| Privately Recorded CCM Cassettes & CD's, including NFN Review - where available. | |
95 FOOT WAVE : Girl in the Moon./ Don't Leave Me Standing. (Private Cassette Single. £1.00 inc p&p from : Geoff Howlett , 113 Bricknell Avenue, Hull, E.Yorkshire, HU5 4EU, England). Two pop tracks in the mould of Pulp and Roxette. Released July 1996.
ASCENSION : Everything in Nature Cries. (CD Recording. £3.49 from 14 Royal Oaks, Belfast, N. Ireland, BT8 6YX.
Releasing a three track single just before a new album is, I think, a little risky for a band who, although going places, are still, at present, relatively unknown in the British Isles. How sales of both will be affected I don't know, but I'm praying that the single will inspire it's buyers too investigate the album, too. With acoustic guitars at the forefront of the songs, it's a sound that could be put in the style of folk rock. There's a feeling of classic Simon & Garfunkle about the title track, and that's no bad thing. It's a great song, clean and uncluttered sound, excellent harmonies, and an endearing lead vocal. "Word on the Street" is more of the same, but uses some synth brass to good effect. The final number is a slow praise and worship piece that, although good, is nowhere near as strong as the others. However, more neat guitar work reminded me of Dire Straits, and I'm already waiting for the aforementioned album. 8/10. April 2000.
JON BAMFORTH & MIKE KIRK : Refiner's Fire. (Private Recording.: CD £11.30 / Cass £8.30 from : Promit Ltd, 40 Ringwood, Peterborough, England, PE3 9SH.)
This album took me quite some time to appreciate and I literally had to ask the Lord to open my eyes to it's power. Refiner's Fire is a musical meditation on Hebrews Chapter 12, for the thoughtful individual to truly worship God. Jon, Mike and friends use over 25 different songs to aid impact of the message. The music itself has it's good and bad moments - the latter is shown on the rendition of "Be Bold" with some very weak guitar playing. At it's best, there's some very reflective keyboard on the "Prayer of Response" and the overall craft on "Prayer of Adoration" only makes you wonder why the aforementioned guitar was so poor! Great calypso feel to "When I Remember" and more meditational keyboards to "Here I Am". It's not an album that you would put on to simply enjoy, but for personal worship, anointing, and meditation, Refiner's Fire will inspire many. 8/10. August 1997.
DEBBY BARNES : Lay Hold. (Private CD recording.
Here's something a little "off the wall", in the shape of an American born singer/songwriter, now residing in Oxfordshire. Debby Barnes seems to have got some very good media attention in the southern part of the UK but is, practically, unknown, north of the midlands. "Lay Hold" demonstrates some thoughtful lyric writing and combines it with various musical styles. The title track is very radio friendly and jogs along in a poppy sort of way. "You Are the Lord" then moves into blues, while "No-one Else Will Do" coasts along quite nicely, and could be one of those memorable tracks which visions one driving along the US highway, top down, and radio playing loud. Debby's got a little bit of the quirkiness of Julie Miller in her songs, but the vocals give more warmth, perhaps in the mould of Sarah Masen. "Just Move On" proves the point, I think, while we get a Latin feel to "Holy Ranger". From there, it's folk, for "Come And See", and back to blues for "Come Get the Love". The main distraction, I felt, was that Debby jumps from one style to another with out any great conviction. Even the beautiful, closing "Doxology" finds her in celtic mood - another style. For me, all that Debby lacks is the consistency that all the style changes fail to provide. Most songs are good but the blues just gave me the blues. Nevertheless, worth investigating. 7/10. October 2001
BEEHIVE : Live at the BBC. (Cassette. £4.00 from Funkystuff, 42 Tamar Way, Wokingham, England, RG41 3UB). 3 Tracks of funky music including the French & English re-mix of 'Presence' and 'Fool's Wisdom'.
THE BOYS OF ST JAMES', GREAT GRIMSBY : Praise. (CD £13.95 from Cantoris Records, Freepost NEA1269, Lincoln, England, LN2 1BR).
My first thoughts on receiving this traditional choral release was "What do I know about this type of music?". The answer being, "Absolutely nothing". 'Praise!' contains 14 tracks, of which 3 are instrumental organ pieces. 'Elegiac Romance' lasts for some 10 minutes, whilst 'Saraband in modo elegiaco' sounds as if it's been culled from a 1930's horror movie. Both tracks are quite dreadful. However, the choristers themselves are the main thrust and they do come over very well. Being the average Mr Sunday Churchgoer, I found that, although one track quickly melted into another, there was a distinct quality and relaxing feeling about the songs. Well known ditties such as 'There is a Green Hill' are complimented by 'Magnificat in G' - not to be confused with 'Magnificat in D'. Traditionalists will love this album and, quite rightly, sing it's praises. For the rest of us, it's still quite enjoyable. 7/10 November 1997.
MILES CAIN : Fairground Town. (Private CD Recording. £3.70 from: M. Salter, 32 St Matthew Street, Boulevard, Hull, HU3 2UA, England).
Miles Cain - man of precision. He must be. Every song on this CdD is exactly 3:58. Oh, all right, both songs are 3:58. Oh, all right, the second song fades out, let's not get picky. And what musical adventure waits for us in that 3:58? Both songs are written by Miles and his chum Syd Egan and we're somewhere in Deacon Blue land. Or, for those of more mature years, Jackson Browne land (ask your mom). Printed lyrics would have been nice - I am President of W.H.E.W. (Wanna Hear Every Word) but if you like singer/songwriter stuff, this could be for you. Chumbles along at a good pace then has a nice change in tempo. R.E.M. but not so weird. Beautiful South but with a tune. 7/10 Geoff Allen. June 1998.
CARPE DIEM : .Com _ Culture. (Private CD £6.99 from: Mark Pease, 9 The Stray, Idle, Bradford, Yorkshire, England, BD10 8TL).
Carpe Diem are a 6 piece outfit from Bradford who release their second offering on June 19th. 6 is also the number of tracks contained on this EP, which kicks off with the Jars of Clay orientated "Braindead". Lot's of good indie/rock guitars and a meaty hook to get your teeth into. "Lookin 'Round is a lot lighter in depth and feel, while "Wishing Well" proves to be vocalist, Kevin Pease's highpoint. Indeed, without being overtly strong, the singer does have an endearing voice. Perhaps, the only blot on his copybook is "Let It Flow" but, then again, the whole band seem to struggle with this one. Jock James writes practically all the songs but is helped out by Charlotte Amadeo on "Always", where she also shares vocals. This song is more of a worship number with the simple message to God of "Never Let Me Go". By the time we reach "Start Over" we have, indeed, come full circle into the style of track 1. Swirly keyboards and distorted guitars carry the song through to a sound finale. It sounds as if Carpe Diem are still finding what's their best sound and this EP should help them smooth the rough edges. Overall, they reminded me a lot of Devon's NSC, and should prove popular, especially on the live front. 7/10. June 2000.
CLOUDED VISION : The Truth Will Set You Free. (Private Cassette £3.00 from: Peter Laws, Warden's House, Lawson Court, Chester Le Street, C.Durham, DH2 3DQ, England). Raw talent that needs some polishing. 5/10 February 1996.
DAVID COOPER : I Will Follow. (CD Recording £10 from 91 De La Pole Avenue, Hull, East Yorkshire, England, HU3 6RD).
For his debut release, David Cooper has recorded at Hull's Eastside Studio. If I'm quite honest, and I always try to be, his style is akin to a tuneful Bob Dylan (apologies to his fans) with a tinge of Steeleye Span when he is joined by a female vocalist. Songs range from the simple repetitive praise of "Glorious" and "Now & Forever", to the beautiful rendition of "Guide Me O Thou Great Redeemer" and the closing title track, "I Will Follow". This song, inparticular, raises God on high and proclaims Him as Lord. Alongside the acoustic guitar playing of David, there's also some excellent violin playing which is exceptionally good on "Come Spirit Come". As a debut, David can be well satisfied with the result. It's a testing of the water to see what feedback he gets and, from me, I feel that he's got a solid foundation to build on for the future. 7/10. January 2002
JARROD COOPER : Days of Wonder. (Jarrod Cooper Ministries : JCM003)
Originally released a couple of years ago, this relatively low budget recording is now in it's third reprint, with sales recorded from all parts of the globe. Jarrod Cooper is a respected worship leader based at the New life Church in Hull, and this recording literally knocks many others for six. It's lyrical content, music, and finished product is one of the finest worship albums that I have ever heard. No, I'm not biased because he's from my home city, I've never even met the guy. "Your Majesty" is said to be one of THE worship songs of last 12 months and I can easily see why. Beautiful, just doesn't describe what I feel about it. "Lost in Your Glory" simply oozes peaceful worship and that feeling runs throughout the whole album. "Clamourously Foolish" is shorter and livelier in style, before "Your Majesty" is reprised in Spanish tongue. And, just when you thought things couldn't get better, Jarrod presents a Celtic version of the great "Be Thou My Vision". There's no wonder this album has sold so well, it's a masterpiece. 10/10. Album of the Month March 2000.
