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Charlie celebrates

George Armstrong, Frank McLintock Charlie George, John Radford ans Bob McNab celebrate Charlie's FA Cup Final winner for Arsenal v Liverpool 1971.

'I've been a fan myself and I feel you're giving them something back. If you score and just run back to thr halfway line it's absolute bollocks' - Charlie George

Amy Lawrence on the 1971 Gunner's final hero Charlie George

From'The Observer' 6 May 2001

(www.observer.co.uk/sport)

FOOTBALL SUPPORTERS WILL forgive talented players most indiscretions so long as they try. So long as they have pride in a the shirt. For Arsenal fans and Charlie George this was a given. He was one of t them; he had the skills, he had the swagger, he had the Arsenal tattooed on his heart, and he made that dreamlike, quantum leap off the terrace and on to a the pitch.

George was wonderfully unique. Although he wasn't the only elusive maverick floating through football in the early Seventies, he was the only one who played for the team he had loved ever since he could remember loving anything.

In the summer of 1953, with England in the throes of street parties to honour the Queen's coronation, George the toddler went out to play dressed up a as Jimmy Logie, the wizard who crafted Arsenal's attack of the day. Little did Mr and Mrs George realise that their boy would one day become the King of Highbury .

A vintage shot from football's 1971 a collection of gimmicky photographs depicts George in full regalia - shimmering robe over his kit, jewelled crown atop his lank hair, sceptre in one hand and FA Cup in the other. His expression is something to behold, a cross between, 'What the 'eck's this all about, I quite like being a king, as it goes', and 'This is a a right laugh.'

Nothing fazed him. 'I wasn't really a shy person,' he says, master of understatement. 'I never felt out of place. I've always mixed with people a bit older than myself and as a kid I always played with older people so I never felt inferior . Once you step over the line you get a buzz, you know? In a funny way it's a cockiness from knowing what I could do when I played football and I always had confidence in my own ability; There wasn't anything I didn't think I could do with a ball. That was my philosophy .'

He breezed into the dressing room oozing the cheek of the Artful Dodger and the arrogance of Top Cat. Not only I did he enter into the banter immediately, he started plenty. 'He was just Charlie off the terraces when he was walking about in an Arsenal blazer " remembers Frank McLintock, the skipper of that 1971 Double-winning side. 'If he didn't like somebody he'd let them know, You're a tosspot and all that, and he never lost his brashness at all. He was a right outspoken sod, but that's what made him a special player .'

His social impact was nothing compared with the shockwaves he caused at the training ground. Some of the experienced pros had never seen anything like him. His party piece was to launch the ball into orbit, eye it indifferently as it sped down, then kill it stone dead. A doddle. He had swank, he had subtlety of touch, he had substantial thighs, assets that fused to give him the power to unleash those trademark missile shots.

George sprayed passes around with the ease of Beckenbauer, knocked volleys over his shoulder and into the roof of the old Charlie, all the skill in the world and b none of the sophistication. George's distinctive style made a statement: I don't care, I don't pose, I just let it all happen.

Without even trying the rebel was perpetuating his own myth. But strip away the layers of bravado and way down in the pit of George's stomach was evidence of nerves. 'I used to be physically sick before games,' he a admits. 'Frank said to me years ago, "I know there's a lot of pressure on you because you're a local lad.

" I never actually felt it but I couldn't eat before a game because I used to burn a lot of acid up in my body. Once I was out there I was OK. I've never felt in awe of anybody, never ever in my life. There was nothing that any footballer could do that I felt I couldn't do. Whether that was right or wrong it's a good attitude to have."

His unwavering belief endeared him to his team-mates. If he was having an average game compared to the grandiose heights he could achieve, Bob Wilson used to get hold of him at half-time, urging him, coaxing him, pushing him to find the magic. 'He had an amazing ability, even if he'd played badly, to remember the one great ball he'd hit,' says Wilson. 'Charlie had the strut at 19.'

