary. On a couple of occasions Claudette uses old hymns like "How Great Thou Art" and "Abide With Me" to flex her undoubtable vocal talents but the production on both are just mediocre. Given the right songs, I think that Claudette would shine but, at the moment, it's just a glimmer. 4/10. (February 2005)
Since the release of his debut album, two years ago, there has been great anticipation for this new Clay Crosse album. Saying that I, personally, wasn't greatly impressed so listened to this one hoping for something a little better. "It Must Have Been Your Hands" is one of those songs that tells about the realisation of God's work in your life, even before you acknowledged Him as Lord. It's a good number, and opens the album well. Clay's voice is very strong but doesn't suit the R&B style of "Love One Another Right" or "Somethin's Missin'". However, there are strong numbers, like "Sold Out Believer" and the quite excellent "He Walked A Mile", where Clay truely excels. Working with a new producer, Mark Heimermann, this is a step forward and there's a good re-working of the old Hollies hit "He Ain't Heavy". I hoped for something better, and that's what I got, but there's still some way to go. 7/10. (October 1997)
It was 1995 that I first reviewed Clay's work and from that excellent beginning, I feel that he's produced some rather patchy follow ups. However, the clamour for a "best of" album does prove that many feel that he is, rather good. Indeed, the opening four tracks are all of superb quality. Sharing vocals with Bob Carlisle and Bebe Winans, Clay wins your ear immediately with the song of triumph, "I Will Follow Christ". "He Walked A Mile" is still as powerful as it was a couple of years ago, and is a sign of a good song when it still sounds so fresh. Mid album, clay turns bluesy and marries the sound with some gospel type music. To me, it just doesn't carry the same quality as the previous ones and leaves me cold. "The Rock" provides respite and the acoustic backed "Midnight Cry" continues to prove just how gifted this man is with the right sort of song. 7/10. (November 1999)
When I became a Christian I wondered just what other music there might be in store for me? Surely, there was more to Christian music than just Cliff - as he was then? Thankfully, there was, but we mustn't forget just what a musical icon this man has been to fans all over the world. After bursting onto the pop scene in 1958, he's gone on to sell more than 250 million records and, some forty-odd years later, he's still as popular. His gospel albums, for me, have always been a bit patchy in quality - never quite living up to his secular releases. But, this release does capture some of his best known gospel tracks, sandwiched between the big selling "The Only Way Out" and the lump-in-the throat- anthem, "From A Distance". Some tracks a very 80's pop, like "Peace in Our Time" and "the Winner", but classics like "Thief in the Night" and bob Carlisle's "Butterfly Kisses" are also included. Stunning? No, but a good place to start if you're looking for mor UK pop. 7/10. (October 2002)
This album was actually released last year but has just landed on the NFN desk in time for their visit to Beverley next month. Labelled as 'The Worship Leaders' Colin & Carol are directors of music and lead worship at Kingdom Faith Ministries, Horsham. this release contains 11 songs to help you focus on the Lord. Even though I saw that musicians credited included Terl Bryant and Ben Castle, I still wasn't ready for 'King of Kings'. No happy clappers in earshot, this was good stuff. In fact it was so good that I immediately played the opening track again. There's powerful brass accompanied pieces ('You Alone Are God') as well as more mellow numbers such as 'Mighty Mighty Lord'. Certainly not what I had expected, and well worth a listen. 7/10. (September 1996)
They're the largest family group in Southern Gospel Music (SGM) today, and from singing in small town events, have blossomed into a national ministry. Promoted as "the freshest sound" in SGM in years, I'm afraid I've got to disagree. It is fresh, but it's more Shirley Ceasar, than The Gaithers. Songs like "Great Is He In Me" and "The Walk" are okay but don't exactly fit into the style you expect. There again, the familydo show signs of their roots on numbers like "Travelling On" and "The Storm" - the latter being a truly terrific ballad. There's no denying their vocal prowess but, unlike recent SGM recordings I've reviewed, this one didn't do a lot for me. 4/10. (July 2003)
A long time ago, a music fan became a Christian and searched for something more than the Cliff Richard and Graham Kendrick tapes he was given - no offence meant. He found a rock group in the form of Stryper and couldn't belive what he was hearing. 15 years on, I've just come across Creed. Not, a Christian band as such, but all three members talk openly about their faith and how their songs are written. Their debut album has sold more than 6 million units to date, and their follow up "Human Clay" more than 10 million. The music? Well, it's what all the teenagers seem to be listening to at the moment. It's rock in the style of Linkin Park and Papa Roach, only the lyrics are different. Crunching guitars and hammering drums are the accompaniment to Scott Stapp's leering vocals and, somehow, it was just what I needed. If you're looking for evangelistic messages, you won't find them. What you will find are questions about faith in general, as in "One Last Breath" that looks at death. The title track is a little quieter yet looks at life and what/who you love. Is your God an object or a living thing? This type of music won't be for everyone but, there again, I never thought it would be for me. 9/10. (July 2002, Album of the Month)
An old name for a new band. The festival may no longer exist, but these 4 lads from York are doing their best to ensure that they do not sink into oblivion. A 6 track release that throws together an interesting collection of songs. The opening title track sounds a little like the old Zager & Evans hit, 'In the Year 2525'. 'Speedbrake' is very Steve Taylorish, with it's clever, yet 'off the wall' lyrics, and driving guitar. The vocals struggle on the piano based 'Will to Win' and 'You Make My Dreams' with the former suffering the most. There's a touch of Pink Floyd in their melodic rock sound and Crossfire's attempt of a longer piece, 'Communion' is bound to capture an interested ear or two. It's a good debut and the recording quality is excellent, but I feel there's better still to come. 6/10. (August 1996)
I had high hopes of this one, following the publicity behind it which said "accessible brand of Celtic music". What is actually presented is a hotchpotch of songs and instrumentals of varying quality, which all leads to a rather dis-jointed release. It opens nicely with a jig/reel, closely followed by a folky anti-war song. These make way for the durge 'Dochas', the Indian war dance 'Castle Kelly', and the monotonous 'Someone...'. Thankfully, 'Psalm' brings welcome relief and 'Paddy's Leather Britches' rounds things off on a high. There's pipes, cellos, flutes and more, but it's a very individual taste. Sadly, it's not mine. 4/10. (January 1997)
I'd heard the final track of this album on a sampler and was intrigued by the song, 'Healing Oil'. It is so haunting (in a spiritual way) that you really have to listen in the right atmosphere to appreciate it's power. Not that this release is all about one song. This young lady has the power and sweetness of Whitney Houston's vocals and, boy, does she use them well. 'Beauty of the Cross' is simply delicious with a soul sound that just washes over you, and the anthemic 'Jesus is Coming' is nothing short of superb. She duets with Ron Kenoly on the title track and sings the J-word unashamedly. This really is a collection of love songs to Jesus, and one that I will play again and again. It's almost perfection. 9/10. (January 1997, Joint Album of the Month)
Cross Rhythms got hold of this before me and whacked a 10 rating
on it claiming that it was "quite outstanding." It just
proves, once more, how individual tastes differ. There are lot's
of tribute bands on the club circuit, and most are better than
this lot. Tribute band? Yes, Curious Fools are a poor man's U2,
and very poor indeed. I t was hard to pick out one song that stood
out from the rest but, if pushed, I'd go for rockin' beat of "Slow".
If you're a U2 fan, then give this one a listen, maybe you'll
like it. I didn't. 2/10 (October 1997)
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