JARROD COOPER : The Early Years. (JCM005)
This album by a Hull artist - whom I had not heard of before - features songs from his previous albums "deep Calls To Deep" and "Song of the Bow". I have enjoyed listening to and reviewing this album, and there are some quite catchy songs. Indeed, I found myself singing "Thank You" whilst out and about this week. This is my favourite track, a quiet, contemplative and prayerful song, telling of what Jesus has done for each one of us. "Mighty Warrior" is a good praise song wit plenty of beat to it. I was a little disappointed with the CD cover, however, as it contained very little information, and I do like to read the lyrics. 8/10 Pam Robinson. March 2000.
TONY CORNISH : First Heart. (Private Recording. CD £13 Cass £9 from: Broken Records, 6 Vicarage Road, Llangollen, Denbigshire, Wales, LL20 8HF).
Already likened in style to Phil & John, as well as Eden Burning, Tony Cornish is another new name to the world of CCM. With 12 self-penned songs, he has released this delicious collection for a wider audience. For starters, we have the poignant 'The First Heart to Break', written after the Dunblane tragedy. Here, Tony carefully puts into words the feelings of those who were hundreds of miles away from the event, yet still grieved. The main course is served by the extremely tasty, 'Upside Down'. You can really get your teeth into the catchy hooks and the foot tapping beat. After dabbling with some juicy jazz/blues mid-course, presnets one of the best titles for a song I've heard in some time. 'Windy Side of Your Welcome Mat' tells of his personal trust and thankfulness of being IN God's house, rather than outside and open to the elements/temptations. For desert, we're served up with the quite beautiful 'Oceans of Forgivenss', a song of meditation that concludes with some prime saxophone playing. With another batch of songs ready to record, Tony must be careful if he is to live up to the standards he's set with this one. 9/10. January 1999.
TONY CORNISH : Sacrifice. (New Dawn Music : NDD006). £4.00 from: New Dawn Music, 1 Beech Close, Towcester, Northampton, England, NN12 6BL).
Things have certainly started to move for singer/songwriter Tony Cornish, since the release of his debut album "First Heart". After signing up with Brian Taylor's New Dawn Music, and gaining support slots with the likes of Loose Goose, he's ready to release his EP, "Sacrifice". Four tracks that show that he's not a man to rest on his laurels, but to build on what he's already achieved. The lyrics of "Honest Injun" asks for truth and honesty from world leaders, and the sound is moving towards that of The Waterboys. From there, we travel into Beautiful South country, with a laid-back ballad that has some very good backing vocals. "Swimming With the Dolphins" would be the obvious track for single material, with it's quiet verse, pressure building middle eight, and distorted guitar chorus. Great song. It's the title track that finishes things off and, after it's predecessor, isn't as strong. However, I think that both new and old fans will enjoy this release. 8/10. June 1999.
CROSSFIRE : Warriors. (Private Cassette EP. £5.00 from: Andy Sayner, 34 Fountayne Street, York, YO3 7HL, England). Six tracks of melodic rock from one of the regions busiest bands. 6/10. August 1996.
ANDY CULLEN & MIKE BAKER : Atmosphere. (Private Cassette Recording : £4.50 inc. p&p from: Andy Cullen, 25 Lincoln Street, Longsight, Manchester, England).
Over 12 month's in the making, and a complete surprise to all who have previously heard Andy's work. From the moment the title track began with a sort of Gregorian chant, my ears were alive with expectancy. A lovely piano piece was followed by 'Let Me Know', a song that instantly had me tapping my feet along to the rhythms. The whole concept was not written as a musical but I, personally, feel that this is were 'Atmosphere's' strength lies. With a little more work, a production in the class of Paul Field's 'Daybreak' is not beyond comprehension. The songs do seem to tell a story, and real social issues are not taboo. 'Quick & Easy' is one such number that tells of a man, with a wife at home, and the lure of another woman. The 'Nothing Song' actually has no words, but the music gives a feeling of hope and light after being encased in darkness. Instrumentally, there's some excellent keyboard & clarinet, and Andy's vocals are well used. Perhaps, 'Monica Says' and 'SOP1' need a little more work but 'The Road to Emmaus' ends the tape in lively style. Recorded on a 4-track, there are production flaws but, the musical content is extremely good. 7/10. November 1997.
DAVE DEEKS : Walk With the One. (CD £10/ Cass £8 from: LJMM, 13 Pentland Grove, West Moor, Newcastle upon Tyne, NE12 7YN).
Nine years since his last album, singer songwriter, Dave Deeks returns to the CCM scene with an album that is very much the creation of his son, Mark. For, he selected the songs, produced them, played most of the instruments and even found time to lend a hand with the backing vocals. What happens is that you can spot Dad's 60/70's influences in the basic song, but with son's 90's interpretation. The result is mixed. Songs like the strong opener, "Such Love Amazes Me" is a choppy affair that is carried along by some simple, yet effective, guitar playing. "Free For All" sees Dave almost talking the words to an accompaniment of more good guitar work and fx. And so the album continues in positive vain with songs like the catchy "Man Without A Reason" and the title track. It's around here that things get a bit messy, with too many ideas complicating the overall sound. "A Christian Isn't" being a prime example as the vocals fight against the swirling guitars. The writing itself is very good, with Dave writing an honest chronicle of the ups and downs of life. Ending with the folk meets pop "My Hope…" the album improves with play and has currently risen to…..8/10 November 1999.
DEP4 : Popular Friction. (CD £12 from: 11 Spring Road, Rhosddu, Wrexham, LL11 2LU, Wales).
Sounding not a million light years away from The Beautiful South,, at times, DEP4 present their debut full length album. Twelve songs, all written by singer and guitarist Tony Cornish, and ably backed by Kev Plant on bass and John Ramm on drums and percussion. Based in Wales, this threesome have travelled as far as Northern England to take their ministry into venues such as prisons. As for the musical style, well it's never going to produce a mosh pit at the front of the stage. It's more like, sitting, tapping your feet, and listening to each song as it tells it's own story. "Pick It Up Downstream" is all about losing your way in your walk with God. But, as we all know, just because you fall, it doesn't mean that we can't ask the Lord to pick us up and dust us down once again. One of my favourite tracks is the last one, "The Real Cost of Living". This looks at how so many people live for the 'now', as well as what they can get out of life, forgetting the most important things. As I say, there's plenty of foot tapping to do whilst listening, but not many that you find yourself actually singing along with. However, "Here Comes Summer" is one exception, and very welcome it is too. For me, the album takes a little while to get going but, then, it may be that I'm imagining it in a live set listing. The lyrical depth of Tony's writing is very good and it really is an album that makes the listener think about themselves. Now, how many albums do that? 8/10. August 2001.
JANIS ENGLISH : God Holds the Key. (Private Recording. CD £12.50/Cassette £7.50 including p&p from: Janis English, 164 Barnston Road, Barnston, Wirral, England, L61 1BZ).
Let me say right now, unashamedly, that the quality of privately recorded British CCM is - on the whole - just so good. Here's another new name to the scene, Janis English. A Scot, who's debut album contains a spoonful of country, a pinch of 70's pop, and a cup of refreshing, home made muse. Surely the title track sounds like....."Oh no", she said, "I don't really listen to any particular artist". Lovely, sugary, enjoyable, singalong....and that's just the first track! If originality is lacking anywhere, then the country sound is rather predictable. However, don't let this put you off, you'll soon find yourself tapping your feet to "Over & Over" or admiring the steel pedal guitar on "Move On This Land". When I first heard "Move Now Holy Spirit", I had to stop what I was doing and play it again. What a beautiful song, and what power it holds within. This track just "blows me away" as it quietly begins and then builds to where I can imagine thousands joining together in praise. God given praise and worship doesn't come much better than this. 9/10. March 1998.