__________

Charlie George in 1999

George pictured in 1999

__________

DON HOWE, WHO coached that Arsenal side, was full of praise for George. 'They talk today about these players dropping off - Zola, Cantona, Bergkamp- we were doing that 30 years ago with Charlie George,' he says, And he was superb. Yes, he scored great goals, but he was the crucial link between the back and the front as well.' As for Charlie, he couldn't care less where he played as long as he played. 'I could play either up front or midfield. It didn't matter, I always felt football was easy. If you gave me the ball I would do the work: I only wanted the ball, then I would do whatever you wanted me to do with it.'.

The FA Cup was the perfect platform for Arsenal's virtuoso. The roulette wheel of knockout competition stimulated his creativity and stoked his conviction. Under the spotlight of the big occasion reputations are created or killed. With each round in 1971, so George's reputation grew. Having got back into the scoring groove tn-~, } fourth round against Portsmouth, he netted winners in the next two stages. And a couple of them were the kind of gems only George could unearth.

Maine Road was not the most appetising-draw for Arsenal, especially on a surface like a swimming pool, 'I don't know whether Malcolm Allison had flooded it at the time, I think they had a couple of players injured,' George recalls, 'but when it rains in Manchester... it rains.' The game was played under the flood lights on a ghastly night. McLintock felt it was time to play mind games with the joker in Arsenal's pack, just in case he wasn't feeling inspired. 'I hope you play well tonight, Charlie,' warned the captain. 'I was talking to Malcolm Allison and he doesn't rate you at all. He reckons you can only last about 30 minutes, he thinks you'll die a death - typical cockney .'

Charlie turned the air in the dressing room blue, then promptly went out and upstaged City's stars Franny Lee, Colin Bell and Mike Summerbee, with a stellar performance that included two goals. McLintock, of course, hadn't spoken to City's coach before the game and he took-great delight in telling Allison and George afterwards.

The semi-final pitted Arsenal against Stoke, the team whose 5-0 demolition job had rocked the them in the league earlier in the season. Nightmare start. Two-nil down at half-time and on the way to another drubbing. What's more, both goals were gifts, one from Peter Storey and the other from George with a wayward backpass. It was an afternoon ruled by nerves and Arsenal were losing n theirs.

In the dressing room at half-time crockery was smashed, tempers soared, and Arsenal emerged refocused. Peter Storey demonstrated all his deft talent with a fierce, long-range drive to make it 2-1, then all his deadly nerve with an injury-time penalty.

The Double dream remained alive.The replay was a one-sided affair. No nerves this time. And George soon got over his Hillsborough clanger: 'The first t touch I got was a 6O-yard backpass to the goalkeeper. I was very conscious of what s fhad happened in the previous game and I did it just to prove to myself that everything was going to be all right. You get over something. You made a mistake but you've got to get on with it; you're not going to change the course of history because whatever's happened happened. We won the game 2-0, quite comfortably in the end.' .

George always was something of an enigma. How else do you begin to explain his movements after the league title winning night at White Hart Lane? The quintessential Arsenal man, born in Islington and bred on the North Bank, having just played in the most liberating derby any Gooner could ever witness... what did he do after their 1-0 win, when the team coach drew up at Southgate?

He hopped on the Tube and went home. The lads hit the boozer, his old man and fiancee were out looking for him to help their favourite boy paint the town red and white. And Charlie went home. He just felt like it, so he did. Enigmatic? I'll say. Little wonder moody pubescents allover London wished they could be like Charlie George. And frivolous nymphettes wished they could be with Charlie George. And bashful housewives wished they could mother Charlie George: And that's before even mentioning what Charlie meant to the Arsenal faithful.

He was one of them, and he was living out all of their fantasies. In tbe midst of the madness in the visitors' dressing room at White Hart Lane God knows how anyone heard the telephone ring. 'Bill Shankly here, put that man Bertie Mee on the line,' commanded football's mastermind. ' A tremendous performance Bertie, magnificent. You may even give us a game on Saturday .'

Mee, we can safely assume, was in the mood to take on anyone. And Charlie , was in the mood to go home to his mum and dad's flat. Were you saving yourself I for something Charlie? 'I don't know what for,' he says, with a teasing laugh. Shankly wasn't the only one to indulge in mental trickery.

