Jim, Caroline, Andrea and Sharon
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With their unique blend of
contemporary and traditional Irish musics, 143/Lava/Atlantic
recording artists, the Corrs, have established themselves as true
originals. On their long-awaited new "TALK ON CORNERS,"
the Dundalk, Ireland group, Jim (keyboards/guitars/vocal), Andrea
(lead vocals, tin whistle), Caroline (drums, bodhran, vocals) and
Sharon (violin, vocals) create a sound steeped in the tradition
of their homeland, but invested with a vibrant and electric
modern pop flavor. On tracks like the dramatic "Only When I
Sleep," (co-written by the band with producer Oliver Lieber,
the son of legendary songsmith Jerry Lieber) or the harmony-laden
first single, "Dreams" (which also appears on
Lava/Atlantic"s "LEGACY: A TRIBUTE TO FLEETWOOD MAC'S
RUMOURS"), the family Corr concoct a delightful and
emotional music unlike any on today's popular scene.
As with their acclaimed 1995 debut, "FORGIVEN, NOT
FORGOTTEN," the new album was helmed in part by
fourteen-time Grammy Award-winning producer David Foster.
"We feel he understands our music and the way we want our
music to sound," Caroline says of the Corrs' musical mentor.
"He's fantastic with vocals and harmonies. He always comes
up with some other idea that you might not have thought of."
Foster was but one of a handful of producers to work with the
Corrs on "TALK ON CORNERS." In their quest to add a
fresh new attitude, the quartet opted to collaborate with a
number of other well-known studio hitmakers. The list includes
Glen Ballard (Alanis Morissette), Billy Steinberg (Madonna), Rick
Nowells (Belinda Carlisle), and Jim Corr himself. For the album's
big ballads' "I Never Loved You Anyway" and "Don't
Say You Love Me" the band teamed up with one of pop's
songwriting legends, Academy Award-winning lyricist Carole Bayer
Sager.
"We just decided to try new things," Andrea says,
"to match up with other people. It was all great fun."
"Each song is different," she continues, noting the
record's lyrical themes. "There's love, life, tragedy, hope,
dreams, fantasy. It's whatever the music inspires."
The striking "TALK ON CORNERS" also sees a remarkable
growth and significant change from "FORGIVEN, NOT
FORGOTTEN," incorporating a more melancholy and adventurous
tint to their musical palette.
"From all the performances we did on tour around the
world," Andrea says, "we had developed in such a way
that we wanted to be a little edgier."
"We learned an awful lot from being on stage," Jim
adds, "so we made it slightly more guitar-oriented. It's a
harder, rockier sound, but it still maintains the sound of the
Corrs."
Highlights of the album include the dynamic "Queen of
Hollywood" (whose lyric supplies "TALK ON CORNERS"
with its title), "Paddy McCarthy," a new instrumental
that harkens back to the Corrs' folk roots, as well as a duet
with the Chieftains on a Celtic version of Jimi Hendrix's
"Little Wing," replete with harp, fiddles, flutes, tin
whiste, bodhran, and uillean pipes.
"They called us and asked us to do a song with them for
their album," Caroline says of teaming with Paddy Maloney's
renowned traditional Irish troupe. "It was
(producer/manager) John Hughes' idea to ask them to do
"Little Wing," and it turned out fantastic. They're
great musicians. We just sat down together and just played."
Internationally, "TALK ON CORNERS" has continued the
incredible streak of successes begun with the Corrs' debut.
"FORGIVEN, NOT FORGOTTEN" made a huge splash on a
worldwide scale, racking up worldwide sales of nearly 2 million:
certified gold in France, Canada, Norway, and Japan; double
platinum in Spain, Denmark, and New Zealand; and an unprecedented
eight-times platinum in Australia and Ireland (where it is one of
the all-time best-selling debuts by a native recording group in
the country's history). In less than six months, "TALK ON
CORNERS" has already logged sales of 1.1 million worldwide,
and is still going strong. After debuting in the #1 spot on
Ireland's pop chart, the album has been certified six-times
platinum, while in Spain, the double-platinum "TALK ON
CORNERS" has been in the Top 10 for more than two months.
The Corrs have made innumerable TV appearances around the globe,
including: Kelly Live in Ireland; the U.K.'s Richard & Judy
and Surprise Surprise (hosted by former British chart-topper and
Beatles' pal, Cilla Black); and The Jose Carerras Gala in
Germany; not to mention their performances on such American
programs as Late Night with Conan O'Brien, Today, and CBS This
Morning, along with a classic guest slot on Fox's popular
nighttime soap opera, Beverly Hills 90210.
An aspiring actress in her spare time (of which there is very
little), Andrea been increasingly involved in making movies. In
Warner Bros.' first fully animated film, The Quest For Camelot,
she serves as the singing voice of the heroine, Kayley (The
film's Curb/Warner Sunset/Atlantic soundtrack features two new
David Foster/Carole Bayer Sager-penned Corrs tracks: "On My
Father's Wings" and Andrea's duet with country music
superstar Bryan White, "Looking Through Your Eyes"). In
addition, Andrea has now appeared in two films by director Alan
Parker: The Commitments and Evita. In filming the latter, as Jim,
Sharon, and Caroline escaped on a well-deserved vacation, Andrea
flew to Budapest to portray Juan Peron's mistress.
"It was brilliant," Andrea says of working with the
film's star, Madonna. "She was fantastic. I was nervous, but
I just did my bit."
With their ever-growing fanbase in mind, the siblings have taken
their show on the road, receiving standing ovations as support to
such artists as Celine Dion and Michael Bolton, as well as on
their own. An appearance before a crowd of 50,000 at 1996's big
Fleadh festival in London's Finsbury Park with Sting and Van
Morrison was a triumph, prompting The London "Times" to
declare that "The Corrs took only forty minutes on the main
stage to demonstrate why they are a good bet for stardom."
"It's our first priority," Sharon says of the Corrs
live experience. "It's where you really reach your audience,
where you really communicate with them. And as musicians, we just
love playing."
With "TALK ON CORNERS," the Corrs are set to continue
on their path towards bringing their unique brand of Celtic
pop-rock to the rest of the known universe. Recent months have
seen the group wowing capacity crowds in Australia/New Zealand,
Japan, and of course, Europe. Among the highlights was a St.
Patrick's Day show at London's Royal Albert Hall, a concert which
was televised by the BBC and on America's Odyssey cable network.
The sold-out show featured a special guest appearance by
Fleetwood Mac founder Mick Fleetwood for a rendition of
"Dreams."
The time has now come for the Corrs to bring their live magic to
North America. The group will spend part of the spring and early
summer as part of the annual Guinness Fleadh roadshow, a festival
tour that unites U.S. and British folk artists, rootsy rock 'n'
rollers, and country & western combos with practitioners of
traditional (and not-so-traditional) Irish music.
As Andrea says, explaining the Corrs' popularity around the
planet, "I think the reason for that is our music is very
melodic. Also, there's something about the traditional Irish
music element that, all around the world, seems to capture
everybody's heart."
Taken from 'Atlantic Records' (The Corrs record label)