CATHERINE FRANCIS : Inside Story. (NuLife : NU CD 198. CD £11.00/Cassette £8.50 inc p&p from: C.Francis, Elined Arts & Music, PO Box 13778, London, England N14 5WD)
When I interviewed this young lady in 1995, I thought that I had stumbled upon a special ministry in the making. When I saw her in concert last year, my thoughts were confirmed. Now, with this release, Catherine Francis shows that she has been truely blessed with the gift of 'Hope for the Hurting'. Writing from her own experiences, as well as others, she draws the listener into feeling that the music has been written especially for them. Take the first line of 'This Woman Knows'..."She only cries when she's alone." Catherine brings out the hidden hurts of countless years and lays them gently in God's hands. Tracks 8 & 9 run into each other with 'Kiss the Shore' depicting sorrow and 'The Darkest Years' realising that God was in that sorrow but unseen. Piano based songs, with carefully produced programmed backing brings out Catherine's vocals to pure brilliance. Yes, at times she is like an early Kate Bush, but there's more to her than just a copy. I've never heard another CCM artist like her. Somebody should sign her up, quickly. 10/10. February 1997.
JOHN FROUD & THE PKs : Seriously… (Private CD Recording : £13.00 from Zephaniah Music, 2a Norwood Road, Shipley, West Yorkshire, England, BD18 2AZ).
John Froud works full time in music ministry, specialising in schools work in his home area. However, his music will appeal to all ages and I think that a live concert would be quite an experience, judging by the humour contained in some of his songs. Prime example on the album is "Stressed" - which lends a lot from an old T.Rex tune - which contains the immortal line "I've had another bad day, and my hair's going grey". It's not all tongue in cheek muzak though, and there's plenty of lyrical depth in "Lost Without You" and the poignant "Seriously Unrehearsed". Perhaps the most appealing, is the folk tinged "21st Century Prophet" and it's sideways look on life and just what the future holds. On the whole, the songs contain a mixture of ingredients with styles varying from blues to rock. "The Spin" reminded me of The Beautiful South while "Face" and "Tell Me", I found less appealing. It takes all sorts to make the world go round, and John Froud certainly provide quite a mixture. 7/10. June 1999.
JOHN FROUD & the PK'S : Be There. (Private CD Recording : £13.00 from Zephaniah Music, 2a Norwood Road, Shipley, West Yorkshire, England, BD18 2AZ).
And so we come to the latest musical offering, recorded on a shoestring budget, from one of the many wonderful artists who play and minister at 'grassroots' level. Recorded over four days at Dan Bowater's studio in Lincoln, John Froud & the PK's present an album of good old fashioned, honest lyrics in a style that sees folk, pop and R'n'B rub shoulders with each other. "Language of Love" starts the ball rolling, as John tries to tell the Lord that he sometimes finds it hard to speak the right words to Him. "Blue Hills" and "Holding On" are pure rhythm & blues, with the latter featuring some heavy saxophone and 60's keyboard. Actually, it's very refreshing to hear some different instruments being used with whistles, flute & mandolin being added to those already mentioned. Mind you, I did find the saxophone rather annoying in the laid back ballad "Be There" which, for me, distracted the listener from the words. John travels all over the UK but is primarily involved in schools work around the Bradford area. Like Brian Houston, last month, his lyrics are simple and will, therefore, appeal to all ages. One day, I'm going to have to catch up with this guy for a live gig. In the meantime, knowing he's out there producing songs like the powerful "Still Dreaming" will do nicely. 8/10. December 2000
JOHN FROUD : Don't You Know". (CD £13.00 from Zephaniah Music, 2a Norwood Road, Shipley, West Yorkshire, England, BD18 2AZ).
Over the years, it's been my pleasure to review a number of albums written and performed by Bradford's John Froud. John works mainly in schools in West Yorkshire taking the gospel of Jesus into the schools in a fun way that the children can understand and enjoy. Last year, he gave all the primary schools that he visits, the opportunity to be part of a new album. The result sees 19 different schools represented on 23 songs on the album. The one thing that eminently stands up throughout the album, is the way that John, his co-workers, and children all radiate a great joy in what they're doing. Some songs, like "When the Spirit of the Lord" and "Be Bold Be Strong", are well known to us all, but others such as "God So Loved the World" and "Though the Grass May Wither" will be new to the listener. The strength of a lot of the songs featured is their simplicity. Sometimes, those repetitive songs just annoy, but I didn't find it the case once here. It was quite a task to undertake, but well worth the effort, for a result that is a little out of the ordinary. Well done guys and gals. 8/10. February 2003
FULL CIRCLE : Set Your Sights. (Private Cassette £2.50 from: Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, S.Glamorgan, Wales, CF64 2RE). Pet Shop Boys meet The Stone Roses. 6/10. February 1996.
THE GLORYHOUNDS : The Gloryhounds 1&2. (Private Cassette Recordings. Tape 1 £1.50 / Praise Tape £2.50 : from Dan Harris, 34 Leicester Street, Kettering, Northants, England, NN1 8EF.) Two Tapess in the style of bands such as Cast and Ride. Tape 2. Tape 1 8/10 : Praise Tape 7/10. June 1997.
MICHAEL HART : The Heart of the Matter. (CD £9 Cassette £7 from: Soul Keeper Records, 5243-57 A Street, Ladner, British Columbia, Canada, V4K 3H2).
"He has a nack for writing catchy tunes"....the record "emanates strength and faith".... "He shows his convictions openly & in a way that touches your heart". These are just three quotes from the many wonderful reviews that Michael received when this album was first released in Canada. As for writing "catchy tunes", I can confirm that this is the case, as he shows in both "The Righteous" and "You Are My Confidence". "Paper & Phone" has a tropical feel to it, as Michael comes up with a story like ditty about media dating. His tenor vocals are slick and precise throughout, with "I Had No Idea" being one of many strong points. Here, Hart's lyrics tell of life's journey, his music providing the perfect accompaniment. Just one track out of ten that I didn't rate, that holds this release from being my album of the month. If, as he hopes, Michael returns to the UK next year for some concert dates, be sure to check him out. In the meantime, check his sounds. 9/10. April 1998.
MICHAEL HART : Dulcimer Light Christmas. (CD £9 Cassette £7 from: Soul Keeper Records, 5243-57 A Street, Ladner, British Columbia, Canada, V4K 3H2).
Since I first wrote about this singer in NFN earlier this year, Michael Hart has continued to win friends wherever his ministry has taken him. A recent Cross Rhythms review of his previous release "The Heart of the Matter" only confirmed the well deserved interest that this man is gaining. Released in his home country last year, "Dulcimer Light" is not just another artist jumping on the Christmas bandwagon. True, well known songs like "Joy to the World" and "Angels We Have Heard.." are included but, given the Michael Hart style. Listening to it, you can close your eyes and imagine a typical family Christmas, sat around the tree and a roaring log fire in the background. On the other hand, there's enough carefully thought out music and lyrics to touch the heart of many. Other, less familiar songs, are just as impressive with Michael adapting the sound of the dulcimer to carefully wrap each track with care. Well worth your effort to order. 8/10. November 1998.
MICHAEL HART : Lord of the Mountain. ($20 from: Soulkeeper Music, 5243 57A Street, Delta, B.C. V4K 3H2, Canada).
When you think of Canada, what to associate with it? Mounties? Ice Hockey? If you do, then, you're missing out on a lot of good Christian music. One of the many talented - and often underrated - artists to come out this country is singer/songwriter Michael Hart. For this, his 5th album, Michael collected some fine musicians around him and recorded most of the sounds live. With his trademark dulcimer featuring throughout, he and the band present a collection of songs in the style of contemporary hymns, blues, jazz, light pop, and sweet harmonies. Michael's voice is rich in tone and is immediately on top form with the opening "I Put My Trust", where piano and acoustic sounds are so fresh. The title track includes some lovely violin and "Call Me" really soothes all inside you. Lyrically, Michael writes from having a deep longing to serve a loving God and from enjoying the beauty of such a relationship. Two short instrumental pieces are a welcome addition to the running order, while "Praise Him" and "There Is Forgiveness" stand out towards the end. Overall, it's an album that should see Michael's music reach far further than the boundaries of his native Canada - it just needs someone to sit up and take note. 9/10. June 2000
GEOFF HOWLETT : Fear No Evil. (Private Recording : NFN001. CD £7.50 + 75p postage; Cassette £5 + 50p from : Geoff Howlett, 113 Bricknell Avenue, Hull, E. Yorkshire, England, HU5 4EU).