'We got him I back at the final: Bob Wilson recalls. ' As we'd been at Wembley twice before, we knew that because of the drill with the Royal party they keep you waiting in the tunnel with the cameras on you for far too long. You can wet yourself there, some players really lose it. We refrained from going out. The F A official knocked on the door. "Sorry, we're not ready," said Bertie. "Just doing my team talk." The second knock and Frank made out he had a problem with a stud. The Liverpool lads were out there for ages and Shanks knew exactly what we were up to. We saw him fuming when we came out.'

GEORGE, HAVING VOMITED his jitters out in the dressing- room lavatory, was as imperious as ever. His first match at Wembley was beamed to 400 million around the world. 'I wasn't nervous.I just wanted to go and get started so we could get the game over, win the Cup and go and have a drink,' he says. Liverpooi got their noses in front through Steve Heighway in extra time. Then play Brian Moore: 'Radford, back c over his head. Kelly is right in there, playing much more as a striker in this extra time... AND IT'S THERE! GEORGE GRAHAM! It's George Graham who got the touch and makes it 1-1!'

George Graham claims the equaliser

George Graham claims Arsenal's opener

In fact it was George Graham who sold the greatest dummy of all time, kidding everyone in the stadium that he'd got the final touch. 'It didn't matter, we'd scored,' grins Charlie. 'Pushing forward and trying to score in extra time is very difficult. It was so hot, like a cauldron. The heat was so intense it was unbelievable. The day absolutely drains you. The 90-minute period I've played as well as anyone,but in extra time1 was tired. I swapped over and moved up front, I think Geordie [Armstrong] dropped back. I was a little bit knackered but I could always find the strength to hit one from 20-30 yards. It was never a problem. It was easy for me to hit a ball, no matter how far.' Brian Moore: 'Graham. Radford. Charlie George. Radford. Oh, Charlie George, who can hit 'em... OH WHAT A GREAT GOAL CHARLIE GEORGE! WELL WHAT A FABULOUS GOAL BY GEORGE! CLEMENCE HAD NO CHANCE WITH THAT!'

George celebrates the winner

It was stunning. And what followed was equally staggering: Charlie was floored by his own knockout blow. It remains one of the game's enduring images, imprinted on the minds offootball fans regardless of club. There is Charlie, a symbol of everything that is precocious about football and life, lying flat out with his arms outstretched on the Wembley turf. The best thing about it is the look on his face. It's as if he's saying, 'Well what did you all expect? It just happened, didn't it?' Charlie is as casual about it as ever. 'I've been a supporter myself. I always feel you're giving them something back. If you score and just run back to the halfway line it's absolute bollocks. There's no feeling. I always felt the rap. port with the crowd. I enjoyed it - if you don't there's no point in playing.'

That night Charlie didn't slope off home - he went mad. Critics say George never fulfilled his true potential. He could have ended up playing for Barcelona. He ended up playing for Dundee United. He shrugs. '1 could have been a better player I suppose, people seem to have said that about me. I'm quite happy about my life, I don't complain about anything, just sort of get on with it.' So George drifted about, from one shenanigan to the next. One of his fingers is missing, which he claims is the result of a lawnmower accident. It's debatable whether even the lawnmower believes him. He always was a rogue. Now he's back where he started, a face going about his business in Islington, watching the Arsenal on Saturdays. Wherever he goes he's still patted on the back for that goal. If you had a pound for every time it's been mentioned to you, eh Charlie?

Charlie George model from early '70s

Early 70's model of George is struck in the pose
of his famous FA Cup goal

'People recognise you scored the goal which enabled the club to win the Double,' he says. 'No matter where I go now - I watch Arsenal approximately 80 per cent of games home and away I'm recognised and I enjoy it. 'I've been a supporter and then I played and now I'm a supporter again. I only watch Arsenal.'

A version of this article first appeared in 'Proud to say that Name' by Amy Lawrence published by Mainstream.




See the story of the 1971 Cup Final programme, at
December 2001 News

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George

Bob Dunning
5 January 2002

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