If the artist's name doesn't give it away, then the label does. This is NFN's editor in full flight on his first solo album. Recorded at Hull's Eastside studios over "far too long", it kicks off with "You Promised" and the tone is set. Geoff writes songs with catchy choruses separated by verses that do far more than simply fill the spaces: they tunefully explain the words that you'll go round singing for ages after first hearing them. Then just as you think you've got the album sussed and are ready to give it a solid 7/10, it steps up a gear: "Ebony Blood and Snow", "When the Son Comes Down" and "Sea of Flames" are the album's purple patch, "When.." featuring some of the best-recorded acoustic guitar I've heard in a long time. Asking around, the track that's raising the most interest, though is "No", a re-working of a song Geoff first aired with "95 Foot Wave". This is a calmer version, and took me a couple of listens to decide that he's done the right thing. If the album has a fault (and as a reviewer, I'm supposed to find at least one) it's in the ordering of the tracks: it runs more like a live gig than an album. It starts strongly and closes with a stomper, but lacks a cohesion in places, that, live, would be given by the introductions. Did I mention I like the album, by the way? 8/10. Paul Ganney. November 1998.
GEOFF HOWLETT : Always & Forever (Private Recording : from Geoff Howlett, 113 Bricknell Avenue, Hull, England, HU5 4EU. CD : £3.50; Cassette: £1.50)
It must be at least 18 months now since Geoff released his solo album, 'Fear No Evil', so it's about time we heard from him again! Since then, Geoff has found himself playing much more to audiences of over 35s, so has built upon those experiences to produce a more mature style of music. Released for St. Valentine's Day, this EP of four more Howlett compositions certainly shows this. All are love songs, treated in different ways but with Geoff's lyrical style stamped all over them. The EP opens with the title track, unashamedly retro 60s - but doesn't he do it well? And it goes on ... 'My Love' , also 60s style, is a slower number with the arrangement really catching the style of the time. 'I Love You' is more of an acoustic number with Geoff's guitar work coming to the fore, whilst 'The Positive Sign' makes use of modern technology and reminds me of 80s synthesiser stuff such as Soft Cell and early Depeche Mode. I like this collection as a whole, and the variety works but I have to say that Geoff's forte is definitely in the 60s retro material. His voice is perfect for it, his original songs just seem to slide into it, and the way he uses modern sounds to recreate it is great. No crackle and hiss! Geoff's version of the Billy Fury classic 'Halfway to Heaven' adorns the late star's fan club website, so surely that is recommendation indeed. Nice one, Geoff! 8/10. Julie Lord. March 2000.
GEOFF HOWLETT : Golden Days. (CD £5.50 from 83 Parthian Road, Hull, Yorkshire,UK, HU9 4SX)
Well, if Daniel O'Donnell can record an album of secular classics, why can't Geoff? After all, as he takes his music into various venues, there's always a smattering of smash hits from the 50's and 60's to help roll back the memories. His love for British rock n' roller Billy Fury results in three of the legend's tracks on show, "Be Mine Tonight", "Cross My Heart" and the classic "Like I've Never Been Gone". Similarly, three songs made famous by Johnny Tillotson also get an airing, "Judy Judy Judy", "My Special Angel" and "Poetry in Motion". Despite the age of some of these songs, Geoff has the happy knack of making them sound just as fresh as the day they were in the charts. Hit's by the Beatles, Buddy Holly, and Bobby Vee slip together nicely with songs like "Venus in Blue Jeans" and "Summertime Blues," all helping to make this an enjoyable listen. 7/10. Warren Harry. October 2004.
INDIAN SUMMER : Crown of Creation. (Private Cassette Recording. £5.50 from : A Bamforth, 162 Alexandra Road, Peterborough, PE1 3DL, England.
It's a long time since I receieved a pure olde worlde folk album. Performed here by Annie & John Bamforth, we have a colection of 16 songs of varying quality and production. Some, such as "Gaudete" and "Lord of the Dance" are well known but most, I 've heard for the first time. The simple backing of acoustic and bass guitars seem to work the best throughout, although Annie's vocals do not always suit. The opening "Crown of Creation" being an immediate example of this, with her voice being either weak or nervous. The second song contains an excellent 12 string guitar, but the words are difficult to pick out. Again, this was something that ran throughout the album and was more of a production fault. "Christ Receive" raises things a little even though it sounds like a chant. "Tree of Life/Light" is the strongest track although the use of distorted guitar(?) does detract from the basic sound. If this all sounds like a negative review, I'm afraid it's because of the production and recording. When I can hear the lyrics, they sound good and some of the tunes are quite catchy. Perhaps, this pre-release copy is not the finished product but, even if it is, there's still promise from a fledgling ministry trying to break free. 5/10. April 1998.
STEVE JAMES : Voices in the Desert. (Private CD Recording £13 from: Steve James, St Andrews Church Office, The Rectory, Highcroft Avenue, Bebington, Wirral, Merseyside, England, L63 3EX).
Steve James has recorded a number of albums, including some that were produced in Canada, where he worked as a curate for 4 years. He now lives and works, as Rector, in the Wirral, as well as performing his songs at many local venues. 'Voices in the Desert' has been produced by Roy Salmond, who also provides some of the most memorable guitar playing that I have heard in recent months. Either he, or Dane Deviller, delivers a terrific acoustic display on 'My Heart May Fail'. Couple it with Steve's fine vocals, it's a marriage made in Heaven. 'Angels' is a strong, rocky opener that makes good use of a catchy hook and pricks up your ears. 'That Night' tells the story of Christmas with great power yet, at the same time, simplicity. Steve's writing is very accessible and the musicians around him are first class. The only comparison I could make would be Garth Brookes meets Michael Card. One or two songs aren't as strong as others but the beautiful piano & guitar to 'Winter' leaves you well satisfied. 8/10. January 1998.
THE JIVE ACES : Bolt From the Blue. (Private CD Recording. Information from: Saint Hill Manor, East Grinstead, West Sussex, England, RH19 4JY.
In a world of shred, dread and grunge come a bolt from the blue....meet the Jive Aces. A six piece band playing a form of jive that is best expressed as rock/jazz. Just a CD in the NFN postbag, with no accompanying literature. 15 songs including some that older listeners will instantly recognise, which have been given a 90's face lift. 'When You're Smilin', 'Blue Moon', and the 30's hit 'Pennies From Heaven' are just three of those with shining pedigree. Of the new songs, perhaps the 'Jive Ace Boogie Woogie' is a bit of self indulgence but the title track is up there with the best. If a little boogie woogie and jive is your cup of tea then the Jive Aces will go down a treat. 7/10. January 1998.
KATO : Seasider. (Private CD Recording £7.99 from: PO Box 61, St Annes, Lancs, England, FY8 1SS).
Remember the band K? Well, in Star Trek terms, KATO are the next generation, with Captain Keith Ayling still at the helm. "Seasider" is a seven track Brit-pop mini-album that sounds more like the Charlatans than, say Oasis, but with a distinctive Kato twist. "Superhero" is chart material and opens things up with driving guitars and posing the question; "If your hero (Jesus) was 2 9 and living in your home town, what would you say to him"? "Grow" is very similar, but "Into Your Hands" is packed full of energy and I can see this one going down well live. "The Waves Are High" is a slower number that still works well, but "Walking on Water" doesn't quite have the same class about it. Bands may come and go but Keith Ayling and his troops continue to play where others fear to tread. 8/10. August 1997.
RICHARD KNIGHT : Rock in the Storm. (Private Cassette Recording. £7.50 inc p&p : from Richard Knight, 38 Parkside Drive, Watford, Herts, England, WD1 3AX.
It's always a pleasure to receive something from a new artist, t aking their first steps in the CCM scene, and this is no exception. Richard hails from the Watford area and, after a few efforts, this his his first major demo release. Thirteen tracks of self penned songs that vary in both quality and delivery. The opening two tracks, for instance, carry thin, unconvincing, vocals that really do detract from the tunes - especially the catchy "The Things You Said". Move on to the title track, however, and it's a completely different kettle of fish. The slow electro ballad moves along nicely, and Richard's vocals fit perfectly, with feeling. The musical sound of the whole album reminds me of early Depeche Mode, although the "Instrumental" is undeniably Kraftwerk. "Thomas" is another catchy tune but, by the time we've reached "Sons Return", we're back to the vocal problem. Here, he tries to fit in far too many words and fails in it's delivery. There's no doubt that Richard has a lot of talent and gifts to share and this is a reaonable first outing . 6/10. November 1998.
LABEL OF LOVE : Label of Love. (Private Cassette £5.49 from: Label of Love, 20 Hilton Avenue, Scunthrope, DN15 8BD, England). Dance/rap from this Message Tribe type ministry. 7/10 January 1996.
LAST BEACON : First Light. (Private Cassette Recording £2.20 from: Jon Gurr, 7 Stonelea Drive, Rastrick, Brighouse, Huddersfield, England,HD6 3PT).
Only two tracks on this cassingle from a band based in West Yorkshire. Recorded, presumably, on a limited budget, the finished sound could have been better. However, the first song ,'Run', is a mixture of Brit pop meets Runrig. "Waiting at the bus stop of my life" is the songs first line and gives you some idea of the lyrical content as a whole. Some, might say that the words are rather weak but I, personally found them oozing with honesty. Some good guitar work, interesting break, and never mind the robotic drummer. Track two 'Holy Day' is a quieter song and lacks any real impact. Although the guys do try with their harmonies, it just doesn't quite happen and, perhaps, it's one to work on. With so little to go on, it's hard to give a wider view of the band but with such a catchy song as 'Run' in their repertoire, (I've been singing it for days now) there's sure something worth listening to. 6/10. November 1997.
PHIL LEWIS : Demographic. (Private Cassette £3.00 from: Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, S.Glamorgan, Wales, CF64 2RE, ).Styles vary from Duran Duran to the Everley's. 7/10. March 1996.
PHIL LEWIS : Better. (Cassette EP. £3.50 inc p&p from : Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, S.Glamorgan, Wales, CF64 2RE). Influences are plentyfold, with a little Pink Floyd and Oasis rolling into Mr Lewis' own sound.. 7/10 November 1996.
PHIL LEWIS : Fidei Defensor. (Private Cassette Recording £3.00 from: Phil Lewis, 4 Bramble Rise, Cowslip Estate, Penarth, Vale of Glamorgan, Wales, CF64 2RE).
Phil Lewis produces some very accessible songs that really stand up with his secular counterparts. 8/10. April 1997.
PHIL LEWIS : Generation Ecstasy. (Private Cassette Recording : £3.50 from 4 Bramble Rise, Cowslip Estate, Penarth, Vale of Glamorgan, Wales, CF64 2RE).
This is the 5th offering from Wales' finest unsigned writer, that I've reviewed in the last couple of years. Once again, Phil doesn't just stick to his previous successful formula, and the depth of his work continues to evolve. The early U2 influences are there in "Coming to You" and his 60's jangly guitars are highlighted with "Your Tune" and "Dark Days". Just as Martin Smith's vocals are instantly recognisable, Phil's voice has the same quality that gives him individuality rather than being just another singer. "In Heaven" is a poignant song, sung to a dying loved one, the words being those we have often been unable to say previously. "Child", I feel, is the one weak spot of the 6 tracks but "Come Running" is a simple song, with the obligatory 'throw away' chorus that buzzes around your head for days. Just how long can the industry ignore this man? 9/10. October 1997.
JULIE LORD : Diamond Nights. (Private Cassette Recording : £4.99 from 15 Glenhurst Drive, Whickham, Newcastle upon Tyne, England,NE16 5SH).
Here's a first for me, a CCM artist presenting an album of well known secular hits. The former evangelistic singer with Crossfire and Heart & Soul has now turned her talents to entertainment , but is suitabley 'at home' in either church or club environments. "Pearl's A Singer" would not have been my choice for an opener as Julie doesn't really seem at ease with this song. However, her impressive renditions of "Crazy" and "Don't It Make My Brown Eyes Blue" soon make you realise why she is such a popular artist. The musical backing is the same that she uses for live gigs and the quality is very good. Julie's vocals seem to suit certain types of song better than others and chart toppers like "Walk on By" and "Smooth Operator" produce far better results than, say, Michelle Gayle's "Sweetness". What this album lacks in original content, is made up by freshness of Julie Lord's approach. 7/10. October 1997.
JULIE LORD : Lifetime. (CD Only £13.99 from: New Dawn Music, 1 Beech Close, Towcester, Northampton, England, NN12 6BL).
It might seem like a lifetime since Julie recorded the first notes for this album but the wait has, truly, been worthwhile. If we've questioned production quality on a limited budget recently, then this is the album that sets the standard, and hats off to all those behind the scenes. From the moment the title track's saxophone hits the speakers, you know that you are listening to something special. With a sultry vocal that reminds me a lot of Sade and, at times, Annie Lennox, Julie simply caresses each number to bring out the best. The lyrics are strong too, like "Forbidden Fruit" that warns how fickle the temptation of an extra-marital affair can be. Featured in two different mixes, Andy Curtis' keyboard skills shine and add real texture to an already well crafted song. If you've ever watched those b&w movies who's background features the 'lounge singer', then "Even Now" is purpose built. Lovely piano, super sax break and a great bluesy guitar. It's hard to try and pigeon-hole Julie's style but if you take a large helping of Blues, mix it with some Jazz and R&B and you may be getting near. Just once or twice I felt that a song didn't quite reach it's potential but, maybe I'm just being a little picky. Closing with the exquisite "Peace of Mind" this is a fine debut release. 9/10. June 1999 Album of the Month.
HELEN JAYNE McKELLAR : Give My Life. (CD £11.99 from http://www.helenjayne.com/)
As one of those who have held Helen in their prayers regularly over the last few years, I am so pleased to be able to review this album. Through the heartaches and struggles of a long illness, Helen has kept the Lord at the centre of her life, along with the love and care of her husband and family. The resulting album is a little more low key than her previous release but offers the listener the chance to bathe in Helen's warm vocals. The opening title track is a choppy pop affair that instantly won my heart and a place on my radio playlist. "Let Me In" follows as a nice ballad, and the laid back duet on "Running Scared" is simply divine. Helen re-works the old Olivia Newton John "A Little More Love" and sounds just like the lady herself - Stars in their Eyes are calling! However, on Shania Twain's "You've Got A Way", it's definitely Helen and what a sweet rendition it is. I also like the chart sounding "My Energy" and "Still On My Mind", but wasn't so keen on the rather bland sounding "Is This What You're Waiting For". In parts, Helen's vocals remind me a lot of Cherri Keaggy and that's no bad thing. One thing's for sure, Helen is back on track. 8/10. January 2002
HELEN JAYNE McKELLAR : Prayer For America. (CD £3 from http://www.helenjayne.com/)
The events of September 11th in New York last year will be etched in our hearts forever. However, through the horror, death and destruction have come many shining lights and, most of all, hope for the future. Many artists have felt moved to put their feelings into words and Helen's "Prayer For America" is one. The main song is centred around us being at a loss to come to terms with the event itself. All we can do is to ask God to give everyone involved the strength to carry on. It's a touching ballad that will mean a lot to many. All proceeds from the sale will be distributed equally between the American Red Cross National disaster Fund and the British Red Cross Afghan Crisis Appeal. For £3 plus postage, that's not a lot a bad thing, is it? January 2002
GEMMA McQUEEN : The Rescue. (CD only £12.99 inc p&p from: Spirit Music, 143 Leeson Drive, Ferndown, Dorset, England, BH22 9RF.)
Launching her debut album, Gemma McQueen is donating some of the proceeds to CLAPA, a charity supporting babies born with serious facial deformities. The lady, herself, has received acclaim as a singer/songwriter from such personalities as the late Roy Castle, and EMI's Bruce Welch, and was also invited to audition for the role of Cathy in Heathcliffe. Although I have plumped for the style of soft pop overall, there's more than hint of Celtic roots, running throughout. Some tracks, including the opening 'Nothing', are both malleable and powerful in a Kate Bush sort of way, but Gemma's individuality shines in it's own right. The anthem 'I Will Stay' tells of a child-like love for the Father and ministers right to the heart. Pounding drums and dynamic use of fiddles accompany her passionate vocals on the title track, before the gentle 'Can It Be True'. Here, Gemma sings softly over sparse string pads, and exquisite guitar work. The honest theme of her own relationship with God, together with the quality of the finished product make this album very special. If it was a painting, it would be hung in the Louvre. 'The Rescue' is a work of art. 10/10. March 1998.
MUDHEAD'S MONKEY : Shout. (Private CD £10.50 & Cassette £6.50 from: Paul Loader, c/o Counterslip Baptist Church, 648 Wells Road, Bristol, BS14 9HT, England). A gourmet's delight of indie/rock. Very tasty. 8/10 June 1996.
DEE MOORE : Don't Wait. (CD Recording £5 from: E-mail roger@divine-intavention.in2home.co.uk)
Dee has previously toured the UK as a member of the Birmingham Mass Choir, and also sang backing for Simply Red during the 1996 European Championship Draw. Now, she's concentrating on a solo career and releases her first single, "Don't Wait". With influences such as Shirley Caesar and the Winans, it's the latter to which I can make comparison to. The main track is a dance mix and would be perfect for mainstream radio or club play. Nice rhythm, catchy beat, and sweet vocals that could melt the hardest of hearts. "Reaching Out to You" is a slower number and had me thinking of Eternal's hits, and this is good, too. "Let Go and Let God" didn't quite make the same grade but, overall, I think that Dee Moore could have a big hit on her hands. In typical fashion, there's various mixes of "Don't Go", of which, the club mix is the best. 9/10. April 2000
MUMBLE : Dated. (Private Cassette Recording. £3.99 from Nick Kinsella, 37 Gracedale Road, London, SW16 6SW).
The 23 year old singer/songwriter behind Mumble is Nick Kinsella. After previously working alongside various CCM bands, this is his first solo venture. 5 tracks on offer, opening with the engaging "I'm Scared". This shows Nick's vocals and guitar playing at the best, with some nice fx used to enhance the sound. This, like the rest of the tracks, is a song about faith and life, and a perspective which allows you to see the world from a slightly different angle. Instruments used are few, but that doesn't stop Nick's basic writing skills showing what he is capable of. I'm assured by the man himself, that the strange vocal mixes on 'Get To Get Out' and 'Dated' are done on purpose, but I'd like to see the former played straight. 'Invisible Friend' is a more acoustic number but, with influences such as Radiohead and Crowded House, it's the warped guitar playing that is performed most freely. I think that Nick lacks a bit of confidence in his singing ability - almost scared to let go - but that should improve with time. This debut is not going to change the world but if you want to support a new artist and feel like something out of the ordinary, give Mumble a try. 6/10. July 1997.
MARILLA NESS : From Where I Stand. (Merciful Love Music : MLM118)
After seeing, and hearing, just how much my own relations had enjoyed Marilla's 1996 album and video, I was full of high expectations for her latest release. I'm pleased to say that I have not been disappointed, as here is a collection of old and new songs that have been given the full Marilla Ness treatment, resulting in a brilliant album. From the moment 'Make My Heart...' opens, you can literally relax and enjoy the soft, gentle vocals of this talented p&w artist. Most of her songs have the feel of Irish folk and the beautiful acoustic guitar playing on numbers like 'As Gentle As Silence' is almost perfection. 'Abba Father' has rarely been sung better and the country tinged 'Jesus the Healer' is just another of the list of high points on show. Delirious? or WWMT fans probably wouldn't give this lady the time of day but, for many others, 'From Where I Stand' it will be an essential purchase. 10/10 November 1997.
MARILLA NESS : Resting in Love. (Merciful Love Music : MLM120)
Album number 10 finds Marilla Ness, ministering in song the only way she knows how. With gentle, easy listening tunes she delivers 12 beautiful tracks in typical Marilla fashion. From a personal point of view I can only tell you of the spiritual joy and uplifting her previous releases have given to various members of my own family. Here, using songs written by the likes of Tom Paxton, Michael Cameron and Robin Mark, her voice is only made more outstanding by the excellent musical backing. Stve Hindalong is a name from the CCM past, and his "Beautiful Scandalous Night" is an early highlight. When I heard that other writing credits included ex-Pogue Shane McGowan, I was a little worried. However, any fears were quickly squashed by the excuisite "You're the One". "Don't Give Up On Me", Gently She Carried", "I Will Love You", are just 3 more of a track listing of which I can find no fault. Long may her wonderful ministry continue. 10/10 November 1999.
JOHN NUTTALL : Heartsongs. (CD recording from : John Nuttall, 121 Castleton Road, Royton, Oldham, England, OL6 6UP).
The obvious comparison when you first hear a male singer/songwriter of this kind is, of course, Martyn Joseph. There again, comparing john to Martyn Jospeh is a bit like saying that S Club 7 are as good as The Beatles! Who knows? In years to come we may well be eating our words but, for now, lets say that John Nuttall certainly has every chance of becoming as popular as Martyn is today. The songs are all (bar one) carefully crafted in a consistant way that obviously shows he has the right ingredients needed. "Deeper Is your Love" starts off the album and is, indeed, one the strongest tracks. It chugs along quite nicely and I soon found my foot tapping away to the beat. Then, it's basic piano accompaniment to "You Said It All" which, in my view should have come later in the listing. "I Heard the Voice of Jesus" reminded me of Adrian Snell, and I especially liked the love song to Jesus entitled "Hang on To You". There's some simple acoustic worship and then the out of place hymn "The Cross" but, as a grounding, John Nuttall is a name to remember for future. 8/10 July 2001.
NSC : Wasp in a Jam Jar. (Private CD £11.99 & Cassette £7.99 inc p&p from : NSC, West Down, Cheriton Bishop, Nr Exeter, Devon, England, EX6 6HG. A highly impressive CD debut. (Cross Rhythms Apr/May 96). Alternative Rock. 8/10.
ON THE ROCK : No Hidden Agenda. (Private Recording. CD £11 Cass £6 & £1 Postage from: Kingsway Christian Fellowship, Church Road, Waterloo, L22 5NA, England).
This year's crop of privately recorded albums has been of consistently high standard, and this offering is no exception. On The Rock hail from the Liverpool area and have been playing plenty of gigs in and around their home area. This debut release contains 8 tracks and starts with the atmospheric "In the Beginning". Using the first verses from the Bible, the words are carefully used over a backdrop clever, manipulative sounds that could certainly be used with dramatic, visual effect. "Jesus, Lovely Jesus" is a superb, rocky praise and worship song that I can see going down a storm live. Simple lyrics but very well used. Just once or twice elsewhere I thought that the lyrics didn't quite fit the music but, overall, Ian Walker proves to be a writer of distinction. The guitar work on "Hold On You" is quite special, while the introduction of a saxophone on "Let the River Run" is exceptional. Joy, happiness, and praise literally oozes out of the speakers. A couple of the songs don't quite match the rest but, with the quality of "My Grace" and it's relaxing mood, it's a very good start. 8/10. June 1998.
KATHY PETERS : Love Will Find A Way. (Private Recording. CD £13 Cass£6 from: Kathy Peters, St Andrews Church Office, The Rectory, Highcroft Avenue, Bebington, Wirral, Merseyside, England, L63 3EX).
Kathy says "At times we all feel weak......if we can put aside our feelings of inadequacy, or unhappiness, and share Gods love, then love will return." The title track kicks things of at nice and easy pace in a Susan Ashton sort of way, and some country style guitars. The lovely feeling it emits, is carried on by 'When We Don't Speak', as she reaches out for the father's hand. It is a very personal collection of songs, written from the very heart of a Christian woman trying to live in today's world. The music is of general high quality, but I would pick out the piano on 'You Will Find Him' as a little special. Kathy's voice suits every song no matter what their style, whether it be the Celtic tinged 'I Hear Your Voice' or the sweet 'Carry Me'. Interestingly enough, I found the two songs written from a mother's perspective the most difficult to listen to but then, I'm not a mother. Kathy Peters is another bright light in British CCM. 9/10 November 1997.
PILGRIM : Pilgrim. (Private Cassette £3.50 from: Paul Symonds, 175 Quarmby Road, Quarmby, Huddersfield, HD3 4FE, England). At times, Pilgrim can rock with the best. 7/10 February 1996.
PITY THE SMALL THUMBS : Blackbird. (Private Cassette £3.35 from: P.T.S.T, 4 Deal Avenue, Walney Island, Barrow in Furness, Cumbria, LA14 3BH, England). A must for your indie collection. 7/10 March 1996.
POETIC JUSTICE : Mark of Cain. (Private CD £10 & Cassette. £6.50 from: Poetic Justice, c/o David Casswell, HM Prison Wolds, Everthorpe, Brough, E.Yorkshire, HU15 2JZ., England) Folk rock, presenting the view of prison life. 9/10 Album of the Month September 1996. Privately Recorded 'Album of the Year'.
PRETENCE : Everything Under the Sun. (Private Cassette £5.50 from: Derek Hobbs, 21 Freeborn Close, Kidlington, Oxon, OX5 2BH, England). Light rock of a Hall & Oates style. 7/10 February 1996.
NEVILLE RAINE : Heaven to Hollywood. (Private Cassette Recording. £5.75 from Neville Raine, 22 Ibbetson Drive, Churwell, Morley, Leeds, LS27 7TZ, England). A smattering of Queen influence here and there, but Mr Raine shows that he has a wealth of talent and is just waiting for someone to light the blue touch paper. A popping 8/10. December 1996.
THE RENEWED REPROBATES : The Renewed Reprobates. (Private Cassette Recording : £3.00 inc. p&p from: P. Swinney, 17 St Peters Road, Scotter, Lincs, England, DN21 3SG).
Primarily aimed as a promotional release, this is the debut from three guys with a lot to offer. Four songs here, all penned by lead singer Paddy Kirkman who has a blues guitar background that comes to the fore on the closing 'Jesus is King'. If that isn't enough for one guy, then his remarkable Martin Smith voice is almost too good to be true. 'Jesus Christ is Lord' is a simple, 3 minute contemporary praise song in the style of Mr Smith's band. That, I'm afraid, does tend to lead you into the Delirious way of thinking but, there is more to this band. The lyrics are thoughtful and the tunes well written. The musicianship is tight and, if you forgive the tiny budget recording, this is a good first outing. 'Lord I'm Aching' is a slow worship number, while 'Have You Ever' returns to the poppy style whilst shouting how much we should love those who have no-one. If the RR's can build on this, they should have a healthy ministry ahead of them. 7/10. November 1997.
THE RUMOURS ARE TRUE : Longer Days. (Private CD £6.50 & Cassette £4.50 inc p&p from: Richard Coates, 141 Fossway, York, YO3 7SQ, England). Inspirational jazzy, celtic rock. 8/10 May 1996.
TABLES OF STONE : Engraved. (Private Recording. CD $20 from: TOS, PO Box 36067, 1318 Wellington Street, Ottawa, Ontario, Canada, K1Y 4V3).
Another Canadian outfit for me to get my teeth into, and what a band they are! Having just played the New England Music Festival alongside the likes of Petra, and The Newsboys, plus a host of radio stations playing their songs, TOS look like a band we'll be hearing a lot more of in the future. Sound wise, the album is reminiscent of Jars of Clay with a little DC Talk added in for good measure. The result is a collection of songs that will inspire you as well as asking you a few home truths. Lead singer Colin Genereux has a great voice and a fine way of writing most of the tracks. 'Choose To Live' opens proceedings with some great guitar riffs and superb vocal harmonies, answering the age old question of which road to follow. The repentant Christian is the feature of 'I Believe in You', a quiet acoustic number that flows right through you. 'Forgive My People' is another track that is filled with awe and worship for God. Getting the message of the Gospel over to the youth of Canada is number one on the bands list of priorities. Canada is most fortunate to have TOS. 9/10. October 1998.
HELEN TURNER : Permission. (CD £11.50 inc p&p from: Helen Turner, c/o Tollbooth Music, 8 Clarenden road, Reading, Berks, England, RG6 1PH).
I must declare from them outset my allegiance to Helen's musical cause, and a certain amount of bias. We have been friends for 8 years, and have collaborated together on various musical projects, although I had nothing to do with this album - so some element of objectivity does still remain! Helen was previously the singer for York based quartet The Rumours Are True, an Iona tinged band that favoured high drama and excellent musicianship. However, as good as Rumours were, "Permission" is a huge step forward, due primarily to the fact that the songwriting is warm, distinguished and frequently beyond what many bands ever achieve. Anybody who enjoys singer-songwriters, or generally honest and sincere music, will find something to enjoy here. Helen puts her heart utterly into her music, and songs such as "Grass Is Greener", "Lye-di-Dy" and "Helium" showcase not only her ability as a writer, but also some stunning vocal, where she manages to come close to the intimate grandeur of Sarah MacLachlan. Best of all is "Raynbird Street", a very moving and poignant song that's enough to soothe a raging Oasis fan at 100 yards. "Permission" heralds the arrival of a tremendous talent. Recommended. 9/10. Miles Cain. June 2000
SECRET ARCHIVES OF THE VATICAN: Reformation. (Private CD Recording: £10 from V.Millett, Broken Drum Records, 70 Birdhurst Road, South Croydon, Surrey, England, CR2 7EB.
"What is that?" asked my 15 year old daughter. Is it all Indian music?" said my 14 year old son. "I don't quite know what to make of it", answered their 40 year old dad. Secret Archives consist of Vince Millett and Louis Counter, with some guest musicians helping out, here and there. This is their first major release, which is an ecletic and original combination of styles as diverse as acid techno, Arabic & Indian, and psychedelic trance. 16 tracks and 70 minutes of music that I've never, before, come across in any shape or form. Make your mind up after one play and you'll probably never play it again. But, I think that you will want to. With the use of such instruments as mandolas, bouzoukis, and more, the sounds slowly filter into your brain and, it's then that you start to ask questions. IS "Godheadz" really about the trilogy? Is there a hint of revelation in "Dark Night of the Soul"?. No lyrics, but plenty of unusual and remarkable sounds that is capturing media attention far and wide. You've certainly got something guys, and more power to you!. 8/10 April 1999.
SKINFLOWERS : Skinflowers. (Private CD Recording. £2.50 from G.Leicester, 6 Hurcombe Way, Brockworth, Glos, England, GL3 4QP.
Although promoted as a three track single, this CD actually contains six songs. The extra three are provided by the inclusion of material previously only available on the band's demo tape. Of these, "Come Back Hungry" is the strongest, with it's definate REM influences. The new tracks, however, see the duo move on musically and experiment with a harder sound that results in an intriging cross between DC Talk and Tubeway Army. The mystic sounding "Man of Blood" stands out high above the other tracks in both lyrical and musical content. The orchestral arrangement alone is superb but the track itself is a classic. Not that either "Waiting…" or "Hey Man…" are weak, they are, in their own right, good songs and, at this price, the CD is well worth investigating if you like something out of the ordinary. 8/10. March 1999.
SON OF NUN : Spiritual Flame. (Private Cassette Recording. £5.50 inc p&p from: R. Saggs, Lamplugh House, Thwing, Driffield, E. Yorkshire, England, YO25 3DY.
I really haven't heard a demo like this for some time. Plain and simple lyrics, married to unfussy music which really lets the raw feeling filter from the tape. With all due respect to other bands, it is really nice to hear a band who don't instantly fall into the current Britpop or dance sound. Saying that, on the closing 'In the Garden', the vocal quality is very Beautiful South! Good song, and well performed. Bassist Dave Beere is the man behind most of the lyrics, and he uses clear biblical truths to form the backbone of ewach song. The opening 'Armour of the Lord' lacks a little in conviction but there is some rather nice guitar work contained within. Seven songs in total and a good effort for a first time out. Songs like 'Sixty Three' and 'The Lord is Marching' are bound to be popular wherever Son of Nun play, and they can be well satisfied with their offering. 7/10. January 1999.
SOUL ASCENDANT : 3 by Seven. (Private CD Recording, £2.50 from: P.Stoodley, The Vicarage, Park Road, Sowerby Bridge, HX6 2BJ)
Some 9 years since I first met them, the group now known as Soul Ascendant, release their first CD. Naming James Brown, Aretha Franklin, and The Commitments as their main influences, you can get an idea of the sort of music contained on this 3 track EP. It kicks off rather slowly with Ruth Stoodley telling the story about finding Jesus in her life. Not a bad song but I would have, personally, preferred a livelier start. The pace does pickup for the second song, "Passin Thru", with the brass section leading the way. This is more like it and the James Brown feel makes it a sure fire dance hit."Can't Do Right" sees Pete Stoodley share the lead vocals on what he calls a "humourous cliché". Robb Sutherland plays some neat lead guitar and, all in all, if you like soul music, you'll like this CD. It may only be 3 tracks, so perhaps you should see them live. 7/10. December 2001.
SOUL ASCENDANT : Between Two Worlds. (CD £5 & £1 p&p from: Rev P Stoodley, The Vicarage, Park Road, Sowerby Bridge, West Yorkshire, England, HX6 2BJ).
Is it really more than 10 years since I first met the rockin' Stoodley's, then known as Logical Bonds? It sure is and, during the proceeding years, I've been able to follow their musical development quite closely. Now, of course, band members have increased to seven, courtesy of Ruth's marriage to Robb, as well as Mike's to Caroline, and not forgetting drummer, Jonathan Birch. First plus point for this band is that they deliver the goods, Commitment style, with live instruments. There's great guitar licks on "It Was You" and a solid brass section chugging away on the re-worked "Brand New". Ruth does most of the singing and I've always liked her vocals best on the faster numbers. Saying that, although I don't think that "Flying" works too well for her, she has a real warmth when delivering the worship of "Lead Me To The Rock". "Can't Do right" is my favourite track, and it has a real groove to it complete with great saxophone phrasing. "Passin' Thru" is similar and there's the added bonus of some fine keyboard work in here. No surprises about the subject matter of the songs, but if you want to find good rhythms, with not a drum loop or sample in sight, this latest release finds Soul Ascendant in top form. 8/10.
SOUL ASCENDANT : Between Two Worlds. (CD £5 & £1 p&p from: Rev P Stoodley, The Vicarage, Park Road, Sowerby Bridge, West Yorkshire, England, HX6 2BJ).
Is it really more than 10 years since I first met the rockin' Stoodley's, then known as Logical Bonds? It sure is and, during the proceeding years, I've been able to follow their musical development quite closely. Now, of course, band members have increased to seven, courtesy of Ruth's marriage to Robb, as well as Mike's to Caroline, and not forgetting drummer, Jonathan Birch. First plus point for this band is that they deliver the goods, Commitment style, with live instruments. There's great guitar licks on "It Was You" and a solid brass section chugging away on the re-worked "Brand New". Ruth does most of the singing and I've always liked her vocals best on the faster numbers. Saying that, although I don't think that "Flying" works too well for her, she has a real warmth when delivering the worship of "Lead Me To The Rock". "Can't Do right" is my favourite track, and it has a real groove to it complete with great saxophone phrasing. "Passin' Thru" is similar and there's the added bonus of some fine keyboard work in here. No surprises about the subject matter of the songs, but if you want to find good rhythms, with not a drum loop or sample in sight, this latest release finds Soul Ascendant in top form. 8/10. (September 2004)
ST JOHN'S NEW WINE : Eternal God. (Private CD. £5.50 from Geoff Waring, St John's Church Newland, Clough Road, Hull, England, HU6 7PA).
The worry about reviewing something produced by old friends is that your honest opinion may hurt the feelings of those involved. But, as they say, honesty is the best policy, so here goes. A collection of well known praise and worship songs, recorded live, and with all profits going towards the church's building project. "Praise Him on the Trumpet" starts proceedings in a style that can only be described as a war-time pub singalong! "Beautiful Saviour" shows the vocals in better light, as does "Blessing & Honour", both with uncomplicated musical backing. Getting the sound levels right must have been quite difficult for the engineer in this live situation but he copes quite admirably. The downside comes from slightly off-key male vocal on many of the songs, and the tacky music that appears on "Our God Reigns". The title track, on the other hand, features a smashing lead vocal of distinct quality, abley supported by the rest of the group. "Lion of Judah" gets an outing, as does "We Sing your Mercies" and the delicate "It's All About You". It should certainly raise money around the church as a momento of live performances, it's just a shame that New Wine's efforts fall a little short in what they were trying to achieve. 6/10. December 2000.
VARIOUS : Declare His Glory! (Jarrod Cooper Ministries : JCM006)
This brand new release features, not only, Jarrod Cooper, but singer/songwriter Paul Hemingway, and vocal worship group Shekinah. With almost all the writing credits falling to the two solo artists, it's a mixture of songs that lacks a little continuity but has many highlights. The mixture of live and studio recordings work well and it's in the former style that "He's Alive" begins the listing. A typical opener, with lots of clapping & praising, it would grace any gathering. "I Rejoice…" is rather too short in length and finishes before it really has chance to shine. Indeed, this was my disappointment with many of Paul's songs. "I Surrender" is a lovely acoustic number and Felicity Cooper's "A Ti Sea La Gloria" provides the listener with a great sense of God's peace. On the whole, another winner from this fine ministry. 8/10. March 2000.
VARIOUS ARTISTS : Eurochrist Sampler 1. (CD £10 from: NSC, West Down, Cheriton Bishop, Exeter, England, EX6 6HG).
Over in Norway, two small record labels have come together to produce a fine sampler of tracks from European CCM bands. Sarepta and 1340 Records have taken tracks from As If…,NSC, Skellig, and many more to feature an insight into 18 different bands/artists. If there's one thing that's constant throughout the album it's the driving guitar. From the Wheatus sounding Maybe June and through the bonus American contribution Wonderboys, it's the stringed instrument that's to the fore. Mind you, As If's experimental "Full Bloom" doesn't mean to say that they've changed their style, perhaps just continuing to grow? Debby Barnes' "Three in One" is Garbage, and I mean that in the sense that the finished product sounds like the band! Target's "Perseverance" features their bright pop style that was so evident in their Cd release of last year, while Ascension's "Goats" is another track lifted from a successful album. Of those I'd heard before, it was good to hear NSC's "Breakpedal" again and, while not a personal favourite of mine, it's very popular live. For something completely different, Nancy Sawyer's "Dancing on the Inside" is a welcome relief, with her lighter, folk/pop and sweet voice. There again, if moshing's your sort of thing, check out the German band Woodencross. "Ghandi" is wonderful. Starting with a terrific brass section, it's then head's down for some music. Interesting collection and one that does show what unearthed talent lies across Europe. 7/10. June 2001.
WHITEWINGS : Wings Over Heaven. (Private Cassette Recording £6.99 from: Whitewings Christian Singing Group, Hall Cottage West, Main Road, Ballabeg, Arbory, Isle of Man, M9 4LE).
Formed in 1996, Whitewings consist 8 girls aged 12-17years and, as the notes state, "3 recycled teenagers", while. As well as local concerts, the girls sang at last year's Easter People in Bournemouth and have already been invited to appear at this year's event in Blackpool. This debut cassette contains 13 songs of which several are very well known. 'Holy, Holy, Holy' is given a special kind of freshness with it's simple, yet effective, arrangement, and 'The Angels Around Your Throne' continues the feel. 'You Shall Be Holy' features a lovely solo part and 'O Righteous God' is simply beautiful. Where the sweet, young voices don't work so well is the uptempo 'Rise Up', which sounds rather thin throughout. However, with backing music provided by Kingsway (slap on the back for them), and Tony Turvey's leadership, Whitewings look certain for greater things. 8/10. Janaury 1998.
WOODENCROSS : XXX. (CD from: Zentgrafenstr.16, 69198 Schriesheim, Germany. www.woodencorss.de).
Together for more than 5 years, Germany's Woodencross first came to my notice on the excellent 1340 Records "Eurochrist Sampler". Their featured track was called "Ghandi" and, sure enough, it's the opening song on this 1999 release. To be quite honest, I've never heard anything quite like Woodencross. They're punk, ska, a little bit of pop, and a lot of….well, Alien Ant Farm! The guys say that they put a lot of fun into their music, and it's very evident throughout. "Ghandi" kicks off with some great brass before Daniel Meisinger's biting vocals attack. "How" is definitely in the Linkin Park mould, looking at the question of whether you should stick to 'going with the flow' or standing up as a follower of Jesus. "Human World" is a ska/punk number that changes pace well and has lyrics that tell you that the Lord is waiting for the lost with arms open wide. If you want to know more about the band and their beliefs, then "Checkout" will tell you everything. It's another sharp and powerful song that, nevertheless, had me smiling throughout. Some songs are sung in their native tongue but don't let that put you off. It's not usually my sort of musical taste but, in this instance, Woodencross really hit home. 9/10. December 2001.
WORLD WITHOUT END : Bridge. (Private Cassette £6.00 from: Paul Monkhouse, 24 Barley Way, Attleborough, Norfolk, NR17 1YD, England). Guitar driven rock in a Simple Minds sort of way. 6/10 March 1996.
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